Hitfix's Scores

  • TV
For 362 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 Mad Men: Season 6
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Mixed: 0 out of 200
  2. Negative: 0 out of 200
200 tv reviews
  1. The supporting cast was better used, there were occasional touches of humor beyond Monroe, they mythology didn't just feel like a retread of bits from "Buffy," "Angel," etc., and I even thought leading man David Giuntoli had gotten better.
  2. Grammer is outstanding enough on his own to merit watching....Boss as a series, though, still doesn't seem like it's quite there.
  3. If you're not meant to think too hard about what's happening, then "Sons" largely succeeds at its goals, particularly given the performances, the direction (led by Emmy winner Paris Barclay) and Sutter and his writers' talent for crafting gut-wrenching individual moments.
  4. The first episode is more of a pleasant experience that holds the promise of something better down the road.
  5. Quaid and Chiklis will keep me watching for a while, but in the long run I'd like to see a more ambitious approach to the material.
  6. So while Elementary fits a little too comfortably into the CBS lineup (in the timeslot "The Mentalist" was in last year), its specific approach to Holmes and Watson, and the way that Miller and Liu interact, makes the show work on its own less ambitious terms.
  7. Arrow is a competently-made superhero drama with an appealing lead performance from Stephen Amell.
  8. As with the many conspiracies of "Alias," I'm not always 100 percent clear on what's happening in Hunted, but the atmosphere and suspense are terrific, and the leading lady is compelling enough that I want to see her triumph over whoever it is she's ultimately supposed to be fighting.
  9. Downton in season 3 is still a soap opera (as it was in season 1, as well), but it's a smarter one; it's harder to see the puppet strings Fellowes is pulling this year to get to his desired outcomes.
  10. The new series succeeds on its own nostalgic terms.
  11. It's a solid, meat-and-potatoes police procedural, and one that could potentially evolve into more depending on how the flash-forwards are used down the road.
  12. Basically, it's fun: creepy when it needs to be, light when it can be (which is more often than you'd expect, given the life and death stakes), doesn't look too cheap (it has an easier time than "Copper," in that it doesn't have to recreate an earlier time period).
  13. The three episodes I've seen function as shaggy dog stories: not wildly funny, nor as dark and emotional as "Louie" so often gets, but amusing in spots and with a very clear voice.
  14. This is the closest thing to a fresh start the show is going to get, and there are some promising developments here suggesting this could ultimately be a more rewarding viewing experience than The Killing 1.0.
  15. Based on the three episodes I've seen, there's a lot of potential here, and an interesting blend of self-contained and long-form storytelling.
  16. This is all excellent raw material. Of course, King adaptations often feature such impressive individual parts, and only occasionally exceed the sum of them. But the Under the Dome pilot is quite promising.
  17. Clear History purports to have a real plot. But the movie also feels at time like an extended all-star jam episode of "Curb." Those are, perhaps not coincidentally, the best, and funniest parts of Clear History.
  18. As comedy pilots go, it's not an instant classic--though those are far more rare in comedy than drama(*)--but there are enough promising signs, both on-screen and off, to suggest it can get there in time.
  19. All told, it's a much more promising start to things than the first episode of "Dollhouse."
  20. It's more likable than funny, but it has a very clear sense of what it wants to do and how it wants to frame its star.... There's abundant chemistry between Fox and Brandt, between Fox and Juliette Goglia as his teenage daughter, and between Fox and Wendell Pierce as his boss at the TV station.
  21. If you're expecting the nuanced characterization and complex themes of some other period cable dramas of the 21st century, 'Klondike' will leave you wanting. If you're just asking for an entertaining adventure story with impressive visuals and a solid cast, it does the job.
  22. When you're smart men writing about the smartest man of all, you may feel the need to demonstrate your smarts in every possible way, with every beat of the story. But Holmes and Watson are such enduring characters, and these versions written and played so well, that they don't always require such elaborate mental gymnastics.
  23. Live Another Day may ultimately set off every clich├ęd minefield the show tripped over the previous eight seasons, but the time commitment is so much shorter that I can enjoy the show's strengths (Jack, his relationship with Chloe, the action set pieces) without getting too bummed out by its weaknesses if they wind up persisting like always.
  24. The plot is mostly gibberish.... But the language is wonderful, the performances excellent, and the direction by Bayona so fluid and gorgeous that I found the whole thing a treat even as I quickly lost interest in whatever it is all these people are working together to accomplish.
  25. Ultimately, the good in Normal Heart outweighs the bad, which isn't always the case with Murphy's work. It's an important story packed with vivid individual moments, but with this material and these actors, it feels like it could be so much more than what it is.
  26. The character beats with the heroes are as familiar as the show's ensemble, but the leads do some interesting things with them.
  27. Berry provides (pardon the pun) enough gravity to make Extant feel like a genuine work of science fiction, rather than a soap opera dressed up in sci-fi drag, which happens too often on the broadcast networks.
  28. Overall, Manhattan makes its intentions fairly plain, including its desire to evoke other historical dramas about brilliant but prickly men.
  29. Nikita is good, but it's not transcendent.
  30. The show is less profound and novel than it seems to think it is. But the performances are strong enough that I want to stick around for Cathy Jamison's final journey, even if the path feels particularly well-trod.
    • Hitfix

Top Trailers