Premiere's Scores

  • Movies
For 1,070 reviews, this publication has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 2.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Munich
Lowest review score: 0 Boogeyman
Score distribution:
1,070 movie reviews
  1. An astounding achievement in production design, an original creation so completely in tune with the books' macabre sensibilities that even the movie's (arguably) happy ending can't diminish its satisfying sense of schadenfreude.
  2. Doesn't always work -- like its title, the movie straddles two separate worlds, landing squarely in the dreaded realm of "dramedy" -- but it's a noble effort.
    • 57 Metascore
    • 75 Critic Score
    A sports flick that’s a worthy addition to the genre.
  3. Strikingly shot with some wicked hand-held virtuousity, Assault is rivetingly suspenseful in how it toys with the morals of good guys flip-flopping to the dark side (and vice versa).
  4. As science gives way to science fiction, the movie loses its way, squandering time that might better be spent exploring the ocean's floor, where these alien life forms already among us must be seen to be believed.
  5. Listen up, fanboys and enthusaiasts of sophisticated visual wizardry: this theological noir-horror actioner-a stand-alone, rapturous good time-craftily and accurately captures the straight-faced camp, wry wit and episodic structure of its source material.
  6. Though Melinda is no masterpiece, it’s also an Allen film that requires almost zero special pleading.
  7. Though Steamboy could have been smarter and more dramatically engineered, this razzle-dazzle ride won't disappoint if you just need to blow off a little you-know-what.
  8. The film's ambitiously eye-opening hypothesis, colorful characters, genuine compassion, and unexpected humor will make for a great vintage in years to come.
  9. For the most part, what it aims to do-amuse and uplift-it does wonderfully.
  10. Slick, well-acted, and smarter than it has to be.
  11. What could have been Solondz's most complex and challenging film winds up being a bit on the flat side. Still, the life-forms skittering over its surface are fascinating to behold.
  12. It’s hilarious, and genuinely cool.
  13. It's a brisk and lively getaway with genuine personality.
  14. Features some of the best fight and chase footage you'll see all summer.
  15. If anything, it's the degree to which the animals differ from us that makes March of the Penguins so fascinating.
  16. Even as Dark Water's horror-movie component flounders, a different, arguably better kind of thriller emerges.
  17. A definite crowd-pleaser, Hustle & Flow has all the makings of a massive cultural phenomenon - if only audiences can get past the whole pimp thing.
    • 35 Metascore
    • 75 Critic Score
    Stick it out through the first ten incoherent minutes or so, and Stealth is an invigorating reward, especially the tense final half-hour.
    • 71 Metascore
    • 75 Critic Score
    Red Eye packs only about 15 minutes of solid scary, but really, that’s about all the time a human heart can spend lodged in one’s throat.
  18. Perhaps with an open and willing mind, you'll also see the vast difference between this wily consciousness experiment and, say, Rob Zombie's new box of schlocks.
  19. In the end it's still Gilliam Lite, but Gilliam Lite is better than no Gilliam at all.
  20. With almost palpable anger, Meirelles hammers home the point that crushing poverty is only one problem for Africa that the West needs to do something about.
  21. As exciting and involving as it is brainy.
    • 49 Metascore
    • 75 Critic Score
    You can't help but see this movie being crafted out of shards of movies past, seemingly in a cut and paste method. In the hands of a less skillful director, the film could very easily flop, but it doesn't.
  22. Plays like a modern-day inversion of "Inherit the Wind," highlighting an astonishing shift in the American legal system over the last 80 years.
  23. I have misgivings about Schreiber's use of the well-worn "I'll make you empathize with these Others, but first let's have laughs at their expense" approach, but eventually I was won over by his humane, moving road trip.
    • 83 Metascore
    • 75 Critic Score
    The Poe-esque story, the wonderfully twisted physical geometry of the characters, and the director’s signature sense of humor, combine to make Corpse Bride a fun movie, and one that breathes life not only into stop motion, but into animation as a whole.
