The Globe and Mail (Toronto)'s Scores

  • Movies
For 3,772 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 M. Butterfly
Lowest review score: 0 The Hangover Part III
Score distribution:
3,772 movie reviews
  1. Pretty much what you'd expect -- just another haunted house that happens to float.
  2. General Boredom meets Major Tedium on the Civil War fields of Virginia.
  3. You leave Stolen Summer with the feeling that you have watched acrobats stumble on a tightrope with no net below. Not a great show, but at least nobody got badly hurt.
  4. Dragonfly has more plot than a figure-skating competition, and just about as much credibility.
  5. Smith and Lawrence enjoyed some amusing chemistry in the '95 original, but their molecules sure aren't jibing here. It's a full hour into this behemoth before there's anything resembling a belly laugh.
  6. For about 20 minutes, Phantoms, based on Dean Koontz's bestseller, keeps you guessing. After that, it barely keeps you awake.
  7. The script is definitely mediocrity mixed with complication.
  8. There's no doubt the cast is driven and talented; some day, it might be interesting to watch a film about what such kids are really like.
  9. The most disturbing aspect of Cold Creek Manor -- a predictable, disjointed "Cape Fear" knockoff -- is that a script this disjointed and unoriginal could actually get the Hollywood green light.
  10. In the right hands, Good Boy! might have been a ripe bit of mischief. But except for an endless drum roll of fart jokes, what we get is stuffy liberal humanism that would bore the Oshkoshes off Al Gore's littlest nieces and nephews.
  11. A determined romantic comedy with a theme, and damned if it won't see it through.
  12. A semi-intriguing abomination, the movie The Cat in the Hat takes a piece of classic childhood Americana and turns it into something garish, dumb, ugly and senseless.
  13. The problem here isn't how the figures look; rather, it's what they do and say -- the story is lame and the dialogue no better.
  14. Oh, it's perfect all right. In fact, The Perfect Score is a flawless example of the classic January movie release -- the kind of studio picture that even the studio loathes, and so consigns to the dumping ground of the year's frosty first month.
    • 37 Metascore
    • 38 Critic Score
    There ain't much to You Got Served, but at least this teensploitation flick is bookended by two frenzied sequences that fully exploit the visual potential of street dancing.
  15. I confess to a deep uncertainty about whether this can be rightly called a movie. A bunch of scenes, maybe... I confess to a cynical belief that Lola isn't actually a role but just a succession of costume changes.
  16. Despite being set in 1958 Cuba, Havana Nights sticks to the formula. This would be perfectly acceptable if the dancing was "dirtier" and if there was a spark between the young couple.
  17. A plot so thin you could filter coffee through it.
  18. In what is surely a tribute to the dazzling mediocrity of director Luis Llosa, the real jungle looks as bland as the fake jungle.
  19. A lazy, hasty effort that offers little beyond a few jack-in-the-box startles and a high body count, including Hewitt's bouncing about in a shirt half-unbuttoned over a bikini top.
  20. A twisted, but not particularly clever, black comedy.
  21. In its nearly two-hour running time, in its always lugubrious pace, in its almost complete absence of laughs, The Prince & Me is a comedy that plays like a tragedy. No stricken bodies, though, unless you count the ones in the audience slumped back in their seats -- perchance they slept.
  22. Okay, it's just a movie, but his "reward" just doesn't cut it, even on a basic storytelling level. A crooked casino and a nephew's experiment with drugs are not enough justification for the hero's violent acts of vengeance.
  23. The United States of Leland has a resonance of "Elephant" without the visual poetry or structural sophistication, or "American Beauty" without the leavening comedy, but it's neither an insightful nor well-made film.
  24. If laughs are the currency of any comedy, then this one pays minimum wage and, worse, makes you work damn hard even for that pittance.
  25. An overemphatic revenge fantasy devoid of even a trace of excitement or wit.
  26. The plot's not so hot -- it feels like it was jotted down by someone on an after-dinner napkin.
  27. The net result is a few shaky laughs and one unwavering sensation -- that The Terminal is interminable.
  28. Filled with visual potential, yet Levinson can't tap it. He's just a whole lot more comfortable trying to tame the human software than the technical hardware.
  29. With the performers given zilch to perform, the result is a picture that's all chassis and no engine, or, in the parlance of the genre, a bunch of pointy hats in search of a transporting broomstick.

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