The Huffington Post's Scores

  • TV
For 341 reviews, this publication has graded:
  • 37% higher than the average critic
  • 4% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 4.1 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Cosmos: A Space-Time Odyssey: Season 1
Lowest review score: 0 Tyrant: Season 1
Score distribution:
  1. Mixed: 0 out of 180
  2. Negative: 0 out of 180
180 tv reviews
  1. There's a tentativeness to Halt's first hour--it doesn't end especially strongly--but overall, the drama has a mostly credible pilot and lead actors who will probably be able take the show in compelling directions.
  2. The good news is that the unusually ambitious Awake succeeds at several of the things it's attempting, and star Jason Isaacs grounds the drama with a charismatic yet subtle performance.
  3. It does what it sets out to do reasonably well without breaking my brain in the process.
  4. The show takes the time to give a few realistic dimensions to the characters' emotional lives, and each actor in the core trio has sharp comic timing.
  5. I'll keep watching, given the caliber of the cast and the solidly made pilot, and I'll hope that Vegas gives these actors more to do than standing over bodies and leveling shotguns at city slickers.
  6. If you can accept Midwife for what it is--and at its core, it's a pleasant, even romantic period piece about divergent people who learn to take care of their own--there are quite a few pleasures to be found here.
  7. The whole point of the show is to display super sexy spies having cool adventures and getting to know each other again as they try to put the spark back into their marriage. There's nothing necessarily objectionable about that, but forgive me if I expect more from a series that J.J. Abrams is involved in. Having said all that, Undercovers is not a chore to watch.
  8. The new cop drama The Chicago Code resembles its lead characters: It's focused, determined and ambitious--and sometimes it tries to do too much. Still, the handsome Code succeeds far more often than it strikes out.
  9. Even if Scandal isn't quite as instantly addictive as "Grey's Anatomy" was back in the day, this is a well-paced, generally well-acted show with some promising elements (though there is also an occasional tendency to offer contrived redemptions that don't make a ton of sense).
  10. [A] solid and confident show.
  11. Now in its second season, Portlandia has matured into a comedic concoction that is consistently pleasing.
  12. Season 2 has some nuanced writing and some cleverly observed moments. But there are also a number of grating elements on display as the season gets underway.
  13. Its somewhat opaque characters never quite moved me on that level [of "Broadchurch," "Happy Valley" or "Top of the Lake"]. Though it's well made and respectful of its subject matter, something about this show keeps it not at the surface but more or less reliably near it.
  14. All in all, the Alphas season premiere is competent and enjoyable when it comes to action and pacing, but this show (especially given its modest budget) will rise and fall on the continuation of the character development begun in Season 1, and the jury's still out on that front.
  15. By casting Feore, Arnaud, Harris and the magnetic Irons in this Gothic soap opera about randy popes and their enemies, and by taking the world of 15th Century Rome moderately seriously, Jordan ensured that this drama would be more than just a mildly cheesy guilty pleasure. It's not much more than that, mind you, but you won't have to go to confession after you've partaken of this Showtime costume drama.
  16. Lone Star doesn't have quite the same sense of place as 'FNL,' and it's far more of a traditional soap than the NBC/DirecTV drama. Still, Voight and especially Keith, who projects palpable charisma, give terrific performances as the strong, stubborn men trying to bend Bob to their wills. This is no 'Dallas' but a sincere look at one man's attempt to go straight without alienating everyone he loves.
  17. For all its formulaic predictability, though, this show has an acerbic self-awareness that may defuse the cynicism you may bring to it.
  18. The relationships that are sketched out in the first hour are promising.
  19. The weight of expectations on this new season were great, and if this plucky show staggers a little under that weight, that's understandable. I'm fully on board for Season 2, and I have every reason to believe Orphan Black will keep evolving in the direction of perfection. Science demands it.
  20. I found little to object to in the pilot for Chaos, a mostly male action-adventure hour that is energetic and mildly amusing from time to time.
  21. It's got a smart pace, good performances and it's a relief not to have to commit to something long-term.
  22. While the first episode is a solid and visually rich scene-setter for the tale to come, there's a lot of dry, sometimes clunky exposition to get through before the story really gets going in the fifth episode, which is far and away the best hour of Game of Thrones I've seen.
  23. SOA is at its most compelling when it delves into the emotional bonds between these men and their women, and there's a rich dramatic potential in the double-dealing that begins in these first hours.
  24. Helix doesn't reinvent the virus thriller, but it's a solid slice of genre entertainment that offers some creepy visuals and believable scares.
  25. In its pilot, it achieved its modest goals without leaning too far into pompousness (as is the case with "Almost Human") or slicing off too much ham (hello "The Blacklist").
  26. This West Coast Law & Order works best when it gives its able cast knotty dilemmas to play.
  27. White steals scenes and mugs for the camera, which is obviously what the producers want her to do. But even though the loud laugh track can be annoying at times, there's no denying that the cast of this endearingly retro sitcom makes the most of what they've been given.
  28. The cast is very good and if the central relationships are beefed up, it could be a keeper.
  29. The Blacklist is never going to be anyone's idea of great art, but at least it has a pulpy kind of momentum that may well be worth watching for a while; I will stick around to see whether Spader's performance really is the only dish on the menu.
  30. Wilfred is still a work in progress; in the early stages, the relationship between the dog and the man feels a little claustrophobic, but as the episodes progress, Ryan's world begins to expand a bit, which is a good thing.

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