San Francisco Chronicle's Scores

For 1,142 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Veep: Season 1
Lowest review score: 0 The Vampire Diaries: Season 1
Score distribution:
  1. Mixed: 0 out of 615
  2. Negative: 0 out of 615
615 tv reviews
  1. The jaded will have a field day, but so what? In the end, if lives are changed like they are on "Three Wishes" and "Extreme Makeover: Home Edition," then who cares what corporate names are flashed or how many manufactured "reveals" there are?
  2. Missing may be 2 percent inspiration and 98 percent perspiration with all of its action scenes, but it's fun to watch. Judd classes up the joint nicely.
  3. The Borgias, created by filmmaker Neil Jordan ("The Crying Game"), is the better of the two [The other is "Camelot"], thanks largely to Irons, a strong supporting cast and sophisticated production values.
  4. The writing is juvenile, hormonal and often pretty dang funny.
  5. Their unwavering obliviousness to what may be happening in the world actually makes their accidental commentary on current events even funnier.
  6. The Riches is gloriously inventive, daring and provocative, with excellent performances.
  7. The humor is one reason the show works, and the cast, especially Kemper, is the other.
  8. If you can get past the shortcuts that series like this have to take (everything happens too effortlessly, there's excessive exposition, etc.), there's an enormous likability factor in play, and it makes you want to watch it (without much mental effort) the following 13 weeks.
  9. Once you surrender to the surrealism, the comedy works, but in the long run, what makes the show itself work is the cast, especially Baruchel and Andre.
  10. Kinnear is great in the role because he doesn’t look like a loser--quite the opposite--and that’s important.... Perhaps because this is the pilot, most of the episode is devoted to showing Keegan screwing up and only a few afterthought scenes focus on Torrant’s case. In order to succeed from week to week, the series needs more than just a lot of figurative pratfalls.
  11. It opens into a fairly entertaining ensemble show about beautiful, bright people.
  12. Adams and Macht are terrific, with the former loosening up quite considerably this year as Mike....Torres is cool, sexy and commanding as Jessica, and Markle, Hoffman and Rafferty contribute greatly to the energy of the show's core ensemble.
  13. The two episodes sent to critics aren’t perfect, but their flaws (pompous introductory narration, a weak performance by Thurman, a handful of telegraphed cliches in the plot) are easily overlooked. Other performances, especially those of Quinto and Sarsgaard, are stunning in this provocative and surprisingly literate character-driven drama.
  14. Manhunt may not have the thrills and chills of a Hollywood feature film about the raid on bin Laden's compound, but you'll come away from a viewing of the film knowing that there is much more to covert operations than midnight raids and state-of-the-art electronic surveillance.
  15. You’ll probably buy into some story lines more than others, but that’s completely intended. Rhonda is the central focus of the American subplot, while Jamie occupies that position in the British half of the show. Together, the two halves of the story make for a mad, mad, mad, mad world’s end.
  16. The plot is intricate and compelling, the characters magnetic and mysterious at the same time.
  17. If you're a viewer into quick and easy answers and seek resolution at the 59-minute mark, this is probably not your show. But if you're interested in the notion that post-9/11 paranoia is justified in ways we haven't even realized (and perhaps it would be too chilling if we did), and you have a fundamental distrust of government doings, Rubicon could be your new mental puzzle.
  18. McKellen and Jacobi, who are, of course, giants of their profession, are clearly having a lark with Vicious, and you'd be foolish not to want in on the fun.
  19. A nicely layered new 10-episode dramedy.
  20. The performance quality of the show is matched only by the sharpness of the writing.
  21. "Thief" doesn't levitate with genre-busting genius, but it is very FX, which means it's very real and well executed, a series that doesn't pander.
  22. Project Runway is entertaining and likable on so many levels that it's hard to resist.
  23. The series' historic recreations are convincing, for the most part, although at times, the History Channel can't help itself and falls back into some of it cheesier bad habits.
  24. The show is funny, but a not-always-subtle flip side makes the jokes funny as well. Inevitably, we view it all through both our personal lens and through contemporary sensibilities.
  25. Several recent documentaries have tried to help the rest of the world understand the realities of being transgender, but, ironically, one of the better efforts does it well in spite of the fact that it focuses on the offspring of one of the most famous couples in pop culture.
  26. Once Upon a Time is both family-friendly and smart enough to win viewers of any age and level of sophistication.
  27. The cast is mostly terrific, of course, including Mare Winningham as an unhinged hotel maid. The exception, unfortunately, is Lady Gaga.
  28. Just enough geeky insider stuff to keep the fan-boys from grousing too much, but an even bigger portion of well-written action, drama, humor and intricate plot details to hook viewers who gave up comic books before Steve Canyon was grounded.
  29. New characters, new rivalry, same old high quality.
  30. Media Rights Capital, an independent production company, took an offbeat idea and made it work surprisingly well.

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