Los Angeles Times' Scores

For 8,557 reviews, this publication has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Burma VJ: Reporter i et lukket land
Lowest review score: 0 Back in the Day
Score distribution:
8,557 movie reviews
  1. '71
    Nothing is extraneous, no moment that doesn't enhance the tension of this nightmare scenario is allowed to survive, until the proceedings become, in the best possible sense, almost unbearable to watch.
  2. Teaches important lessons in the most casual, joyful way. How it manages to do that is probably the biggest secret of all.
  3. A remarkable film.
  4. Im Kwon Taek's exquisite Chunhyang brings to the screen one of Korea's most cherished folk tales, a timeless romance in which the lovers are challenged by differences in class.
  5. It is best to let this stunning film simply wash over you and trust that all will become clear enough in time. Vengo in a sense is a concert film tied together with the slenderest of plots.
  6. Performances this strong and direction this sensitive make us simply grateful to have an emotional story we can sink our teeth into and enjoy.
  7. Rarely have a novelist and filmmaker been better matched.
  8. A deeply satisfying feat of storytelling, Bless Me, Ultima makes a difficult task look easy. It combines innocence and experience, the darkness and wonder of life, in a way that is not easy to categorize but a rich pleasure to watch.
  9. Humor, sentiment and melodrama strike a balance as he brings to life nine major characters and a host of others as well.
  10. With his ability to understand and convey these absurdist scenarios in both adult and preteen terms, writer-director Solondz catches the unlooked-for humor in poignant, hurtful situations.
  11. This buoyant, giddy comedy of catastrophe is the funniest film of the year so far, possibly the most amusing mainstream live-action comedy since "There's Something About Mary."
    • Los Angeles Times
  12. The film is never more real than when Jimmy unloads his anger on someone close to him, a frequent occurrence. Eminem is an actor with a rare gift for rage, and movie careers, even big ones, have been built on less.
  13. At a time when so many in this country are at odds about what represents America at its best, it's refreshing and then some to see a film that everyone can agree is an example of exactly that.
  14. A superbly shot film of emotional extravagance, sentimentality and even humor, House of Fools is a film that is ultimately quite moving but which probably could only have been pulled off by a director steeped in that famous Russian soul.
  15. Caesar Must Die shows us in the starkest possible terms the electric power of drama to move and touch not only audiences but the actors who bring so much of themselves to their performances.
  16. Complex, challenging and richly rewarding, it glows with the kind of wrenchingly selfless portrayals that are the hallmark of the Bergman classics.
  17. Intelligently written and directed with a pleasing frankness by Bill Condon and well played by Liam Neeson, Laura Linney and a strong supporting cast, the film skillfully uses the forms of old Hollywood to tell a story that would have given heart failure to Harry Cohn and his fellow tycoons.
  18. Like an exquisite minimalist painting - its beauty will move you, its simplicity will fool you. For there are layers and complexities to be found in the film, like the many mysteries it slowly exposes.
  19. Irresistible, hugely satisfying feminist fairy tale.
  20. Despite the pain, sadness and vast emotional upheaval depicted here, Bridegroom is also a movie filled with hope and passion, dignity and pride, and many stirring pockets of joy.
  21. Brings maximum subtlety, nuance and insight into the timeless story of first love.
  22. An invaluable portrait of us-and-them America, a smart, generous, poignant, quietly disturbing movie about secrecy and hospitality, and how easy it is for a tradition of separateness to flourish when the stakes are as deceptively frivolous as an eye-popping yearly party.
  23. A first-rate contribution to the Holocaust canon.
  24. An expertly designed theme park ride of a movie that packs nonstop thrills.
  25. This remarkably revealing and timely film, in which the depiction of pain and sorrow is suffused with a sense of beauty and a graceful, flowing style, more than lives up to glowing advance notices.
  26. Sicko is likely Moore's most important, most impressive, most provocative film, and it's different from his others in significant ways.
  27. [A] smart, relentlessly chilling thriller that opts for originality over cheaply rejiggered jolts.
  28. A deceptively simple, deeply resonant story about the inherent loneliness of family, the odds against assimilation and the enormous distances that can divide two people.
  29. Crisp as the creases in its naval officers' uniforms, this tale of seething conflicts aboard an American submarine on the eve of nuclear war is strictly by-the-numbers, but hardly ever are traditional elements executed with such panache.
  30. By turns thrilling, disorienting and draining, Sicario exists in a border zone seemingly of its own devising between the art film and the action movie.

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