This meticulously nuanced, sensitively acted film version of the Pulitzer Prize-winning play by David Lindsay-Abaire gives Nicole Kidman her best role in years, and she chews it like raw steak.

Despite extremely unpleasant material, he (Schwimmer) coaxes subtle, incredible performances from his cast and builds a tense, arresting narrative.

Too bleak and wrenching to recommend unconditionally. You need a strong constitution to watch it soberly, but it is a gripping experience that left me weak in the knees.

This is a subtle, elegant and altogether triumphant film about a subject I thought I was tired of, told with an artistry and freshness that is positively thrilling.

A cynical, polished and deeply disturbing look at the kind of camera-ready liberal dreamboy who gets elected in 60-second sound bites, it is one of the most important films of the year.

In Darkness is gloomy and hard to take for a running time of 145 minutes, but it's an important film, related with deep conviction, and uncompromising in its understanding of the remarkable things members of the human race have done - to, for, and against each other - in the wilderness of war.

Lee Hirsch is certainly one who is making a difference. I endorse him and his brave, powerful movie and urge you to see it for yourself. You might leave Bully with rage, but you will not leave Bully with indifference.

It's a delectable slice of Southern Gothic humor, a side show of rednecks and Bubbas and Aunt Tooties.

Considering the subject, ripe with titillating possibilities, it's surprisingly about as sexy as a week-old meat loaf. Tastefully directed by Tanya Wexler, it is a total joy from start to finish.

Don't miss this one. A brave and inspired antidote to time-wasting mainstream movies, it is unlike anything you've seen before or will likely ever see again. In short, it is unforgettable.

I think everything about the movie is too subtle and real to appeal to the "Batman" demographic, but for mature audiences who have forgotten how to smile, it takes up where "The Best Exotic Marigold Hotel' left off.

Laugh-out-loud funny and somewhat melancholic.

The result is a movie of enormous intelligence.

As a bare-knuckle assault on the corruption that has come to define the creeping rot of American politics, Knife Fight is neither as satirical as Barry Levinson's "Wag the Dog" nor as incisive and wrenching as George Clooney's "The Ides of March," but it's a noble, shocking and inspired film worthy of attention.

Flawed but different, well-crafted and consistently powerful, At Any Price is the best film about impoverished farmers in the economic agricultural crisis since Jean Renoir’s "The Southerner."

In one of the most wrenching performances I have seen on the screen in some time, it’s thrilling to watch a young actor with passion and charisma explore so many avenues of damage control with so much depth, allowing the viewer to grapple with an unsettling variety of personal emotions.