Philadelphia Daily News' Scores

  • TV
For 676 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 2.9 points lower than other critics. (0-100 point scale)
Average TV Show review score: 62
Highest review score: 100 Game of Thrones: Season 4
Lowest review score: 0 Big Shots: Season 1
Score distribution:
  1. Mixed: 0 out of 365
  2. Negative: 0 out of 365
365 tv reviews
  1. While it's not always easy to watch Time of Death, which is bound to trigger memories for those who've logged time with the dying, it's a gift to spend time with its highly individual subjects, who resist a one-size-fits-all approach.
  2. Eureka remains my favorite of the two [the other is Warehouse 13], maybe because it seems to do a better job of integrating new characters - and viewers - even as it allows its writers to reset the show's reality as often as they choose.
  3. [Go On] is among the best new comedies of the season.
  4. As odd-couple partners go, they're [Marco Ruiz (Demian Bichir) and Sonya Cross (Diane Kruger) are] wonderfully imperfect. {The] 91-minute pilot is full of surprises, large and small, and sets the scene for a larger story.
  5. The Honorable Woman" doesn't give itself away easily--I was well into the eight episodes before a few things began to be clearer--but Blick uses his other characters so effectively that the wait doesn't seem wasted.
  6. Battle Creek is a whimsical, even genial, cop show.
  7. The presentation may be Hitchcockian at times, but there is nothing fun or arch or cartoonish or even particularly original in the violence that permeates Luther. It is, quite simply, terrifying, and we are meant to take it as seriously as Luther himself does.
  8. The patients, too, are easier to take. With no one in sight that Paul's likely to get mushy over--the way he did so disastrously with Laura (Melissa George) last season--we're free to admire Mahoney's artistry as a CEO with panic attacks or to root for young Oliver, whose parents need therapy more than he does.
  9. There are a few occasions when Clinton, a politician used to rolling right over interviewers to get his message out, finds himself speaking at the same time as Costello, but it's only noticeable because the host is for the most part the most self-effacing of interviewers.
  10. I still don't know where it's headed, but it feels, finally, as if we could be getting somewhere.
  11. A dramatically satisfying story that embraces the second half of the F. Scott Fitzgerald line, "Show me a hero and I'll write you a tragedy."
  12. Schilling's Piper, engaged to the supportive Larry (Jason Biggs) and dodging the attentions of her former lover (Laura Prepon) as well as more aggressively amorous inmates, displays a nice comic sense as she encounters one prison Catch-22 after another. The supporting cast is a strong one. But it's Kate Mulgrew, as the inmate who rules the prison kitchen with an cast-iron fist, who steals every scene she's in, and should leave Netflix's streaming subscribers begging for more.
  13. Adventure lovers of both sexes should want Outlander.
  14. Dollhouse is less about the ninja kicks and witty banter than it is about instant transformations, and about making the audience care about a character who's likely to behave differently every time we see her. That Dushku mostly pulls this off is a happy surprise, as is Dollhouse, which has survived "Firefly"-like trials of its own to get this far.
  15. Frances McDormand takes the difficult title character from Elizabeth Strout's Pulitzer-winning collection of short stories out for a slightly different spin, but the result is less a challenge to Strout's vision than a broadening of it.
  16. Creator Diablo Cody ("Juno"), in writing a family that's been living for a long time with a skewed idea of normal, shows how resilient people can find the funny in situations that to outsiders might seem tragic.
  17. So far, Kaling's is pitch-perfect.
  18. Though Moffat's written some scary stuff for The Doctor before this, Saturday's season premiere feels like a fresh start.
  19. It's a formula that's worked so far, and if you've already loved shows like "Psych" and "Burn Notice" and "Royal Pains," why shouldn't you love White Collar?
  20. Purists may scoff, but I'm more than a little enchanted by Sherlock, and by a cast that includes Rupert Graves as Detective Inspector Lestrade; Una Stubbs as Mrs. Hudson, Holmes and Watson's landlady; and Zoe Telford as Watson's love interest, Sarah.
  21. It's quibbling to say that it feels at times as if Downton Abbey had been custom-designed for those of us for whom period romance is mother's milk, studded as it is with plucky heroines, accidental heirs and scheming dowagers, with just enough history thrown in to make the melodrama seem highbrow. It's not, really, though. It's simply delicious fun.
  22. ABC is taking it one step at a time as it uses its biggest hit, "Dancing with the Stars," to give three of those shows a fighting chance. At least one of them actually deserves it. That would be Modern Family.
  23. Grammer and Heaton slip easily into characters who won't be easily mistaken for Frasier Crane or Debra Barone, the writing's professional, the supporting cast dependable (and in the case of Fred Willard, another "Raymond" veteran, dependably hilarious).
  24. Like its much-watched counterpart on AMC, In the Flesh isn't always easy to watch. But I didn't want to miss a minute. Zombies and all.
  25. A smart, sometimes bittersweet comic-book adaptation.
  26. [There's] a level of ambiguity executive producers Howard Gordon and Alex Gansa might not have gotten away with when they were writing for Kiefer Sutherland's Jack Bauer on "24," but it's part of what makes Homeland, adapted from an Israeli series created by Gideon Raff, one of the season's most intriguing dramas.
  27. Personally, I've had about enough of vamps, even the moody Mitchell, but George can be a sweetie and Annie's irresistible, especially when she's making tea that she can't drink for dozens of people who never stop by. If you're already home on a Saturday night, why not spend time with a girl who probably needs to get out even more than you do?
  28. But it's Perabo, as an endearing overachiever who thinks on her well-shod feet, who makes Covert Affairs such an entertaining ride.
  29. In a sign that Runway's producers now know where the show's strength lies, the designers' first-episode challenge doesn't, for once, center on materials scooped up at the supermarket or home center but on actual fabric.
  30. I'd be happy enough with this cast and this concept to simply wander along for a bit, ignoring the trail of bread crumbs and focusing on the lengths one man might go to hold onto those he loves.

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