Hitfix's Scores

For 426 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 65
Highest review score: 100 The Leftovers: Season 1
Lowest review score: 0 H8R: Season 1
Score distribution:
  1. Mixed: 0 out of 242
  2. Negative: 0 out of 242
242 tv reviews
  1. The other six episodes I've seen have their ups and downs, but that's kind of the nature of the beast with comedies that push the outer edge of the envelope of taste and common decency; their batting average will be lower than their comedy peers, but their slugging percentage will be higher.
  2. The new season starts a bit slow.... But it's all laying the groundwork for a gripping, almost nightmarish second half of the season in which the life of every member of the Gregson family seems in danger of splintering as badly as Tara's psyche.
  3. s a pleasure to report that Gossip Girl launches its fourth season with two confidently satisfying episodes. Because the episodes are designed almost as a stand-alone chapter, I can't say for sure if this bodes well for the season to come, but hey... Good Gossip Girl.
  4. While there was plenty these four could have continued to talk about, there was never a point where I felt they missed something obvious because they didn't know the others and what they do well enough.
  5. The show's as cynical as ever, but it doesn't feel nearly as empty. Selina's more of an actual character--and has become an accomplished slinger of four-letter verbiage in her own right--and even if the team's screw-ups remain inevitable, the ways in which they screw up feel far less predictable.
  6. That's Shameless in 30 seconds or less: messy, overcrowded, unapologetically frank and, at times, darkly funny.
  7. Almost everything that made the show a treat a year ago is present for the new season.
  8. When I write that "Undercovers is basically a slicker, more expensive, less geeky version of 'Chuck,'" that's not quite meant as an insult. I prefer "Chuck," but the pilot for Undercovers is stylish, sexy and, at its best, quite fun.
  9. It ain't deep, but the new Five-0 has the setting, it has the style and it has the cast to work.
  10. It’s not perfect, but it’s easily the most restrained--and satisfying--Kelley series since those first couple of years of “The Practice.”
  11. Thanks to committed performances from Cumberbatch and Freeman, and clever writing from Moffat and Gatiss, most of it works splendidly.
  12. So we have some of the best, and/or most likable, contestants in the history of the franchise, we have the most entertaining judge back, and the first two challenges very smartly play off the history of both the show and its contestants. What's not to like? I doubt this brings me back for the next standard season, but for this one? I'm in.
  13. Midway through the first season, Lawrence, Biegel and the other writers realized their cast was so funny together that the wisest course was to just put everyone together as often as possible, let everyone be goofy, and see what happened. By the end of the season, it was often funnier many weeks than the "Modern Family" episode leading into it. And even with Aniston's guest appearance tonight, this is still the show that Cougar Town became at mid-season last year.
  14. This is a very smart, well-produced, great-looking cop show, one that does familiar things but does them in interesting ways.
  15. Dexter returns as a slightly fresher show, without doing any damage to the character fans love. I enjoyed the first three episodes back and I imagine most fans will feel the same.
  16. The first episode is more of a pleasant experience that holds the promise of something better down the road.
  17. As with the many conspiracies of "Alias," I'm not always 100 percent clear on what's happening in Hunted, but the atmosphere and suspense are terrific, and the leading lady is compelling enough that I want to see her triumph over whoever it is she's ultimately supposed to be fighting.
  18. It's a big swing for ABC and for Ridley, and if it's not a home run, it's also far from a big whiff.
  19. Not only are high school horrors pretty universal, even if the specifics change, but I can find a way to fit "Awkward" into a tradition of hyper-literal high school comedies like "Pretty in Pink" or "Heathers" or "Mean Girls" or "Juno" or "The In-Betweeners" (if your taste runs to British TV). It's not as good as any of those, but it's not as bad as "Jawbreaker," which is in the same tradition.
  20. Basically, it's fun: creepy when it needs to be, light when it can be (which is more often than you'd expect, given the life and death stakes), doesn't look too cheap (it has an easier time than "Copper," in that it doesn't have to recreate an earlier time period).
  21. The three episodes I've seen function as shaggy dog stories: not wildly funny, nor as dark and emotional as "Louie" so often gets, but amusing in spots and with a very clear voice.
  22. Despite whatever aesthetic limitations it may have, The Curious Case of Curt Flood manages to tell a solidly complete version of the story over its 90 minutes, resisting the temptation to make this a simple hagiography.
  23. With the former "Hustle & Flow" co-stars as the leads, whoever tunes in will get something interesting.
  24. I liked enough of "Man Seeking Woman" to stick around and see what other crazy ideas Rich has for Josh. But I'm also prepared to spend long stretches of episodes watching through my fingers like it's a horror movie.
  25. This is all excellent raw material. Of course, King adaptations often feature such impressive individual parts, and only occasionally exceed the sum of them. But the Under the Dome pilot is quite promising.
  26. This is the closest thing to a fresh start the show is going to get, and there are some promising developments here suggesting this could ultimately be a more rewarding viewing experience than The Killing 1.0.
  27. Quaid and Chiklis will keep me watching for a while, but in the long run I'd like to see a more ambitious approach to the material.
  28. Grammer is outstanding enough on his own to merit watching....Boss as a series, though, still doesn't seem like it's quite there.
  29. f you go in looking for another "Breaking Bad," you'll be sorely disappointed--even if the second episode contains several visual nods to the work of Heisenberg--but if you're looking for a snappy cop show, you should do okay.
  30. If Red Band overdoes it in some areas, it's impressively restrained in others.

Top Trailers