Mojo's Scores

  • Music
For 4,989 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 1.5 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 Sound System [Box Set]
Lowest review score: 10 Milk Cow Blues
Score distribution:
4,989 music reviews
    • 72 Metascore
    • 80 Critic Score
    Improved fidelity aside, the song remains the same. [Aug 2004, p.88]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    A collision of punk-fuelled cacophony, halting balladry and guttersnipe sensibility. [Dec 2003, p.112]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    A rich, compelling album. [Jun 2003, p.93]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    This time [COF] have tempered their voluminous superfuzz with scenic bliss. [Oct 2004, p.101]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Dusky, angsty synth-pop. [Apr 2004, p.103]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Richman gets more reflective with age. [Aug 2004, p.86]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Still very much on the cerebral side of math-pop, Joan Of Arc have rarely sounded so open and welcoming. [Feb 2003, p.91]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    The big tunes--Push Upstairs, King of Snake, Born Slippy--are brasher and more powerful, and while the studio subtleties evaporate, they are replaced by thundering rock-n-roll energy and even wilder streams of lyrical consciousness.
    • 61 Metascore
    • 80 Critic Score
    The perfect vehicle for Eitzel's gorgeous, weary voice and wry, savage humour. [June 2002, p.106]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    A remarkable comeback. [Jun 2004, p.106]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Dreamily exploratory, but rooted in pop. [Apr 2004, p.102]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    This is the band at their melodious best. [Jun 2004, p.112]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    An ambient set of quite stunning beauty. [Sep 2004, p.95]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    There's no denying the intuitive understanding Stone has of the often daunting material she tackles. [Mar 2004, p.104]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    Streetcore is an amalgam of all that made Joe Strummer, the musician and the man, so great. [Nov 2003, p.131]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    A band who aim foolishly high but always return, wings intact. [Sep 2004, p.92]
    • Mojo
    • 68 Metascore
    • 80 Critic Score
    This is an enthusiastic hymn to the terminally uncool. [May 2004, p.106]
    • Mojo
    • 68 Metascore
    • 80 Critic Score
    North radiates a humanity that wasn't altogether apparent on, say, The Juliet Letters or When I Was Cruel. [Oct 2003, p.104]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Although Evening... has this unexpected core of angry commitment, she's still slick with Californian cruisers. [Nov 2003, p.123]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    As overdriven and mutated a noise as ever they've managed, Damage also retains Blues Explosion's trademark sweat-drenched feel for soul. [Oct 2004, p.101]
    • Mojo
    • 91 Metascore
    • 80 Critic Score
    A heartily uplifting brew of scruffy street style, swear words and stammering pop tunes which sweat musical history. [Sep 2001, p.99]
    • Mojo
    • 67 Metascore
    • 80 Critic Score
    That voice remains intact, warm, ever communicative, ahead of the game. [Oct 2004, p.112]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Blood Money makes for an extravagant headphone experience if you're in the right frame of mind. If not, its clatter and blare and nihilism will genuinely jangle your nerves. [Co-Album Of The Month (with 'Alice'), May 2002, p.94]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    A gem. [Nov 2004, p.98]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    Coheres as well as anything else in their canon. [Jun 2003, p.90]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    There's a wit, charisma and individuality at play that lends teeth to Rilo Kiley's tasteful alt country/indie-rock sound. [Mar 2005, p.104]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    It's all pretty essential stuff.
    • 66 Metascore
    • 80 Critic Score
    Top-notch whiteboy radio rock with an eerie inner glow of Manson family sunshine...
    • 71 Metascore
    • 80 Critic Score
    Gibb's voice--not to mention his lyrical outlook--is endearingly astringent. [Aug 2004, p.98]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    If the likes of 154-era Wire, early Cure and New Order appeal, this is for you. [Oct 2004, p.101]
    • Mojo