The Globe and Mail (Toronto)'s Scores

  • Movies
For 3,882 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Maria Full of Grace
Lowest review score: 0 Far and Away
Score distribution:
3,882 movie reviews
  1. Dreamgirls is one of the best movie musicals in memory.
  2. What keeps the energy percolating is DiCaprio’s performance, in the loosest and most charismatic turn of his career.
  3. Take nothing seriously - not the action, not the gore, not the plot, not the theme. Instead, view Desperado as it's meant to be seen - a comedy - and you're in for an unalloyed treat; heck, you're in for one of the funniest flicks of the year.
  4. If the word masterpiece has any use these days, it must apply to the film Once Upon a Time in Anatolia, a mature, philosophically resonant work from Turkey's leading director, 53-year-old Nuri Bilge Ceylan (Climates, Distance, Three Monkeys).
  5. The best Canadian beer movie since "Strange Brew," and the best 1930s musical of the year, The Saddest Music in the World is the kind of exhaustingly delirious film that only Winnipeg director Guy Maddin could make.
  6. Eyes Wide Shut still towers above most of the movies out there, immersing the viewer in a web of emotional complexity, at once raw and personal and, at times, theatrically overcooked.
  7. This outing not only doesn't disappoint; it surpasses high expectations. This is a terrific, smartly designed adolescent adventure, visually rich, narratively satisfying, and bound to resonate for years to come.
  8. Consequently, Ephron is forced to shape and integrate the twin halves of the picture, and she does a splendid job - the intercutting is always fluid and never mechanical. Better yet, the script keeps surprising us, setting up stock situations and then pulling away from a stock treatment.
  9. Kurt Russell has never seemed more clever, Mel Gibson more vulnerable nor Michelle Pfeiffer more goddess-like. Once upon a time, before the pictures got small and the hills were obscured by smog, the Hollywood sign read: "Hollywoodland." That was back when Tequila Sunrise, an intelligent, escapist epic for adults, wouldn't have seemed the anomaly it seems today. [2 Dec 1988, p.C1]
    • The Globe and Mail (Toronto)
  10. The Long Day Closes is a twice-remarkable film. Once, because director Terence Davies opens his personal bottle of memories and makes them interesting to us. Twice, because, in doing so, he triggers our own memories. [11 June 1993]
    • The Globe and Mail (Toronto)
  11. An uncommonly tender and observant documentary on the phenomenon that is "A Chorus Line."
  12. In short, Batman is terrific - funny, smart and sensitive too, the perfect cinematic date.
  13. The Witches of Eastwick is an uproarious and entirely successful attempt to examine the differences between the sexes by couching the examination in mythological terms. [12 June 1987]
    • The Globe and Mail (Toronto)
  14. Even hardened cynics will embrace the cliché – yep, you will laugh, you will cry.
  15. Raimi doesn't make the mistake of over-thinking the flimsy psychology of the genre. All this conflicted-hero stuff isn't meant to be profound; instead, it's there for the same reason as everything else -- to give the action (the interior action in this case) a healthy shot of pop energy.
  16. A film rich in paradoxes. Much of the film's style is dreamy, from the snow-covered Ontario landscapes suggestive of a blanket of forgetfulness, to Julie Christie's pale, intoxicating beauty, to the ambient musical score.
    • 65 Metascore
    • 88 Critic Score
    Point and Shoot is a riveting documentary and a disturbing portrait of a pampered American’s “crash course in manhood.”
    • 87 Metascore
    • 88 Critic Score
    Gillian Armstrong's adaptation of Louisa May Alcott's 1868 novel is lively and thoughtful and beautifully formed. [21 Dec 1994]
    • The Globe and Mail (Toronto)
    • 77 Metascore
    • 88 Critic Score
    Flagrantly flawed but never less than fascinating film that does indeed blend the funny Woody and the serious Woody.
    • 87 Metascore
    • 88 Critic Score
    Even when his touch is light, the Swedish filmmaker is masterful at capturing youth’s contracted perception of time and amplified emotions: Every slight could mean the end of the world, and every joy feels limitless.
  17. Don't go down this Rabbit Hole unless you wish to see a superb film that treats a sad topic with unflinching honesty. Don't go down this Rabbit Hole unless you believe that tragedy's grief, when transmuted through art's protective lens, can feel liberating, even joyful in its painful truths.
  18. Scorsese and Schrader have made a courageous film that people of all religions or no religion should be able to watch with identical fascination. [10 Aug 1988. pg. C.4]
    • The Globe and Mail (Toronto)
    • 67 Metascore
    • 88 Critic Score
    The film is just shy of being overstylized by Bhargava's habit of deftly bringing our attention back to the family and their subtle mannerisms amid the chaotic activity around them. The always wonderful Seema Biswas co-stars as the business man's calm sister-in-law.
  19. Ghoulishness and innocence walk hand-in-hand in Tim Burton's Corpse Bride, a movie that digs into Hollywood's past to resurrect the antique art of stop-motion animation and create a fabulous bauble of a movie.
  20. The Shrek franchise is alive and well -- Model 2 is zippier, sleeker, with ever-improving graphics, vast commercial potential and the same sly ability to reach out and hook the whole family.
  21. Polanski's view of life is like that of Greek tragedy, with the same cold comfort that tragedy implies; from the larger perspective which art gives us, we know even horrors eventually pass.
  22. Before that marvel of human engineering - China's Three Gorges Dam - completes its legacy of human upheaval, there are vanishing sights to be seen.
  23. Hawking is as much a phenomenon as the phenomena he explores. Knowing that, A Brief History Of Time has the deceptive simplicity of an elegant equation - it merely sets up the parallels and permits us to wonder, gazing upon the heavens above and the mysteries within. [28 Aug 1992]
    • The Globe and Mail (Toronto)
  24. The film takes its cue from the widow, neither sermonizing or even villainizing, content to serve quietly as an admirable exercise in restraint and a moving example of the grace under pressure that is the essence of courage.
  25. Sonnenfeld moves things along with alacrity and panache, serving up the exotic visuals quietly, blending in the sprightly humour efficiently, and keeping the mix at a rolling boil.

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