San Francisco Chronicle's Scores

For 1,230 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 Women's Murder Club: Season 1
Score distribution:
  1. Mixed: 0 out of 672
  2. Negative: 0 out of 672
672 tv reviews
  1. "Deadwood" fans already know that Milch doesn't make it easy for viewers to get a purchase on his series, but for those willing to do the work, Luck, pays off.
  2. This is a series that was completely unexpected, and Hall has hard-and-fast rules about what Joan and God can do. She's not making up the story arcs on the fly, which gives confidence that this unusual creation is in good hands. [25 Sept 2003, p.E1]
    • San Francisco Chronicle
  3. Klondike grabs you with terrific performances, an unusually rich script, magnificently sweeping visuals of jagged mountains overlooking valleys of ice and snow, and such a convincing attention to period detail, you'll believe you're back in Dawson City at the end of the 19th century.
  4. Nothing Left Unsaid offers great insight into the lives of its subjects, but its even greater achievement as a film is unanswered questions it provokes in its viewers.
  5. Togetherness is easy to like on one level and probably a little more challenging as the Duplass brothers explore the quiet discontent among people who are just trying to do they best they can. It’s worth the effort. The emotional payoff is enormous.
  6. There isn't a better cop show on TV right now than Southland.
  7. There’s no question that he [creator Mike Schur] and NBC are taking a chance with this tangy fantasy froth, but the necessary elements for a successful comedy are there, including the chemistry between Danson and Bell.
  8. What's remarkable about this quartet, and why Push Girls proves that reality shows can actually be intelligent and engaging, is that in most ways the women's lives are in fact not all that remarkable.
  9. "Flight of the Conchords" may well be the funniest thing you've seen in ages and -- at least for a half hour -- answers the question of whether HBO has any good shows left.
  10. David Simon’s extraordinary miniseries does live up to the complete meaning of Fitzgerald’s observation. It is ultimately a tragic story, with an enormously moving emotional payoff at the end. The finale will move you, perhaps to tears.
  11. [A] terrific, boundary-busting comedy.
  12. The performances are even better than in previous years, with brand new but fully credible sides of Holmes’ and Watson’s characters. And the writing, by Moffat and Gatiss, is in a league by itself.
  13. Everything you fear might be true about how our government works--or doesn't--becomes hilarious fodder for Veep's biting satire.
  14. One of the many virtues of Buirski's film is that it doesn't hit viewers over the head with the parallel between the Lovings' case and the debate over same-sex marriage. The parallel is simply there, to be identified and considered by the viewer.
  15. This is a series that goes beyond critical darling. "The Wire" is better than its own hype. If you don't watch the show, it's your fault, your loss.
  16. The scripts for the four episodes made available to critics are as richly nuanced as anything you’ll see on TV or, to be sure, in a movie theater. You will not only know these characters after only one episode, you’ll be hooked on them, as well. In so many areas, Atlanta sets the bar exceptionally high.
  17. As good as Rome is -- and it's an epic, multilayered thing of beauty -- it's still not on the level of "The Sopranos" or "The Wire" or "Deadwood." That's almost an unfair comparison, but it's also true. On the other hand, "Rome" unfolds like a marvelously shot big-screen movie, each scene (filmed on location in Italy) dripping with money well spent and a meticulous grandeur that rewards you for paying extra for HBO.
  18. "Battlestar Galactica" not only lives up to its sci-fi gold-standard reputation but also should be considered straight up as one of television's most appealing dramas, no matter the genre.
  19. It is emotionally raw, harrowing, and a thing of such singular horrific beauty, it will move you, exhaust you and, almost paradoxically, thrill you at the heights television drama can attain.
  20. From the two new episodes made available to critics for review, it's clear that the quality of Breaking Bad will continue undiminished.
  21. As Sutter proved in the intriguing and original first season, there's plenty more riveting storytelling to tap into as Sons of Anarchy boldly comes of age.
  22. The new offering, from executive producers Ronald D. Moore and David Eick (the team behind "BSG"), stands on its own and in many ways might be more inviting to viewers who are not hard-core sci-fi fans.
  23. An eye-opener that’s also funny, real and compelling, the series is a heartwarming reminder that no matter who we are, we’re all born this way.
  24. Fellowes does know how to write some tasty dialogue, especially for Maggie Smith....The other performances are equally winning, but beyond that, you can't help feeling these actors are having a jolly good time with all this overblown fluff. And so will you.
  25. It means there's finally something good (and funny) on Tuesday nights.
  26. The script occasionally wanders into “Gone With the Wind”-style melodrama, but is always rescued by excellent performances. Among the best of the bunch are James, Radnor and Winstead. Butz and Summers edge delightfully close to comic relief.
  27. There's a lot to love in Californication, from the blowtorch-keen dialogue of creator and writer Tom Kapinos to the way that Duchovny's ever-so-slightly-fading good looks perfectly encapsulate the character's downturn in Hollywood, to a multitude of standout performances in the ensemble cast.
  28. With cinematographer Sophia Constantinou, and a haunting musical score by Laura Karpman and Nora Kroll-Rosenbaum, Kates has created a fact-based profile, but with boldly evocative impressionist strokes that mirror the complexity of Sontag’s life and career.
  29. The Life & Times of Tim--is flat-out brilliant and easily one of the funniest newcomers to television.
  30. Again, it's back to the writing and the look. Both are superb.

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