Salon's Scores

  • TV
For 321 reviews, this publication has graded:
  • 45% higher than the average critic
  • 1% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average TV Show review score: 62
Highest review score: 100 Boardwalk Empire: Season 1
Lowest review score: 0 Criminal Minds: Suspect Behavior: Season 1
Score distribution:
  1. Mixed: 0 out of 177
  2. Negative: 0 out of 177
177 tv reviews
  1. "The Tudors" takes all of the intrigue and power struggles and tomfoolery of the House of Tudor and gives it six-pack abs and a rock-star swagger
  2. Unfortunately, when you take Canterbury's admirable vim and vigor out of the picture for a second, this is just another courtroom drama, limited to the same old overdramatic courtroom scenes that we've seen a hundred million times before
  3. Even though the second episode of the season isn't structured very well, with lots of rambling talk about nothing, even though the show lacks the tightness and the natural momentum of "Six Feet Under" (and the weight and the intensity, for that matter), True Blood is still odd, unpredictable and off-kilter.
  4. The results are satisfying, and suspenseful, yes, but also a little bit stupid and predictable, too.
  5. The truth is, for someone who thinks Lost is wildly overrated, I'm still rallying around it, in part because I think it should gain momentum in its home stretch, in part because I'm curious about how thoroughly the writers will clean up the enormous, unfathomably complicated mess they've made.
  6. For all of its charms, Nurse Jackie needs to offer a little more than an enigmatic nurse and a parade of clever grouches.
  7. Has there ever been a TV show that's at once more delightful and cringe-inducing at the exact same time than Glee? Ever since it returned for its second season, this off-kilter dramedy has been nailing its high notes while still flaunting its many flaws with even more bravado than before.
  8. As entertaining as In Treatment can be at times, the third season may be the most grueling of them all. It's tough to see how any of these characters will find anything remotely resembling a sense of happiness before the season is over. Unfortunately, this season may also be the most simplistic so far.
  9. Now and then Shameless sloughs off its mostly self-imposed constraints and fires on all cylinders, observing economic hardship, drunken tomfoolery and sexual shenanigans with a keen eye for class specifics.
  10. Revenge might sound enjoyably soapy in the abstract, but its execution is problematic.
  11. As we head into Season 2, it's becoming increasingly clear that they [the actors] can't make these characters interesting, because they're too thinly conceived.
  12. Push Girls is not as edifying as it might be, but it's not sanctimonious either.
  13. The bar fight--which made the rounds of the Internet this past September--elevates the series's voyeuristic satisfactions to the next level.
  14. Political Animals may be super-fun, but it is also superficial.
  15. Chicago Fire a predictable but pleasantly familiar throwback that could have been on TV a decade and a half ago.
  16. It is less accidentally ridiculous, and more knowingly, willfully campy, less pretentious, but also, for better and worse, less likely to include a Bollywood dance number.
  17. The best parts of Life Is But a Dream are not the confessionals, but watching Beyoncé become Beyoncé. It’s a transformation we see only bits of.... But mostly, there’s no sweat. We hear about her angst, and then we see the finished product.
  18. Maron is a little bit like the podcast without the guests, which is too much Maron. The best aspects of the show are the moments directly from the podcast, both the monologues and the joking around and interviewing other comedians.
  19. The experience looks very difficult, but also a little boring, which explains the need for the in-your-face title: “Filthy and Exhausted” just doesn’t have the same ring.
  20. For now, the bias towards boring is definitely at work. Cherry should look at “Scandal,” a show in which everyone of every color gets to be troubled and naughty and still expect our sympathy, to see how to improve.
  21. How funny you find all this basically depends on how funny you find drunk people. And not fake-movie drunk people, but realistically drunk people: a little confused, no longer so good with words, and very sleepy.
  22. Like the millions of other emotionally unstable imbeciles who tuned in, I found myself strangely drawn to the idiotic flair of the whole thing. Watching this show is like traveling back in time, to a simpler era, when most of our pop culture was considered foolish and sad.
  23. If the characters and conflict of My Big Fat Greek Life continue to feel true to life, while regaining some of their edge, things might just turn out OK. Nia, at least, has learned to trust that they will.
  24. The meandering pace of this show feels a little tedious... Still, "Random 1" does offer a more inspiring aftertaste than the saccharine "Scooby-Doo" endings of "Three Wishes."
  25. If you've only watched a few episodes of ["The Amazing Race"] but never really appreciated its ability to amaze, tune in for an episode of "Treasure Hunters" and you'll begin to understand just how high "TAR" has set the bar.
  26. Unfortunately, there's an excess of kooky cuteness here.
  27. The second season of "Rome" feels more than a little claustrophobic, and operates on a much smaller scale than might be anticipated for such an epic production.
  28. As annoying as Kelley can be, I can't really think of a better writer to take on an even soapier, wedding-themed version of "Grey's Anatomy," which is about where this one lands, tonally.
  29. Gossip Girl should be a good ride, at least until all the characters become more and more likable and there's no conflict or tension anymore, and then you have to kill off the weakest one just to get people to pay any attention.
  30. Creator Kurt Sutter, a longtime writer for "The Shield," has said that he wanted to create a West coast version of "The Sopranos," but the world he created sometimes feels like "The Sopranos" without any discernible moral compass.

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