The Detroit News' Scores

  • TV
For 158 reviews, this publication has graded:
  • 59% higher than the average critic
  • 7% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 All The Way (2016)
Lowest review score: 20 George Lopez: Season 1
Score distribution:
  1. Mixed: 0 out of 121
  2. Negative: 0 out of 121
121 tv reviews
  1. This show--which mixes hints of “Lost,” “Twin Peaks” and “The X-Files”--is one of the best things to hit our airwaves this season.
  2. Raylan, despite his tendency to shoot people, is something of an old-fashioned hero, complete with white cowboy hat. Here’s to the simple but effective balance, and to the complications that threaten to topple it.
  3. It’s all very complicated, but at the same time easy to follow and terribly mesmerizing and haunting.
  4. Massive, cruelly dense, absurdly complicated and absolutely thrilling.
  5. Thrones exults in the unexpected.
  6. Near flawless in execution while filled with rarely seen intelligence and complexity, the HBO miniseries Olive Kitteridge plumbs the depths of the seemingly mundane and finds cruelty, resentment, dogged insecurity and finally, if not hope, then some level of honesty about life’s attraction.
  7. Smart without being smug, Nip/Tuck is surgically altered television perfection. [5 Sept 2006, p.5D]
    • The Detroit News
  8. Lush, often surreal, filled with contradictory characters and backstabbing intrigue, The Young Pope is one of the more remarkable television shows in memory.
  9. There are some fine supporting performances here--most notably from Bradley Whitford as a loyal-if-appalled Hubert Humphrey, Melissa Leo as the beleaguered Ladybird Johnson and Stephen Root as J. Edgar Hoover. But, beginning to end, this is a tour de force for Cranston. Great stuff.
  10. Relentlessly silly from beginning to end, if this show doesn't make you laugh out loud, or at least shake your head in constant bemusement, you're a member of the wrong species. [8 Nov 2001, p.5C]
    • The Detroit News
  11. Feud: Bette and Joan is delicious fare, a mix of catty gossip and vile manipulation, a look at the dark underbelly of celebrity culture and the desperation that comes with aging out of the limelight.
  12. [A] captivating and undeniable classic. [26 Aug 2005, p.2E]
    • The Detroit News
  13. Mr. Robot remains one of the most dizzying, intoxicating, challenging shows on television, a gripping look at mental illness and brilliance run amok, tied to an essentially sweet, if damaged, character. It’s a show that poses Big Questions and dares to leave them hanging.
  14. You already know the outcome. Yet you can’t stop watching, thanks to Murphy’s flashy dramatization, which is just the approach the “Trial of the Century” richly deserves.
  15. Girls continues to delight and provoke in a way too few shows can.
  16. Usher slowly but surely emerges as a major contributor on this underrated series filled with genuinely funny and touching moments.
  17. For now, though, The Leftovers is properly mesmerizing.
  18. There are a lot of characters and talent involved here--Mary Elizabeth Winstead notably plays the bride who was left behind--but The Returned is very much a show propelled forward by its story and the questions it raises.
    • 88 Metascore
    • 83 Critic Score
    The suits are louder, the sideburns are longer; aside from that, the season-six premiere proves to be classic Mad Men with plenty of vice (maybe more than before, at least more pot), long hours at work and lots of questions.
  19. There are slight miscues--Kimara’s attempts to become pregnant seem a distraction--but this very busy boat stays upright and moves forward, shifting just enough to stay interesting.
  20. The disconnect between propriety and reality keeps the miniseries on constant edge. The entire cast is fine, but Hall steals the show.
  21. Power is as sexy, flashy and addictive as it has always been. The only difference is the women in Ghost’s world have a lot more to do and say--and the series is better for it.
  22. The gore level is playful, not scary, and the idea that true love conquers all, even a craving for human flesh, permeates the show. Sheila, Joel and Abby can still live the American dream, it will just taste a bit odd.
  23. Like the tremendously successful “American Crime Story: The People v O.J. Simpson,” HBO’s new film, the ultra-sharp Confirmation, is a look back at the muddled ’90s, when racism and sexism were shockingly overt, and one could be used to undercut or confuse the other on the public stage.
  24. Smarter and more creative than ABC's "Desperate Housewives," that other show about superficial suburbia, "Weeds" has edgier and wittier writing. [6 Aug 2005]
    • The Detroit News
  25. Simultaneously heartwarming and heartbreaking.
  26. There’s a lot of humor here, but it’s more innocent than leering. And there’s also a great deal of understandable awkwardness that seems as pertinent to 2013 to the ’50s. You may not want to watch this with Aunt Tildy, but it is certainly worth watching.
  27. As gritty, dysfunctional family, crime-fueled dramas go, Animal Kingdom roars with dark promise.
  28. What starts off as a lusty and dewy-eyed dance between lovers quickly turns into a taut game of cat and mouse more titillating than the pair’s pending nuptials. Enos and Krause have palpable chemistry.
  29. As always, this is a scattered story with multiple moving parts.... Fargo revels in presenting ordinary folk with extraordinary problems, in stripping away their everyday guises and peering long and hard at their dark potential. That it can do this through adaptations of true stories makes it all the more jaw-dropping.

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