  24. The movie has a lot of good bits and terrific performances, including a too-perfect Keanu Reeves as a mystic orthodontist.
  25. It touches deftly on class and race and sexual dissatisfaction and never lets up once it has put its characters under a microscope. Beautifully acted throughout, it showcases Watson's most complex performance in years.
  26. A sweet, sunny, cinematic song of praise to simple '70s pleasures, Roll Bounce isn't any kind of life-changing picture, but it's breezy, good-hearted fun.
    • 65 Metascore
    • 75 Critic Score
    It's worth noting that Oliver Twist will likely be no Harry Potter at the box office, due in no small part to a lack of bombastic special effects and supernatural subplots, yet it's nearly as entertaining, even without the wizardry.
    • 74 Metascore
    • 75 Critic Score
    Serenity may not be the next "Star Wars," but it's the best we've seen since the original trilogy, and if Wheedon is planning Serenity trilogy (the door is left open), it would certainly be welcome.
    • 58 Metascore
    • 75 Critic Score
    Overall, a modest but lovely achievement for Anderson, Moore, and Harrelson, and a family entertainment in the best senses of the words.
    • 60 Metascore
    • 75 Critic Score
    Simply clicks on every level. From the surprising depth of the story, to the smooth and sometimes brilliant performances, to Hanson’s clear mastery of form.
    • 68 Metascore
    • 75 Critic Score
    There is something almost reverential about the way director Niki Caro shoots the winding roads leading into Minnesota's North Country mining community, just before dismantling all of it piece by piece.
  27. Where "Elizabethtown" pretends to have the meaning of life, Shopgirl hones in on a few telling details, then allows audiences to fill in the rest.
  28. The picture’s great, fast-moving fun for the most part, and Kilmer gives his most appealing, relaxed, and amusing performance since "Real Genius."
  29. Thanks to the movie's very clear respect for Cash and his music, and thanks mostly to the two superb, heartfelt performances by Reese Witherspoon as Carter and Joaquin Phoenix as Cash, Walk the Line eventually earned my sympathy.
  30. Syriana depicts a system so thoroughly and intractably rotten that the standard liberal how-you-can-make-a-difference solutions--being more conscientious about using electricity, getting a hybrid car, and so on--only look like so much spit in the face of an atomic fireball.
  31. The Descent is bloody, disturbing, and genuinely frightening--you'll be very happy to leave that dark theater.
  32. Marshall's Memoirs achieves something few other high-profile literary adaptations do: Rather than simply inspiring us to hunt down the source material, it actually stands alone as a film, rich in drama and star-crossed romance.
  33. It's a slight story to be sure, but the pleasures of Mrs. Henderson Presents lie less with the narrative and more with the film's tone and the dynamic duo of Dench and Hoskins.
  34. I say this as someone for whom the very idea of a Kong remake is sacrilege, Jackson's straitened conception yields up a pretty damn good popcorn movie.
  35. A sweet, watchable little film.
    • 52 Metascore
    • 75 Critic Score
    Once you drink The Producers' Kool-Aid, it's a thoroughly enjoyable descent into madness.
  36. The entertainingly unhinged Hostel reeks of kneeling reverence to the grisliest of psychotronica while simultaneously striving to out-gore and out-shock its predecessors.
  37. Tristan & Isolde isn't a ground-breaking film in any way, but even though the story is familiar and even if you don't like romances, good casting, an able director, and notable cinematography draw you in to the fairy tale feeling of long ago and far away. Pass the popcorn.
  38. Anybody can make a movie that's anti-slavery. But to make a movie that's explicitly anti-democracy-that's something.
    • 38 Metascore
    • 75 Critic Score
    This one will make you laugh early and often, and send you out of the theater in a cheerful mood.
  39. The dogs are such charismatic performers it's almost a shame that there have to be humans in this story at all. Still, the Antarctica sequences alone make Eight Below one of the better family films out there right now.
  40. Hood's film, with its bold, beautiful cinematography and hard-thumping kwaito music, brings us into a different world, and then helps us to understand it.
