St. Louis Post-Dispatch's Scores

  • Movies
  • TV
For 1,377 reviews, this publication has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 6.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Youth in Revolt
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
1377 movie reviews
  1. Although it's sly and sardonic, Police, Adjective is as rigorous as a tea ceremony -- or a Stalinist re-education camp.
  2. Mud
    A provocative mood piece. Nichols, who had an art-house hit in 2011 with “Take Shelter,” has a gift for creating characters of unusual depth, and for eliciting performances of emotional resonance. With Mud, he seems to be edging closer to the mainstream, but his skills are as sharp as ever.
  3. To ensure customer loyalty, Hollywood should promote more movies about workaday life in the provinces, but until there's a new wave of midcoast comedies, Cedar Rapids is the big kahuna.
  4. Near the two-minute warning, Big Fan becomes chillingly unpredictable.
  5. Logan isn’t the typical superhero flick. It’s more like a Western, with Jackman turning in a performance that’s reminiscent of Clint Eastwood in his Man With No Name days.
  6. There's so much higher intelligence in Project Nim that simply digesting it feels like evolutionary progress.
  7. A well-crafted drama about the comforts and insecurities of family life.
  8. The film’s true scene-stealer is Bennett, who brilliantly portrays Sir James as a case study in cluelessness.
  9. It's true that the movie is both emotionally violent and sexually explicit. Yet these scenes from a marriage are crafted with such attention to detail and overarching honesty that Blue Valentine touches the heart.
  10. The performances are first-rate, with Lindhardt particularly moving as a guy who's in deep denial about just how much he can expect from a relationship with an addict.
  11. With exquisitely simple images and minimal dialogue, Seraphine is both haunting and humane.
  12. Might be mistaken for a mere soap opera. But it's actually an emotional symphony.
  13. It
    If you’re looking for a film that’s guaranteed to have you gripping your seat, this is It.
  14. A distinctly European exercise in observational nuance and tonal restraint in which Coppola stretches static images to the breaking point.
  15. There’s less a sense of hitting plot points than of capturing life on the fly, and Mendelsohn and Reynolds ride that vibe brilliantly.
  16. Until a devastatingly effective finale, Monsieur Lazhar is an exercise in delicacy, carried by Fallag's gentle performance and a fine cast of kid actors.
  17. To keep serious cinema from going extinct, this could be sold as "The Hunger Games" cross-bred with "The Lorax," but it's better and more mature than either of those hit movies.
  18. Far from being just another crime story, Sicario is cinema at its most ambitious.
  19. Vincere, which translates as the battle cry "Win!" is like invisible ink on the ledger of war, a secret record of love and loss.
  20. Even as it looks to the heavens, Gravity is bound to earth, where the beauty is in the details.
  21. Rogue One spins “Star Wars” into a whole new orbit.
  22. The King's Speech is the epitome of prestige cinema, an impeccably crafted and emotionally compelling drama that deserves the many laurels it surely will receive.
    • 65 Metascore
    • 88 Critic Score
    The first five minutes of this law-enforcement spoof (subtitled ''The Smell of Fear'') are hilarious, as police Lt. Frank Drebin (Leslie Nielsen) brings havoc to a White House dinner that features George and Barbara Bush. Although the movie slows down somewhat after that, there are enough giggles and bellylaughs along the way to make this summer comedy hard to resist. [28 June 1991, p.3F]
    • St. Louis Post-Dispatch
  23. In his best performance since “The Social Network,” Eisenberg is perfectly cast as the neurotic Bobby. But the film truly belongs to Stewart, who brings to Vonnie a haunting luminousness.
  24. The performance is both an eerie imitation and a touching revelation. Oscar voters who overlooked Williams for her camouflage roles in "Brokeback Mountain," "Wendy and Lucy" and "Blue Valentine" should now throw diamonds at her feet.
  25. This is epic cinema that begs to be compared to "2001: A Space Odyssey." But unlike Stanley Kubrick's psychedelic joyride, this journey is powered by a human heart.
  26. Yes, Tinker Tailor Soldier Spy is often hard to follow, perhaps overestimating the audience's ability to keep track of what's going on and why. But it's a well-crafted film that wears its old-fashionedness with pride.
  27. The tonal shifts, the "Amelie"-style voiceover and the punk-retro soundtrack may jar some viewers who expect uninterrupted violins, but Declaration of War is alternative therapy that really works.
  28. With Top Five, Rock has finally made the transition to true movie stardom.
  29. Refusing to hold our hands, director Lynne Ramsay ("Morvern Callar") pushes far beyond the boundaries of topical drama into the realm of the surreal.

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