The Independent (UK)'s Scores

  • Music
For 872 reviews, this publication has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 66
Highest review score: 100 Silver & Gold [Boxset]
Lowest review score: 20 The Endless River
Score distribution:
  1. Negative: 17 out of 872
872 music reviews
    • 100 Metascore
    • 100 Critic Score
    His symphonic-soul innovations here would map out the course of much 1970s soul music, while his use of multi-layered vocals – the happy result of an engineer accidentally running two vocal takes in the same mix – added an extra element to Gaye's vocal armoury which he would use extensively throughout the rest of his career.
    • 99 Metascore
    • 100 Critic Score
    Though spoilt in places by distortion and too-prominent electric piano, the hitherto unheard material is notable for the innovative exploration of yet another roots blend, through the impassioned country-soul of songs such as “That’s the Breaks”. Clearly, in this most congenial of creative cauldrons, virtually anything was possible.
    • 99 Metascore
    • 100 Critic Score
    It remains one of pop's most impervious generational touchstones.
    • 98 Metascore
    • 100 Critic Score
    The character of the base music here is overwhelming: complex, ebullient and life-affirming, and in yoking this intricate dance music to his sophisticated New Yorker sensibility, Simon created a transatlantic bridge that neither pandered to nor patronised either culture.
    • 95 Metascore
    • 100 Critic Score
    It's an extraordinary collection, which demonstrates exactly why Guthrie was perhaps the only performer who could square the circle pointedly implied by the title American Radical Patriot.
    • 94 Metascore
    • 100 Critic Score
    Like Picasso, he acknowledges that the chief enemy of creativity is good taste--which is just as well, since it's not a quality with which he seems over-burdened on My Beautiful Dark Twisted Fantasy. For which we should all be thankful.
    • 93 Metascore
    • 100 Critic Score
    Twenty-five years ago, Lifes Rich Pageant found R.E.M. metamorphosing from what was effectively a turbo-charged folk-rock cult indie outfit into a proper rock band capable of filling stadia.
    • 93 Metascore
    • 100 Critic Score
    It all adds up to probably the best Stones album since... well, since Some Girls, actually.
    • 93 Metascore
    • 100 Critic Score
    [It is] possibly the band's best album.
    • 92 Metascore
    • 100 Critic Score
    It's a relief to report that Pull Up Some Dust And Sit Down is his best effort by far since Chavez Ravine.
    • 92 Metascore
    • 100 Critic Score
    It's simply marvellous, an unalloyed joy from first to last, with Robbie Robertson's finely wrought storytelling songs augmented by a few well-chosen covers.
    • 90 Metascore
    • 100 Critic Score
    Kouyate's electrification of his ngoni lute is just as effective a sign of resistance: fed through a wah-wah pedal, his serpentine, fleet-fingered lead lines gain a fresh, assertive power on songs.
    • 89 Metascore
    • 100 Critic Score
    This is music of stellar quality, from the smirking masturbation anthem “Low Yo Yo Stuff” to the berserk wizardry of “Big Eyed Beans from Venus.”
    • 89 Metascore
    • 100 Critic Score
    Though already condemned by Van himself, there's much to appreciate about this 4-CD expanded edition of one of the greatest albums ever recorded. It's fascinating to follow the development of a track such as "Caravan" across half a dozen takes.
    • 88 Metascore
    • 100 Critic Score
    An album which contains no filler at all, each track blooming in its own way like a collection of strange desert succulents, with a whole lot of hollerin' and a touch of Lieber-Stollerin'.
    • 88 Metascore
    • 100 Critic Score
    The Roots' 13th album may be their best.
    • 87 Metascore
    • 100 Critic Score
    Not only did they change the course of rock music; they also sustained an inspired creativity for almost two decades, something that the career arc of this retrospective brings into focus, right down to the Bacharach-esque touches of the final unreleased tracks, which pleasingly bring things full-circle in certain ways.
    • 86 Metascore
    • 100 Critic Score
    Roth fits Hunter like a glove, bringing out the warmth of his brass section and framing his raw voice in perfectly judged R&B arrangements that spark and bounce.
    • 86 Metascore
    • 100 Critic Score
    Truly, the album of a lifetime.
    • 86 Metascore
    • 100 Critic Score
    Once I Was an Eagle is a work that demands to be taken as a whole, another reminder of the peculiar power of the album form, despite frequent premature declarations of its redundancy.
    • 86 Metascore
    • 100 Critic Score
    LP1
    FKA Twigs emerges the high priestess of R&B's latest corruption, and the world will kneel at the altar.
    • 86 Metascore
    • 100 Critic Score
    Inspiration Information [is] repackaged with an extra disc of pieces recorded since then, which show his abilities undiminished by age.
    • 86 Metascore
    • 100 Critic Score
    Popular Problems--note the drolly contradictory title--finds his agreeable baritone growl applied as usual to romantic disappointment and political venality with vivid, jolting metaphors (“I see the ghost of culture, with numbers on his wrist”) cutting to the quick.
    • 85 Metascore
    • 100 Critic Score
    The result is a lush, immersive work which is sonically more homogeneous than her earlier albums.
    • 85 Metascore
    • 100 Critic Score
    Despite restlessly exploring hitherto untrodden musical terrain, there are precious few wasted seconds in these three hours.
    • 85 Metascore
    • 100 Critic Score
    With Helplessness Blues, Fleet Foxes triumphantly deliver on the promise of their popular debut, the album that helped establish folk-rock once again as a formidable commercial force rather than just a fringe interest.
    • 85 Metascore
    • 100 Critic Score
    One of the truest, wisest albums you’ll ever hear.
    • 85 Metascore
    • 100 Critic Score
    On this, Gillian Welch's fifth album, the familiar blending of traditional sounds and moods with modern sensibilities is effortlessly sustained through songs like the mordant "The Way It Goes" ("Betsy Johnson bought the farm, stuck a needle in her arm, that's the way that it goes").
    • 84 Metascore
    • 100 Critic Score
    The warm but haunting Trouble Will Find Me will surely cement their accession to the rock mainstream.
    • 84 Metascore
    • 100 Critic Score
    There's an urgency and drive about these tracks that's simply exhilarating.