Philadelphia Daily News' Scores

  • TV
For 750 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 62
Highest review score: 100 Broadchurch: Season 1
Lowest review score: 0 Big Shots: Season 1
Score distribution:
  1. Mixed: 0 out of 414
  2. Negative: 0 out of 414
414 tv reviews
  1. What starts out as a seemingly generic series about an assortment of showbiz wannabes becomes more engaging over the first few episodes.
  2. The humor's as broad as Lake Michigan, but when Sirens wades in a little deeper, as it occasionally does, it sometimes manages to be even funnier.
  3. It's a solid effort, but after three episodes, I'm not convinced that puncturing a carefully crafted image brings us closer to knowing the actual women behind the men.
  4. The pace, beginning with the group's launch in New York City, is fast enough to make the race, not the accompanying whining, the main event. [5 Sep 2001]
    • Philadelphia Daily News
  5. Although Queen Sugar looks beautiful and introduces some great characters--including the Bordelon siblings' Aunt Violet (Tina Lifford, Scandal) and her much younger boyfriend, Hollywood (Omar J. Dorsey, Ray Donovan)--the three episodes made available to critics are scene-setters. The seeds for good drama (or at least quality soap) are there. We'll just have to see what grows.
  6. You'll still need to suspend disbelief to accept her as someone the CIA could trust again, much less as anonymous enough for clandestine work. But if you can make the leap, it looks as if the post-Brody world still has stories worth telling.
  7. The Glee Project returns to Oxygen Tuesday with all the fun and frustration that marked its first round.
  8. The humor's not nearly as pointed as it is in Veep, but if you like Jack Black being Jack Black, you should like him here, too.
  9. For now, though, it's a familiar-looking drama that raises some less familiar questions about the things that makes us human--and the things that threaten to rob us of our humanity.
  10. Tonight's episode is one of those typical season openers where the writers have to undo most of what happened in the previous season's finale, but Bones fans won't want to miss it.
  11. The show's action-packed and wildly improbable, but Helfer looks as if she might be having fun, and if you don't think too hard (and wouldn't rather be watching the gunplay in "Justified"), you might, too.
  12. [Sutton Foster is] charming and so is this show, whose entire first season I scooped up in a few sittings.
  13. The second series, as they call it in Britain, shows signs of strain, as creator Julian Fellowes throws one obstacle after another between his sets of star-crossed lovers (some upstairs, some down).
  14. "The O.C." team of Josh Schwartz and McG keep this one fast and mostly funny, but it's no "Heroes."
  15. I've only seen one episode, which is enough to feel hopeful about the chemistry between Karl Urban (playing an angry, damaged human cop) and Michael Ealy (his possibly misprogrammed android partner) but not quite enough to tell why Lili Taylor would sign on to play the captain in a sci-fi buddy-cop show.
  16. So while the plot points might be as far-fetched, the emotions aren't.
  17. NBC, which could have ripped off yet another "reality" show for 8 p.m. Sundays, instead bought into something imaginative and intriguing and, yes, a little crazy.
  18. Jenna being actually pretty adorable. And so is Awkward, which, like "Glee," deals gently and semicomically with issues of sexuality and bullying but never really draws blood.
  19. No one should base a term paper on it, but Da Vinci's Demons is at least an entertaining lie.
  20. That Ben's girlfriend, Danielle, also has a transgender father ("It's just a small world, people") seems a touch made-for-TV, but the kids truly are OK, and their dealings with all four of their parents feel more real than surreal.
  21. Fans of Animal Planet's "It's Me or the Dog" or National Geographic's "Dog Whisperer with Cesar Millan" will recognize this summer series about New Yorkers and the canines that own them for the copycat it is, but who cares?
  22. While The X Factor may not on the surface offer anything that can't be found on "Idol," "America's Got Talent" and "The Voice" or their many cable imitators, it does have a level of showmanship that makes me want to believe again, whether it's in 13-year-olds who sing like established stars three times their age or in recovering addicts whose lives just may be about to change forever.
  23. I wouldn't say Lilyhammer is worth signing up for Netflix to see, but if you're already paying for it and you like Van Zandt--and Norwegian knits--it's certainly worth a look.
  24. I don't know if the show I thought I was watching is actually the show she intends to make. But I'm willing to stick around to find out.
  25. New Amsterdam's pilot, directed by Lasse Hallstrom, who's also one of the show's executive producers, is as well-executed as any I've seen this season.
  26. Gotham features some intriguing performances. But just because it's on at 8 and derived from a comic-book franchise doesn't mean it's kid stuff.
  27. This is all shockingly straightforward, especially compared to the darker "Arrow" or to Fox's "Gotham," where even young Bruce Wayne has an attitude. But when your main character's moving this fast, it probably helps if he's someone viewers want to keep up with.
  28. The pilot's a little slow. But a few episodes in, I found I wasn't bored a bit.
  29. This one's helped considerably by the casting of Gillies--whose character, it turns out, actually can sing--and Corbett, who's as smooth as Leary is rough.
  30. The plotting of the pilot is a bit too pat at times, but two subsequent episodes bolster the argument that Underemployed deserves a shot at going full-time.

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