The Guardian's Scores

For 1,407 reviews, this publication has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Weiner
Lowest review score: 20 Interior. Leather Bar.
Score distribution:
1407 movie reviews
  1. I was utterly absorbed by this movie’s simple storytelling verve and the terrific lead performances from Ryan Gosling and Emma Stone who are both excellent – particularly Stone, who has never been better.
  2. London Road was a mighty success on stage. Now it is a unique triumph on the movie screen.
  3. With his two early features, "Distant" (2002) and "Climates" (2006), Ceylan has showed himself a superb film-maker. This is his greatest so far.
  4. The film is utterly gripping and endlessly disturbing.
  5. Graduation is an intricate, deeply intelligent film, and a bleak picture of a state of national depression in Romania, where the 90s generation hoped they would have a chance to start again. There are superb performances from Titien and Dragus.
  6. This is a jewel of American cinema.
  7. This new Star Trek is fast-moving, funny, exciting warp-speed entertainment and, heaven help me, even quite moving - the kind of film that shows that, like it or not, commercial cinema can still deliver a sledgehammer punch.
  8. This is terrific film-making – enough to bring a rush of blood to the head.
  9. It’s morally complex and sometimes uncomfortably close to the bone, but also lushly bawdy and funny, and packaged together with an astonishing degree of cinematic brio by first-time writer-director Marielle Heller.
  10. Ciro Guerra’s gorgeous picture just has that ripped-from-your-dreams sensibility, where surprising turns float alongside a story you feel like you’ve known your whole life. Embrace of the Serpent is the type of film we’re always searching for, yet seems so obvious once we’ve found it.
  11. It's not exactly a documentary, more a lovingly-filmed homage, but some candid interview material allows scraps of Baker's story to emerge.
  12. Despite the strong performances, it’s Schipper’s single-shot conceit - and the fact that he and his team pulled it off with aplomb - that makes Victoria such a bracing triumph. While the entire enterprise is inarguably a stunt, Victoria manages to overwhelm in ways that few films do.
  13. An almost perfect 90-minute hit of confident and inspired comedic commentary.
  14. After all those false dawns, non-comebacks and semi-successful Euro jeux d'esprit, Allen has produced an outstanding movie, immensely satisfying and absorbing, and set squarely on American turf: that is, partly in San Francisco and partly in New York.
  15. An enormous pleasure. The performances are so fresh and natural – yet so subtle and delicately judged. The direction is superb in its control and the cinematography creates a gripping docu-realist vision.
  16. What an astonishing achievement; what a beautiful movie.
  17. This is an extraordinary record. But be warned. Once seen, these images cannot be unseen.
  18. While formally quite different from his more universally-respected early work, Chi-Raq has the exuberance and wit you’ll find in Do The Right Thing and Crooklyn. It’s the best film he’s made in a very long time.
  19. It’s a beguiling mix of animated storytelling and narration that doesn’t flinch from exploring the emotional highs and lows that accompany a life with autism.
  20. It is actually Assayas’s best film for a long time, and Stewart’s best performance to date.
  21. Anomalisa is a movie with wit to burn (look out for the Sarah Brightman line and the meeting room pit) and enough incidental touches that the total achievement feels immense.
  22. Only God Forgives will, understandably, have people running for the exits, and running for the hills. It is very violent, but Winding Refn's bizarre infernal creation, an entire created world of fear, really is gripping. Every scene, every frame, is executed with pure formal brilliance.
  23. It is a brilliant, subversive account of class relations and the changing times.
  24. It is extremely pleasurable to watch, and shows every sign of having been extremely pleasurable to make.
  25. This is a suspense classic that leaves teeth-marks.
  26. Fire at Sea is masterly film-making.
  27. By any standards, this would be an outstanding film, but for a debut it is remarkable.
  28. Hard to Be a God creates its own uncanny world: it is beautiful, brilliant and bizarre.
  29. Before Midnight is intimate and intelligent, and also undemanding in the best possible way,
  30. The themes may be contentious, but the handling is perfect. If there were ever a movie to cause the lame to walk and the blind to see, The Master may just be it.

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