New York Magazine (Vulture)'s Scores

For 203 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
  1. Mixed: 0 out of 100
  2. Negative: 0 out of 100
100 tv reviews
  1. Freddie... isn’t funny.
    • Metascore: 65
    • Critic Score 30
    It’s an astute parody, but it suffocates the show, sealing The Colbert Report under a hermetic layer of irony.
  2. Although not quite Northern Exposure for morons, Men in Trees makes you want to climb one, just to get out of the way of the smirks.
  3. Tedious.
  4. When it isn’t slamming bedroom doors in a high-rise apartment house in ostensible Manhattan (just like Mad About You except without the charm) or meeting for heavy innuendos at the corner diner (just like Seinfeld except without the writers), Rules reiterates Til Death’s take on marriage.
  5. After twenty years of stalwart service, Kelsey Grammer should be allowed back on television whenever he likes. But on a show like this, why would he want to be?
  6. I don’t care whether Serena (Blake Lively) and Blair (Leighton Meester) can ever be best friends again after what happened with Blair’s boyfriend before Serena ran off to boarding school is not just because I’m an old fart.
  7. I’m tempted to suggest that Eleventh Hour will only be worth watching if it acquires a sorely needed sense of humor, but maybe I’m missing some laughter in the dark.
  8. If series like In The Motherhood are designed as Trojan horses for product placement, they won’t have much impact if they’re as weakly written as this Frankensteinian mulch of mommy-war cliches and "Santa is dead" gags.
  9. In place of Saget’s real-life comic shtick, which is genuinely outrageous and dirty, we get sour, rehashed Honeymooners, misanthropy without insight.
    • Metascore: 64
    • Critic Score 30
    What ultimately hampers Love Monkey isn’t its lack of credibility. It’s a severe shortage of preposterousness.
  10. The dialogue is so weak, the characters so thin, and Sheen's performance so uncommitted that Anger Management sleepwalks across the screen.
  11. It holds the distinction of being the first TV show I've ever wished that I could punch in the crotch.
  12. In the new drama Made in Jersey, Working Girl meets Erin Brockovich, and together they leap into the CBS pit of blandness and drown.
  13. The show is "clever" in a way that makes me mourn how far standards of cleverness have fallen. If it's the best new comedy that NBC has in the pipeline, the network is in more trouble than anyone knew.
  14. The problem is that The Carrie Diaries is an inept spinoff that dishonors its source.
  15. Do No Harm's biggest fault, besides lackluster dialogue, is its overall air of deep insecurity, a quality that's unfortunately too common on network dramas.
  16. Series creator David S. Goyer seems to be going for exuberance; but Da Vinci’s Demons is never exuberant enough to overcome a crippling combination of leadenness, silliness, and mediocre storytelling.
  17. The show is so enervating and undeservedly full of itself, and such an altogether depressing combination of brilliant production values and subpar drama, that I can't muster the necessary bile.
  18. Without Anthony Edwards's unpretentious intelligence anchoring Zero Hour, I doubt I could have gotten through ten minutes of the pilot without gnashing my teeth in annoyance.
  19. It's just bad-bad. Specifically, it's retro-bad.