Philadelphia Daily News' Scores

  • TV
For 591 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Game of Thrones: Season 4
Lowest review score: 0 Big Shots: Season 1
Score distribution:
  1. Mixed: 0 out of 312
  2. Negative: 0 out of 312
312 tv reviews
  1. If Ironside is going for more than cop-show-with-a-gimmick, it needs to go even bigger.
  2. There's nothing terrible about the pilot of NBC's Welcome to the Family, but nothing that explains how it attracted Mike O'Malley, Mary McCormack , Ricardo A. Chavira and Justina Machado.
  3. The originals strikes me as what "Dallas" might have been if J.R. and Bobby had been immortals. And living, of course, in the Big Easy.
  4. I'm not entirely sure where Tolan, Kinnear and company are going with this, but I'm only interested if they're willing to go all in. Because a toothless rake is of no use at all.
  5. If not for Epps--and Fisher and Smith, who are terrific as two people trying to come to terms with the impossible--I might have preferred this one had stayed buried.
  6. Believe doesn't do nearly enough to stand out, beyond some very pretty blue butterflies and a declaration that only the bad guys will be carrying guns.
  7. Little about Murder in the First feels fresh, much less first.
  8. Police corruption, sexual harassment and worse form the underpinnings of a soapy serial that's hard to take seriously but that might fit your summer mood.
  9. Slate's intriguing as Russ' best friend, a woman who married an older man (Paul Reiser) and whose situation is more complicated, and more interesting, than it appears at first. But even if Married was all about her, I'd probably still find it more sad than funny.
  10. Passmore's interesting to watch, but the characters are frustrating in their refusal to acknowledge that their obstacles are far from insurmountable.
  11. Thanks to some happy casting, the show's not actually unwatchable.
  12. Misgivings about Heche aside, "Men in Trees," in a weaker season, might be worth trying to warm up to.
  13. Based on the first episode... we're talking predictable prime-time soap.
  14. "Notes" feel[s] like a number of other sitcoms about couples who hail from Mars and Venus, respectively, and adds little to the discussion beyond stretch marks.
  15. K-Ville's Lisco seems to want to have it both ways, presenting very complex cases and then wrapping them up neatly within the hour.
  16. Unless the writers figure out a way to step away from the car without stepping away from the funny, I'm not sure how long the show can stay there before it's pulled over.
  17. Families whose kids aren't yet jaded by "Gossip Girl" and "America's Next Top Model" might find the wildlife pretty wild, and the kids a little less so.
  18. Sadly, though, the cliches rack up even faster than the wardrobe changes.
  19. Sadly, though, there's nothing quite that earthshaking going on in Swingtown, which boasts the same eye for detail that characterizes AMC's early-'60s drama "Mad Men"--from a woman smoking on an airplane to another sipping a Tab--but none of its style.
  20. So why would TNT settle for warmed-over Bochco? Because that's what they're getting.
  21. Cupid may really be insane, and the undeniably offbeat Piven never let you forget it. Cannavale just seems, well, stubborn.
  22. Hawley, who cited two of the best cop shows ever, "Hill Street Blues" and "NYPD Blue," as models, might want to hold off on the patent application. The one episode I've seen of The Unusuals felt unreal and unoriginal. Too bad, because Hawley's assembled some terrific players to populate his precinct of supposed misfits.
  23. As TV dramas go, Mental is far from unwatchable. But unless you're spending the summer without cable, it's also probably unnecessary.
  24. The writers, while showing a certain lack of imagination in feeding Toby the voices of passers-by--no, it's unlikely that woman who passes you on the street, guys, is thinking what they think she's thinking--have at least invested their lead with a mildly intriguing backstory.
  25. Zack (Jon Foster) also very sweet, which leaves Elfman as the sour (sort of) grown-up, a thankless job made only more thankless by the writing, which takes a bad situation and only makes it worse.
  26. I bought into Ekman's ideas so immediately that I found myself looking at my watch as Lightman and company tried to persuade others. In the TV critic business, this is known as Not a Good Sign.
  27. Poehler's funny because she's a smart blonde, not a dumb one. Here, she's reduced to one of TV's default settings.
  28. Damon ("Lost's" Ian Somerhalder) complains. "Remember, Stefan--it's important to stay away from fads." If only the CW would listen.
  29. A model-thin depiction of the glamorous and not-so-glamorous lives of fashion mannequins that was co-created by Ashton Kutcher.
  30. The pilot for FlashForward, by contrast [to "Lost"], feels more like deja vu, with characters who could've been rounded up from a disaster miniseries, tied to a mystery that's only compelling if we care what happens to these people.

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