St. Louis Post-Dispatch's Scores

For 278 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 Olive Kitteridge
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Mixed: 0 out of 197
  2. Negative: 0 out of 197
197 tv reviews
  1. I suspect that viewers who know the Bible well will be annoyed by "The Bible," while those who are casual students will be alternately mildly entertained and fairly bored. People with no religious beliefs probably won't watch anyway, but if they do, they could wind up confused or amused.
  2. The audience is expected somehow to understand the range of her abilities, but sorry; we need more clues. That, and a reason to care.
  3. A loud, old-school comedy with Laurie Metcalf ("Roseanne") as mom Marjorie and Tyler Ritter (look-alike younger son of the late John Ritter) as gay son Ronny.
  4. Caruso is stiff and grim, and the crew doesn't click with him or one another. [23 Sep 2002]
    • St. Louis Post-Dispatch
  5. The tone is mostly dreary and the plot with few exceptions goes precisely where you expect.
  6. It's still hard to expect much out of a sitcom arriving on broadcast TV in summer. In the case of NBC's Undateable, that's a good attitude. If you get a few laughs out of it, great. Otherwise, no hopes will be dashed.
  7. Adapted from a Dutch series that was surely better than this, Red Widow is trite and tedious.
  8. Unfortunately, this Dracula isn’t fun at all. It’s not really scary, either, although it does spill a lot of blood.
  9. Enjoying Timecop either requires putting your mind entirely into neutral or simply deciding to suspend a lot of disbelief. I couldn't suspend enough, so I wound up worrying about little things like why the folks of Victorian London, which he visits in tonight's opener, don't think Logan's spiky 1997 haircut is one bit peculiar. [22 Sept 1997]
    • St. Louis Post-Dispatch
  10. Moments of sweetness, but too few laughs - and way too many sexual references. [8 Sep 2002]
    • St. Louis Post-Dispatch
  11. Uneven, from amusing to embarrassing. [8 Oct 2000, p.F6]
    • St. Louis Post-Dispatch
  12. In short, tight, low-cut everything, with her talents always on prominent display, Cox appears so much older than the baby-faced Von Esmarch that their relationship looks perverted, if not illegal. [8 Oct 2000, p.F6]
    • St. Louis Post-Dispatch
  13. The writing is clunky, Phillippe is stiff and Lewis overacts like a cop in some parody of cop shows.
  14. The dialogue Arquette is forced to deliver is the worst thing.
  15. What Chasing Life mainly raises, though, is eyebrows, for being so laughably bad.
  16. One Big Happy isn't fresh or funny enough to transcend its message.
  17. The lead characters for whom we're supposed to root in Manhattan Love Story feel as slapped together as people stranded at a speed-dating event.
  18. The series itself turns out to be less "candid and comic" (as HBO puts it) than tired and tacky. [4 June 1998, p.G6]
    • St. Louis Post-Dispatch
  19. It's all too cringe-worthy, even as Wilson goes all out to show us that she's happy the joke's on her. Even if you applaud her for that, Super Fun Night is not funny enough to be so sad.
  20. Knepper is wonderfully creepy. But that's the last of the good news. From Rockne S. O'Bannon, Cult is too complicated for its own good, and not satisfying enough to make it worth figuring out.
  21. This American version incorporates the redneck humor so beloved in reality TV these days with battle-of-the-sexes cliches that should have been retired in the '70s.
  22. Relaxed as he seems on stage, he's just that stiff when acting. And that, unfortunately, is most of the time.
  23. Sheen and Bruce Helford ("The Drew Carey Show") have conspired here to create a show completely free of ambition to be anything except a showcase for Charlie Sheen.
  24. Rob is a scream, and not in a good way.
  25. The most puzzling thing about Are You There, Chelsea? is who exactly thought it was a good idea. Because it's not.
  26. Unfortunately, beyond the strained concept, it has ridiculous dialogue and ludicrous situations that the best actors in the world couldn't salvage.
  27. One of the new season's bigger disappointments. The frantic pace of this action drama, set behind the scenes in a casino security firm, can't disguise the shallow story-telling and annoying, badly developed characters. James Caan is wasted as the boss, and Josh Duhamel got much better stuff to work with on "All My Children." [22 Sept 2003, p.E6]
    • St. Louis Post-Dispatch
  28. Killing Jesus is apparently satisfied to look and sound vaguely cheesy.
  29. All the characters lie on the couch a lot. While it's noted that they do have jobs, they seem to spend most of their time eating Oreos and watching TV. (Hey, that's my life. . . .) And they talk, but most of what they have to say isn't very funny. [22 Sept 1994, p.6G]
    • St. Louis Post-Dispatch
  30. A cruel and stupid show built around one Matt Hicks, who vaguely resembles Britain's Prince Harry.

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