  41. This unlikely pairing of relentless U.S. pollsters and a Bolivian election is a fascinating glimpse of the Americanized marketing of international politics (and vice versa).
  42. Some viewers will wonder what exactly it is they are supposed to be laughing at, but those that do find themselves on the movie's wavelength will enjoy its observational approach to comedy.
  43. This is the kind of comedy that gives you two meaty underhanded jokes for every big obvious guffaw. It doesn't add up to much more than that, but there's no earthly reason why it ought to.
  44. The script's flaws are most keenly felt in the Jodie Foster storyline, to the point where her character seems more like a bumbling screw-up than a supposedly sought-after facilitator. Whenever Lee turns the camera back to Denzel and Clive though, the movie works.
  45. With a cast of well-chosen actors, a good script, and an eye for making ordinary suburban scenes visually heartbreaking, director Steve Buscemi's small story of failure, depression-and ultimately, love-in one Indiana town rings painfully true-to-life.
  46. It takes a good fifteen minutes to fully adjust to the screenplay's rhythms, but once you do, the dialogue is a lot of fun to listen to.
  47. Obviously, if you don't like the Beasties or live music, arena-style, it's unlikely that you'll like their movie. But if you've ever even privately caught yourself nodding your head to "Brass Monkey," or you have a soft spot for the big-venue concert experience, Awesome rocks.
  48. One thing not open to question is that the real heroes of this movie are Johnston's family, particularly his aging parents, who for all their heartbreak are palpably full of love and forbearance for their disturbed and, yes, talented boy.
  49. With the almost half-decade spaces between Holofcener's three features, one might (rather unreasonably, I admit) expect her to have sought to break wholly new ground in the interim. So she hasn't; nevertheless, Friends is well-crafted, intelligent, genuinely adult fare.
  50. The result is a film that's almost unremittingly bleak, but also consistently compelling.
    • 72 Metascore
    • 75 Critic Score
    The climactic spelling bee sequence is as tautly written and edited as any gridiron drama, and Palmer's performance here is truly gripping.
  51. Those last thirty minutes are worth the price of admission.
  52. As long as Guggenheim keeps his cameras trained on Gore's presentation, An Inconvenient Truth is an engaging film. Less successful are the scenes where Gore is seen off-stage, traveling around the world and visiting his childhood home.
  53. If you've been disappointed by the recent rash of mediocre blockbusters, District B13 may provide some of the mindless fun you're looking for.
  54. Ultimately, Wordplay is best enjoyed as an engaging look at a little-known subculture.
    • 72 Metascore
    • 75 Critic Score
    This Superman is like nothing you've ever seen before, but it tickles something primitive and comforting at the back of the mind. Gorgeously detailed and meticulously realized, it's a homecoming of a movie. Just wait for the theme; you'll understand.
    • 57 Metascore
    • 75 Critic Score
    This is one unmarked van you just might want to take a ride with.
  55. By the end of the film, you actually come to mourn the passing of the EV1, a well-intentioned soul that was in the right place at the right time, but was surrounded by the wrong people.
    • 85 Metascore
    • 75 Critic Score
    Nelson works largely because Gosling and Epps work flawlessly together.
    • 68 Metascore
    • 75 Critic Score
    A visual delight as well as an satisfying period drama.
  56. Hollywoodland is one of the nicest surprises of the late summer lull between blockbuster seasons, a smart period mystery--cum--character study--cum--bitter parable on the lures and liabilities of life in its titular locale.
    • 52 Metascore
    • 75 Critic Score
    Can he (Dwayne "The Rock" Johnson ) act? Surprisingly, for the most part, the answer is yes, and the film is a success for it.
    • 70 Metascore
    • 75 Critic Score
    Despite some amusing jabs at America's influence on traditional China, this film leaves even this American viewer feeling oddly patriotic (or maybe just wishing she lived in China.)
    • 62 Metascore
    • 75 Critic Score
    Doesn't function particularly well as a documentary; it lacks a strong editorial point of view and doesn't really comment on the evangelical movement so much as it just portrays a selection of people and their views.
