The Hollywood Reporter's Scores
- Movies
- TV
For 4,207 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,014 out of 4207
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Mixed: 1,822 out of 4207
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Negative: 371 out of 4207
4,207
movie reviews
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Reviewed by
Kirk Honeycutt 90
Joe Berlinger and Bruce Sinofsky's final film about the West Memphis Three demonstrates how the first two docs played a role in galvanizing national support to free the wrongly convicted men.- Posted Jan 12, 2012
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Reviewed by
Kirk Honeycutt 90
Audiences will eat it up: This is a postmillennial spy-action movie pitched to a large international audience. You hardly need subtitles. -
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Reviewed by
Ray Bennett 80
The director, who also wrote the script, achieves a keen-eyed view of the Turkish expatriates in this film while sustaining his remarkable ability to make them universal. -
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Reviewed by
Kirk Honeycutt 90
It is more sad-funny than funny-funny, but Jenkins has enough empathy and wit to realize that even the sad parts are, somehow, funny. -
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Critic Score 80
The emotional traumas of young Israeli soldiers drafted into the war with Lebanon in the 1980s are recounted through the eyes of a tank crew in this wrenching concentration of raw emotion directed by Samuel Maoz. -
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Reviewed by
Frank Scheck 90
Gorgeously photographed by co-director Burke in the beautiful environs of East Sussex, England, this modest but subtly powerful piece of minimalist cinema exerts a haunting spell.- Posted Apr 7, 2013
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- Posted Apr 23, 2013
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Critic Score 90
Hugely entertaining documentary challenges conventional concepts of legitimate art and the creative process. -
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Reviewed by
Kirk Honeycutt 80
Women's roles and the eternal fight to expand their rights in Iranian society get a light, hugely entertaining treatment in Jafar Panahi's Offsides. -
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Reviewed by
Frank Scheck 80
A terrific cinematic essay that will have a very, very long shelf life. -
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Reviewed by
John DeFore 90
Apatow's gleefully raunchy movies are, in an odd and charming way, extremely family-friendly. -
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Reviewed by
Kirk Honeycutt 80
Kim Ki-duk keeps dialogue to a minimum and actions simple in what is virtually a two-character piece. Humor arrives organically, often resulting in hearty laughs. -
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Reviewed by
Richard James Havis 100
Festival Express should rightfully take its place in rock history as one of the great performance films of all time. -
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Reviewed by
James Greenberg 90
Topped by a fine cast, a first-rate script by Nick Hornby and tight direction by Lone Scherfig, the film is a smart, moving but not inaccessible entry in the coming-of-age canon. -
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Critic Score 80
It is one of the few films so visually absorbing, felicitous shot after shot, that its emotional coldness is noticed only at the end, when all the plot twists are unraveled in a solid piece of thinking-man's entertainment for upmarket thriller audiences.- Posted Nov 29, 2011
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Reviewed by
James Greenberg 80
If there was ever any doubt, with Half Nelson, Ryan Gosling establishes himself as a major talent and one of the finest young actors around. -
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Reviewed by
Natasha Senjanovic 80
The director also pulls career-high performances from Mezzogiorno and Timi that are, respectively, tragic and mesmerizing. -
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Critic Score 80
This smart, aesthetically understated concert film from Jonathan Demme will transport Young's legions of baby boomer fans back to the future, as 1969 re-invents itself in 2005 for Young. -
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Reviewed by
Ray Bennett 30
Surrealism is one thing, but The Intruder appears so ill defined and random that it ends up looking simply inept. -
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Critic Score 90
A riveting genre blend of thriller, domestic drama and supernatural horror propelled by a brilliant lead performance.- Posted Sep 25, 2011
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Reviewed by
Richard James Havis 80
This precision-controlled film once again highlights Alexander Sokurov's mastery of the medium. The third entry in his Men in Power series employs refined performances, a controlled script, excellent sound and fluid camerawork. -
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Reviewed by
Ray Bennett 90
With compelling and charismatic performances by Keira Knightley and James McAvoy as the lovers, and a stunning contribution from Romola Garai as their remorseful nemesis, the film goes directly to "The English Patient" territory and might also expect rapturous audiences and major awards. -
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Critic Score 70
Bong has pulled together a multilayered horror-drama that works more often than not. The film gets back on track after a clumsy middle section that's too long and finishes strong, and Bong fans, horror fans and Asiaphiles are likely to be thoroughly satisfied. -
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Reviewed by
John DeFore 70
In-depth account of Army deployment in an Afghanistan hotspot shows soldiering at its most rugged. -
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Reviewed by
Todd McCarthy 90
Brandishing an ambition it's likely no film, including this one, could entirely fulfill, The Tree of Life is nonetheless a singular work, an impressionistic metaphysical inquiry into mankind's place in the grand scheme of things that releases waves of insights amid its narrative imprecisions.- Posted May 17, 2011
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Critic Score 90
In directing the film, Lee allows the show's inherent vitality to carry the doc, relying on Stew's charismatic stage presence, the cast's absorbing performances and the production's effective combination of minimal staging and impressive lighting design to convey the musical's energetic celebration of artistic discovery. -
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Critic Score 70
A realistic slice of pioneer life that offers a disquieting alternative vision of America's most mythic location.- Posted Apr 4, 2011
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Reviewed by
Frank Scheck 80
Almost unbearably moving at times, Julie Betuccelli's simple but sublime debut feature presents a portrait of maternal love and female fortitude that will reduce the stoniest of viewers to tears. -