The Hollywood Reporter's Scores

  • Movies
  • TV
For 6,949 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Capote
Lowest review score: 0 I Know Who Killed Me
Score distribution:
6949 movie reviews
  1. The latest installment could well be Romero's masterpiece. Taking full advantage of state-of-the-art makeup and visual effects, he has a more vivid canvas at his disposal, not to mention two decades worth of pent-up observations about American society.
  2. The simplest of stories can be elevated by first-rate acting and directing. Consider Stephane Brize's Mademoiselle Chambon, a French film that achieves a subtle but devastating impact.
  3. One of the best film musicals in years -- exuberant, sexy and life affirming in equal measure.
  4. The movie is a small marvel of impeccable craftsmanship.
  5. This is a wonderfully odd consideration of those questions about love, pain, solitude and human connection we all ask; its emotional power creeps out from under the subtle humor and leaves a subcutaneous imprint that lingers long after the movie is over.
  6. Pixar again hitches top-notch storytelling to the very best in CG animation.
  7. It's a delightful piece of filmmaking with a marvelous cast topped by Meryl Streep in one of her smartest and most entertaining performances ever.
  8. Where many filmmakers would have underlined the bleaker, harsher aspects, Girlhood presents the characters' grim reality without surrendering its lightness of touch, its compassion or its hope.
    • 94 Metascore
    • 100 Critic Score
    An epic success and a history-making production that finishes with a masterfully entertaining final installment.
  9. Muylaert does a deft job here of plotting her story and setting up her characters and their predicaments in ways that immediately invite reflection.
  10. A story that soars with breakneck pace but slows in all the tender moments. Visually, this train ride is both majestic and edge-of-your-seat.
  11. Shot rivetingly by cinematographer Brooke Aitken, who combines digital, night-vision and thermal-imaging formats into a formidable package, the footage is edited tautly by Geoffrey Richman and enhanced measurably by J. Ralph's suspenseful score.
    • 86 Metascore
    • 100 Critic Score
    Perhaps the most perfectly constructed horror story in our time.
  12. Alternately haunting, inspiring and dreamily meditative, this is a visually majestic film of transfixing moods and textures.
  13. Two things stand out: the extraordinary command of cinematic technique, which alone is nearly enough to keep a connoisseur on the edge of his seat the entire time, and the tremendous portrayals by Joaquin Phoenix and Philip Seymour Hoffman of two entirely antithetical men
  14. Barry Jenkins' Moonlight pulls you into its introspective protagonist's world from the start and transfixes throughout as it observes, with uncommon poignancy and emotional perceptiveness, his roughly two-decade path to find a definitive answer to the question, "Who am I?"
  15. Visually, intellectually and emotionally, McDonagh’s film is one to savor.
  16. Equal parts ethnographic and poetic, this eloquent drama's stirring soulfulness is laced with the sorrow of cultural dislocation but also with lovely ripples of humor and even joy.
  17. Ralph Fiennes directs and stars in Coriolanus as William Shakespeare's Rambo in a production that delivers heavyweight screen acting at its best.
    • 71 Metascore
    • 100 Critic Score
    With Mark Ruffalo and Ethan Hawke registering personal bests in the performance category as well as playing magnificently and ultraconvincingly off each other, What Doesn't Kill You, a true story that is powerful and completely riveting from beginning to end.
  18. Claire Denis, not always an easy director, is in top form here directing an almost all-black cast with grace and delicacy. For the happy few, this is French art house cinema at its unpretentious best.
  19. A fabulous and passionate love letter to the cinema and its preservation framed by the strenuous adventures of two orphans in 1930s Paris.
  20. Driven by a brilliant, ferocious performance by Michael Fassbender, Shame is a real walk on the wild side, a scorching look at a case of sexual addiction that's as all-encompassing as a craving for drugs.
  21. Fully justifying the decision, once thought purely mercenary, of splitting J.K. Rowling's final book into two parts, this is an exciting and, to put it mildly, massively eventful finale that will grip and greatly please anyone who has been at all a fan of the series up to now.
  22. Meticulous care is evident in every aspect of the film. All three actors playing Pi are outstanding.
    • 70 Metascore
    • 100 Critic Score
    There's really very little to say about this film beyond that it's absolutely brilliant.
  23. Not only (Kaufman's) most accessible and romantic screenplay, it's his most complete. The third act works like a charm and pulls all his themes, characters and conflicts together beautifully.
  24. It’s a non-stop blast from beginning to end, jam-packed with a wacky irreverence, dazzling state-of-the-art CGI (courtesy of Animal Logic) and a pitch-perfect voice cast headed by Chris Pratt, Elizabeth Banks and Will Ferrell.
  25. Representing a dazzling artistic leap forward for LAIKA, the stop-motion animation studio’s fourth feature — and first full-blown fantasy — is an eye-popping delight that deftly blends colorful folklore with gorgeous, origami-informed visuals to immersive effect.
  26. This is a gorgeously made character study leavened with surrealistic dimensions both comic and dark, an unsparing look at a young man who, unlike some of his contemporaries, can’t transcend his abundant character flaws and remake himself as someone else.

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