New York Daily News' Scores

For 6,789 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Affliction
Lowest review score: 0 Jackass: The Movie
Score distribution:
6789 movie reviews
  1. Despite its problems, there's a touching sweetness at the heart of Nancy Savoca's intimate family drama about estranged sisters trying to reconnect.
  2. The cool cast includes casual drop-ins from Sam Rockwell, Melanie Lynskey and Sam Elliott. The actors give off the feeling that we’ve wandered into the middle of a conversation among friends. This being a Swanberg movie, that’s kind of what is happening, complete with tiny epiphanies and people you want to hear keep talking.
  3. This is a mother's tale, and in Swinton's expert hands, Eva must ultimately deal with the fallout from an uncomfortable truth: She just never liked her kid.
  4. Credit goes to director Sam Taylor-Johnson and her screenwriter, Kelly Marcel, who've stripped the first book of its biggest flaws, while still honoring its essence. And lead Dakota Johnson makes for an ideal heroine, though — as doubters feared — her chemistry with costar Jamie Dornan doesn't always sizzle.
  5. Overly familiar but endearing nonetheless, this coming-of-age indie from Alexis Dos Santos is most likely to appeal to those who recognize themselves in the story's lost heroes.
  6. "Mad Men" co-star Hendricks’ radiant beauty works in striking contrast to the near-apocalyptic surroundings. Even though this movie is unusual, Hendricks emanates classic Hollywood movie-star appeal.
  7. The script, co-written by Bouchareb, is regrettably simplistic. But Blethyn and Kouyaté inhabit and expand the film's earnestly instructive intentions, leaving us with a deeply-felt experience rather than a naively-sketched lesson.
  8. Like a more personal, less pretentious version of Alejandro González Iñárritu's "Babel," this spiraling dissection of circumstance, choice and fate is more about thoroughness of vision than tricky storytelling.
    • 73 Metascore
    • 60 Critic Score
    This important, moving event was, as we know, documented in real time, but in Uprising gets put into a crucial context.
  9. Whether accurate or not, it's certainly entertaining to watch regal intrigues through the eyes of lady-in-waiting Sidonie (Léa Seydoux). That Jacquot handles the action so lightly is a credit, considering that it takes place during some of the tensest moments of the French Revolution.
  10. The twists and turns involve a high-level assassination, corrupt cops, squint-inducing violence and plenty of fearlessness.
    • 43 Metascore
    • 60 Critic Score
    It's riveting stuff, but Merola might have strengthened his argument with a little journalistic balance.
  11. Though the film ultimately falls short of its considerable promise, there's more than enough here to keep thoughtful moviegoers - of any age - intrigued.
  12. Though Bloom feels like he dropped in from another movie, it all spins on screenwriter Thornton's charismatic performance, which also accounts for the survival instinct inside the film.
  13. The claymation visuals are charming, and an enthusiastic, if somewhat underused, cast works hard to sell the better jokes (though the funniest gag is a silent monkey butler).
    • 37 Metascore
    • 60 Critic Score
    By the end of this romp, Fun Size actually accomplished something charming: sentimentality without normality.
  14. Fans of PBS, history and a certain kind of old-fashioned moviemaking may fall in.
  15. Wiseman films it all without comment, letting the rhythm of the place tell the story.
  16. Even the youngest viewers, not to mention their parents, will appreciate the buffoonish villainy of the dogcatchers (still useful villains more than half a century after "Lady and the Tramp"), and the movie's nice anti-kill shelter message is as it should be.
  17. The laughs are what keep the film together, even when the conceit feels been-there-done-that.
  18. Alightly boring, but slightly moving film.
  19. As vanity projects go, this one’s unusually well-made — as any portrait of an iconic stylist ought to be.
  20. It’s a pleasure to see Russo back on screen (she’s married to Gilroy). But Nina’s eager complicity is far too easy and every social critique flashes as bright as the neon guiding Lou around back-alley L.A.
  21. Crystal and Midler are such confident pros that their crack timing elevates even substandard material.
  22. This is a terrific time capsule with a resonant message.
  23. Amid all the hokey hill stuff, Lawrence's hard eyes and manner draw us in.
  24. Levine offers a mostly sharp takedown of middle-class hipsterdom, and he's terrific as a guy whose easygoing demeanor hides continuing growing pains.
  25. Acclaimed director Nuri Bilge Ceylan's meditative, at times maddening expression of human mystery and barren landscapes is gorgeous to look at, intriguing to think about and, at times, hard to sit through.
  26. Every aspiring performer will appreciate Gregori Viens' unassuming comedy, which cheerfully skewers industry pretensions and media-fueled trends.
  27. In a film that deliberately recalls 1970's "Five Easy Pieces," Dano's performance as a lost dreamer running from adulthood resonates beautifully.

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