Tampa Bay Times' Scores

  • Movies
For 701 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 5.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Argo
Lowest review score: 0 The Change-Up
Score distribution:
  1. Negative: 65 out of 701
701 movie reviews
  1. There's much more to the adventure, a deft balance of fantasy and teen angst that never loses its contemporary sense of humor.
  2. Quirky to the brink of exhaustion, the latest from Jean-Pierre Jeunet is a live-action Looney Tune complete with Acme contraptions and wily coyotes.
  3. Warrior is a surprising gut punch, a modern-day "Rocky" saga with two mixed martial arts pugs trying to beat, choke and kick the system.
  4. Despite wild deviations in spiritual themes and execution, nothing in Noah approaches sacrilege or surrender, making this an acutely sensible biblical epic. It may simply be too strange for the masses to notice.
  5. Plenty of secrets are uncovered before the fadeout, plus another nugget dropped midway through the end credits that may render nearly everything beforehand to be false. That's the nature of intimacies submerged so long then revealed.
  6. The plot is a piffle but Ozon's presentation is gloriously romantic.
  7. Star Trek VI: The Undiscovered Country is one of the finest installments in the saga. [6 Dec. 1991, p.5]
    • Tampa Bay Times
  8. There's no way to make this a feel-good movie, and admirably the Duplass brothers don't try. Cyrus finds its humor in dark places, through characters bringing out the worst in each other.
  9. As a director, Clooney makes his most straightforward movie yet, although it's static at times due to the stage origins of Willimon's material.
  10. Trevorrow hits all the right, respectful beats, as a protege should; you can sense a desire to please his mentor, with several amusing references to Spielberg's 1993 original, and a climactic, triumphant nod to another of his works.
  11. Bridge of Spies is solid work but feels like Spielberg's best intentions as a filmmaker and world conscience on cruise control.
  12. Stoker operates in a perpetual state of dread, a sophisticated Southern gothic that starts out confusing and winds up as a perversely humorous coming-of-age yarn.
  13. They're an entertaining foursome, and Estevez guides them through lovely scenery, clever sight gags and personal confessions with leisurely skill.
  14. With everything it's doing all over again, The Book of Life often finds fresh ways to do it. That's all it takes.
  15. It Follows has an impressively sustained sense of dread, less explicit gore than measured tension. Mitchell slyly inverts the conventions of dead-meat teenager flicks, although not with wink-wink comedy like the Scream series. This movie is serious about creeping out viewers, and Mitchell is just artistic enough about it to create a minor masterpiece.
  16. Horror is an impatient person's game these days, and Crimson Peak isn't hurried at all. It seduces with creepily erotic atmosphere, and performances in perfect tune with the script's melodrama.
  17. This is how a romantic vampire flick should work.
  18. X-Men: Days of Future Past effectively passes the torch from one generation of socially segregated mutants to the next.
  19. The Runaways isn't just about rock 'n' roll; it IS rock 'n' roll, as loud, sexy, sometimes sloppy and ultimately exhilarating as the music can be.
  20. The role of Albert in Nicole Holofcener's Enough Said is closer to who the man was, and who the actor seldom got the chance to play: bearish yet soft-spoken, a self-confessed slob with a soul bigger than his gut. There's warmth pouring from those slitted eyes, loosening up guarded smiles as Albert takes a chance on love again.
    • 72 Metascore
    • 83 Critic Score
    More interesting than the hows and whys of N.W.A.'s controversial rise and fall in the industry are the inside snapshots of the industry itself, from grimy Compton clubs to electrifying arena concerts to hotel orgies to studio sessions that illuminate Dr. Dre's creative process.
  21. This movie is a last chance to save the series, which it does.
  22. It's deja vu all over again in The Hangover Part II, only dirtier and more dangerous, if you can imagine that.
  23. 2 Guns is a movie based on smart callbacks and sly flip-flops of loyalty, regularly interrupted by spasms of well-staged violence.
  24. If comic book movies are the last place you look for a soulful, serious performance, The Wolverine should be your first.
  25. Whatever Career Girls lacks in polish or ambition, it compensates with three memorable performances and an unwavering filmmaker working on nobody's terms except his own. [5 Sep. 1997, p.3]
    • Tampa Bay Times
    • 69 Metascore
    • 83 Critic Score
    On film, Into the Woods feels tighter, the tone more cohesive.
  26. There is a genuinely epic quality to Unbroken, cribbed from masters and capably traced. That's really all this inspiring story needs.
  27. A Dangerous Method is a movie believing the most formidable sex organ really is the brain.
  28. Carnage gives Polanski the best opportunity to express his devilish sense of humor in decades, proving again that comedy really is tragedy happening to someone else.

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