Slant Magazine's Scores

For 455 reviews, this publication has graded:
  • 34% higher than the average critic
  • 5% same as the average critic
  • 61% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 62
Highest review score: 100 Breaking Bad: Season 4
Lowest review score: 0 Zero Hour: Season 1
Score distribution:
  1. Mixed: 0 out of 295
  2. Negative: 0 out of 295
295 tv reviews
  1. If FlashForward can keep the momentum it set in its premiere episode, the show's apocalyptic tone and fate-bending intrigue should prove deeply fascinating.
    • 81 Metascore
    • 88 Critic Score
    Not quite The Office II, not quite a wholly different breed, Extras should nevertheless please Gervais aficionados and newcomers alike.
    • 84 Metascore
    • 88 Critic Score
    Breaking Bad is at its most entertaining when it's taking us into the drug culture of the street.
  2. [The] disappointment, and the full-hearted yet misguided ways Amy imagines she might transcend it, are the real subjects of the series, and Dern and White have both seemingly spent long careers in preparation for a project exactly as ambivalent, humane, and beautifully contradictory as this.
  3. Working with a uniformly subtle and expressive cast of players, the writers sneak in small, unassuming truths about family life and the benefits of modulated pride.
  4. Girls is still undergoing ultimately minor growing pains, but it's frequently poignant and audacious, and actors who made little impression in the first season are allowed to flower.
  5. Going Clear distinguishes itself by tying that material into a coherent framework that provides a concise, scholarly context within which Scientology can be understood as a real system of beliefs, with roots in a specific time and place.
  6. With a cast as ostensibly close-knit and in-tune as these actors are, season four of Parks and Recreation illustrates just how far the series has come from its mediocre beginnings, and could very well take it to even greater, and funnier, places.
  7. In addition to embarking on a substantive season-long story arc, these new episodes also tread fresh emotional territory.
  8. Armisen, Brownstein, and Krisel are effectively crafting a multi-faceted comedy art project, the unfolding of which is both exciting and hysterical to watch.
    • 57 Metascore
    • 88 Critic Score
    Gravity feels like just another bit of quirky telly, an attempt to be distinguishable and different in a way that just upholds the status quo. Yet it's also actually very good. Gravity knows exactly how to make you laugh and when you should cry.
    • 84 Metascore
    • 88 Critic Score
    The storytelling gifts of writer-producer Rob Thomas, the creator of another under-seen show, Veronica Mars, prove innumerous, as these wholly original, vital characters practically bleed insecurities, coming off as tenderly funny and human.
    • 88 Metascore
    • 88 Critic Score
    This season holds promise, not lacking in the detail that makes the series so enjoyable.
  9. Futurama is typically about its crew of 30th-century misfits tackling a common-day problem in a futuristic environment, one that usually starts rather trivially and grows into total chaos. This formula is untouched in the excellent season premiere.
  10. Perhaps most engaging, though, is the cheery, earnest tone that permeates the series, a refreshing sense that laughter rooted in snark or irony can be a drag, and that sometimes a silly play on words can be enough to move you with its humor. In this way, Comedy Bang! Bang! is as much a mindset as it is a TV show.
  11. Justified's rich vein of gallows humor, convincing sense of place, and twisty hillbilly-noir narratives are all selling points, but it's Olyphant's devilish grin that seals the deal.
  12. It might seem like grilling an A+ student for B- work, but the fact remains that this is among the few times the show has spun its tires.
  13. The stories, though personal for each subject, aren't just a voyeuristic peek at famous people's lives and ancestries, but a look inside the human heart.
    • 86 Metascore
    • 88 Critic Score
    Even at its most desultory, when the show is happily proceeding through legal drama conventions or even high-concept schlock, the execution, from the writing to the acting, resonates with virtuosic polish.
  14. Archer is sleekly animated, has a cool retro design, and writing that manages to be both smart and bawdy all at once, but most of all, it has a fantastic voice cast.
    • 80 Metascore
    • 88 Critic Score
    The duo's knack for a peculiarly modest zaniness is shared with the brilliant supporting cast.
    • tbd Metascore
    • 88 Critic Score
    The series indulges in heightened emotions and inanity, but never fails to regard its characters' outsized feelings with affection and understanding. No other series on TV right now feels like it, and as even the prestige show start to mine the same atmosphere, that makes Bob's Burgers all the more vital.
    • 78 Metascore
    • 88 Critic Score
    As in the show's third-season creative peak, the attention to continuity and timely plot devices is well balanced by the focus on character and actual comedy.
  15. In lieu of this transcendent attention to detail, however, there's still Brownstein and Armisen's magnetic and mysterious central relationship.
  16. Treme gives you the best, then, of dramas and documentaries: a moving snapshot of a city, and its flesh-and-blood people, in transition.
  17. The show, on the model of other epic sci-fi programs like Battlestar Galactica and The X-Files, still has the potential to break ground. But for now, it's telling a gripping, well-made story; it might not be ready to be appreciated as art, but it's impossible not to love it as entertainment.
  18. In its fourth season, Game of Thrones finally strides with the purpose and fearlessness of a great battle-tested behemoth through the sprawling, violent landscapes of Westeros.
  19. This is farce with a heart, shot through with unlikely moments of grace and warmed by an aura of bemused acceptance.
  20. When it gets past such clunkiness, Homeland is eerily effective.
  21. The Returned is little more than a nimble translation, but the material is strong enough to reward its staunch fidelity.

Top Trailers