New York Post's Scores

  • Movies
  • TV
For 6,902 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 City of God
Lowest review score: 0 Noel
Score distribution:
6,902 movie reviews
  1. There are a few exciting battle sequences and the sets are lavish, but mostly the film meanders aimlessly for more than two hours. No wonder new sword-and-sandal movies are in short supply.
  2. Dystopia’s supposed to be worse than what’s in the papers, fellas. Try to keep up.
  3. Sometimes there's a fine line between a labor of love and a vanity project, and The Lost City, Andy Garcia's heartfelt - but hackneyed and interminable - love letter to his native Cuba, repeatedly crosses it.
  4. Despite this seemingly surefire premise and cast of veteran comedians - there's even a cameo by Liza Minnelli as a masturbation coach - The OH in Ohio just lies there, without a single laugh.
  5. Almost without exception, the men are either sickening deviants or wise mentors while the ladies tend to be kickboxing hipsters or victims of sexual abuse (many are both).
  6. The only hint of professionalism comes from Cheech Marin as Cannon's boss, who at times seems to be acting in a different movie.
  7. The Lord works in mysterious ways but Persecuted works in blundering, obvious ways, straining a Christianity-under-attack theme through a dopey thriller.
  8. A depressing and tedious movie.
    • 7 Metascore
    • 25 Critic Score
    The real disappointment is Danny DeVito as a creepy coroner.
  9. With so many worthy movies being made in Europe, it's a crime that something as mediocre as Erotic Tales gets a release here.
  10. Toothless, unbelievable and not particularly funny, New Suit is no threat to "The Player," "Swimming With Sharks" or "The Big Picture," to name but three more interesting pictures in this inside-baseball genre.
  11. A very belated and very silly follow-up to "Death Wish."
  12. Makes little attempt to be credible or original. And the acting is poor.
  13. Tired? This series is as exhausted as Shrek after a day of baby wrangling and diaper changing.
  14. Wind power plus solar power equals hot air in the propaganda piece Carbon Nation, a documentary so disconnected from reality it could have been produced by President Obama's speechwriters.
  15. Charles Busch's spoof of beach-party movies and psychological thrillers, an off-Broadway hit 13 years ago, stubbornly refuses to entertain in this unrelentingly dull film version.
  16. Rickman has fun playing a lecherous old bastard of a professor in Nobel Son, a pulpy would-be comic thriller, but the movie doesn't deserve him.
  17. A good cast can't save The Lodger, the utterly wrongheaded fourth movie version of a 1910 novel inspired by Jack the Ripper.
  18. A movie about bisexuals sounds fresh and fun on paper, but a sensitive acoustic song under the opening credits shows exactly where The Happy Sad is going. Deadly earnestness and sex don’t mix well at the movies.
  19. A miracle of badness, a kind of art- house "Showgirls" -- which actually exceeds "Showgirls" in its self-indulgence, shallowness and sheer stupidity.
  20. Nesting is a sitcom, but a really slow and dull one that barely grinds out 22 minutes' worth of plot to fill a 90-minute hole.
  21. Holmes, with Alice Cooper hair and crazy Jim Carrey eyes, looks terrible and acts worse, unless this movie is unintentionally a lobotomy documentary. Whatever could have happened to her in the last couple of years to zap the talent out of her like this?
  22. Repo Men is a rare film where Toronto plays itself. It's also the first I've ever seen where a typewriter is used as a lethal weapon.
  23. A weird mash-up of disaster, horror and dystopia genre pictures, Aftershock fails to make the Earth move.
  24. Rates an "E" for effort -- and a "B" for boring.
  25. Even for a mumblecore film, Computer Chess is weak stuff, a punitively dull chunk of quirk that is about, and feels like, being stuck in a motel with a gaggle of programming nerds for a weekend.
  26. Embarrassingly bad - the kind of slapdash exercise that gives even Hollywood formula a bad name, while doing little justice to the sport.
    • New York Post
    • 42 Metascore
    • 25 Critic Score
    A twist ending does nothing to make the previous 85 minutes interesting.
  27. To compete with the quintessence of nullity that is Sofia Coppola's insufferable Somewhere, imagine a film called "Wanna See Me Crack My Knuckles?" or possibly "Let's Learn How Long It Takes This Shallow Dish of Liquid To Evaporate."
  28. I only laughed once, and it was when Whit Stillman made a cameo to be snubbed by the newly self-actualized Imogene. But it was mostly in disbelief; pretentious or not, Stillman represents a caliber of smart writing that’s wholly absent from Girl Most Likely.

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