  57. Whitaker's Amin is the kind of raging lunatic that only an actor who has made a specialty of quiet caginess could pull off so convincingly. It's great, and scary, to see Whitaker turn it up to 11 for once.
  58. Mitchell's energy and occasional ingenuity make Shortbus an engaging viewing experience, provided you can stomach it.
  59. Marie Antoinette churns a symphony out of a single note, too light and hermetically sealed in the minds of Coppola and her queen to transcend its artfully cared-for fluffiness.
    • 63 Metascore
    • 75 Critic Score
    In the end, it's not Amy's secret that's the most shocking thing about Sleeping Dogs, it's Hamilton's fearless commitment to making what could have been just a cheap punch line into something warmer, richer, and far better.
  60. Borat is, in many ways, an heir to the same kind of subversion of American norms that the transvestite Divine perfected in John Waters’ early films.
  61. Right off the bat, Catch a Fire distinguishes itself from other recent international productions about Africa (including The Constant Gardener and The Last King of Scotland) in that it is actually told from an African perspective.
  62. While you can never completely put the fact that you are watching Pitt and Blanchett out of your mind, they both give charged, emotional performances.
  63. This is one movie that's guaranteed to linger in your mind after you leave the theater, whether you want it to or not.
  64. Surprisingly light on fab gadgets, there are, of course, double crosses, fast cars, and lots of gunplay.
  65. It's a movie that keeps flirting with greatness, but settles for being above average.
  66. What sets Fast Food Nation apart from other recent multi-character studies like "Crash," "Bobby," and "Babel" is that Linklater doesn't set up a single incident that ties all the story strands together.
  67. Alll in all, however, Estevez has pulled together the best political drama, fiction or otherwise, in recent memory.
  68. There's no one today writing English dialogue as sharp as Bennett's, and hearing it delivered expertly is a pleasure worth sitting through some dodgy montages for.
    • 59 Metascore
    • 75 Critic Score
    Although the science fiction element had the potential to drag the story down, it's kept to a minimum and left somewhat buried in techno jargon.
  69. A riveting urban drama that tackles a myriad of sociopolitical issues -- conflicts of race, sex, class, marriage and politics -- without spreading itself thin.
    • 64 Metascore
    • 75 Critic Score
    It's not often that Hollywood is willing, or even able, to accurately dramatize what it's really like to be poor in America -- to evoke not only the circumstances, but also the sense humiliation and failure. That a European director like Gabriele Muccino, helming his first English-language film, is able to capture the essence of that experience is a testament to his skill as a filmmaker.
  70. After the widely reviled "Rocky V," it was just as unlikely for there to be a satisfying conclusion to the Rocky saga, but Rocky Balboa fits the bill.
    • 70 Metascore
    • 75 Critic Score
    Action fans might find the film's first half somewhat of a slog to sit through because of its carefully honed exposition, while those used to Zhang's dialogue-heavy dramas are sure to be surprised by the film's brutal second half where blood spurts more than the words.
  71. Perfume is sure to annoy as many moviegoers as it entertains, but at least even the naysayers would find it difficult to argue that film is nothing if not a departure from the ordinary.
    • 72 Metascore
    • 75 Critic Score
    If nothing else, this doc, which one the Grand Jury Prize and Audience Award at last year's Sundance Film Festival, will leave you feeling that the American dream is still alive and well.
  72. Through a haze of opium smoke and Molotov cocktails igniting, Regular Lovers plays out like the heavier politicized and unsentimentalized counterpoint to Bernardo Bertolucci's "The Dreamers."
  73. Neeson and Brosnan, along with the beautiful location photography from DP John Toll, keeps you involved even when Von Ancken's heavy-handed direction threatens to bog the proceedings down.
  74. It may most aptly sum up the who the hell Ralph Nader is and why he insists on creating such a ruckus.
  75. The procedural aspects of the story are briskly done, and Chris Cooper's portrayal of the traitor Hanssen is a typically Cooperesque marvel.

Top Trailers