PopMatters' Scores

For 480 reviews, this publication has graded:
  • 33% higher than the average critic
  • 5% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 7 points lower than other critics. (0-100 point scale)
Average TV Show review score: 57
Highest review score: 100 The Office (UK): Season 1
Lowest review score: 0 Get This Party Started: Season 1
Score distribution:
  1. Mixed: 0 out of 176
  2. Negative: 0 out of 176
176 tv reviews
    • 53 Metascore
    • 40 Critic Score
    The two-hour Season Four premiere sends FBI Special Agent Seely Booth (David Boreanaz) and forensic anthropologist Bones Brennan to England, and the result is disappointing, lacking the series’ usual wit and cool science-y stuff.
    • 35 Metascore
    • 40 Critic Score
    The individual performers, enthusiastic as they seem to be, are hardly helped by this approach. Shannon and John Michael Higgins (who plays Kath’s new boyfriend, Phil Knight) are both used to playing lovable buffoons. But their time is largely wasted here.
  1. At once schematic and preachy, it never indicates the stakes--either for its “diverse” players or for you.
  2. Unfortunately, clumsy writing gets in the way of potential insight.
  3. The show is, in various ways, just such a trick, not quite convincing viewers that its shtick is authentic, but granting that those viewers get the joke (and will forgive, and even enjoy, the cheesy results).
  4. The connections are sudden, relationships shallow, and dialogue glib.
  5. What's ultimately frustrating about The Event is not the lack of answers (though the pilot does conclude with Sophie telling President Martinez, "I haven't told you everything") or the dreadfully lazy characterizations. It's the insistence that the plot somehow taps into something that's happening right now in the United States.
  6. For starters, they need to offer intriguing characters and meticulous plotting. The first episode of Chase provides neither.
  7. We cheered for Jack McCoy to convict the scumbag criminal on Law & Order and for Ally McBeal to speak out for the wrongly accused. Here, there are no easy answers, but the difficulty doesn't tax viewers' intellectual curiosity so much as their patience.
  8. Better With You might try to be a straight-up joke/punchline/laughtrack sitcom. But that dooms it to comparisons with the other ABC shows such as Modern Family and The Middle that bookend it on Wednesday night. Those shows both have more distinct attitudes toward institutions like families and, particularly, marriage, than Better With You seems likely to find.
  9. Unfortunately, the rest of the episode follows Dexter's descent into a routine guilt spiral, blaming himself for Rita's death (he should have "been there" to "protect her"), rather than ruminating on how it feels to be on this receiving end of a serial killing. How a series this smart could overlook the far more interesting angle is as much of a wasted opportunity as it is a disappointment.
    • 73 Metascore
    • 40 Critic Score
    It doesn't help that the vehicles reviewed thus far aren't surprising (Lamborghinis, Mustangs, Aston Martins), but the shenanigans the hosts set up for themselves can be thrilling.
    • 46 Metascore
    • 40 Critic Score
    The first episode offers little to recommend. However, if the show can keep up with the boys as they undergo their own awakenings, then it might eventually offer something fresh to the campus comedy canon. If not, the series will become a comedy of last resort.
  10. The trouble is, they don't surprise you. Their routes to redemption are laid out early and often.
  11. The show seems aware of the questions raised by this narrative dynamic, but hasn't sorted out a way to do more than note them.
  12. In another series on another network, Kate might have stood out. Stuck on USA, though, she's an extraordinary woman on an ordinary show.
  13. Yet another medical-mystery-forensics drama set in a large American city.
  14. It's like the producers have set up Breaking In to be an action-comedy but nobody involved really cares about the action portion. But if the show is starting as a mild disappointment, it's far from terrible.
  15. While the interviewees here can look back and put pieces together, fragmentation and lack of focus may be Gettysburg's most authentic effect.
  16. Some celebrities will surely offer better material to edit than Hasselhoff, famous and not. Future episodes promise encounters with Reggie Bush, Kathy Griffin, and Mike Tyson. Tyson in particular may bring just enough crazy to the table to tip the genre scales back to train wreck.
  17. As George W. Bush describes his thinking on September 11, it's hard not to wonder, well, what he was thinking. It's a mystery that remains unanswered in George W. Bush: The 9/11 Interview.
  18. The promos for New Girl suggest that it's something new or at least mildly unusual. But its first episode looks like more of the same.
  19. Unforgettable is a show cobbled together from the once good bits of once good shows.
  20. The story is silly, but not trashy enough to make it your latest guilty pleasure.
    • 43 Metascore
    • 40 Critic Score
    Hart of Dixie doesn't look to be much more than what you'd unfortunately expect.
  21. It's as though the show imagines that if can just cut from one event to another fast enough, no one will notice how shallow it all is.
  22. Filmed and set in a soggy, green-washed Portland, Oregon, its procedural plotting and visual flair carry it along when it occasionally lapses into something like camp.
    • 35 Metascore
    • 40 Critic Score
    This isn't to say Are You There, Chelsea? is completely hopeless. There are bright spots. The brightest, predictably, is Handler.
  23. Unsupervised appears content to amble along, reiterating what we've seen before.
  24. The performance and the script's stretches (stick around for Peterson's climactic strip search) are less convincing than campy.

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