Time's Scores

  • Movies
  • TV
For 1,715 reviews, this publication has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 American Sniper
Lowest review score: 0 The Women
Score distribution:
1,715 movie reviews
  1. Beetlejuice means something good: that imaginative artists can bring a fading genre back from the dead. [11 Apr 1988]
    • Time
  2. Not since "This is Spinal Tap" have I had such a good time watching amiable idiocy stumble on toward uncertain glory.
  3. In its soft-spoken way, it is fierce, shaggy and deeply weirded out.
  4. Both horrifying and hopeful.
  5. A banquet of creepy, gory or grotesque incidents is on display in Hannibal. but this superior sequel has romance in its dark heart.
    • Time
  6. Droll, reticent, flawlessly filmed fable of generosity.
  7. This miniature epic is a film that, like its young hero, will enrich those who peer into its poignant heart.
    • Time
  8. Indeed, you could argue that Tell No One is a variant on one of Hitchcock's favorite themes: the running man whose story no one (except us in the audience) believes. These fictions, of course, depend for their success on the French respect for rationalism (and their horror when reason is torn asunder by criminal irrationality).
  9. Lawrence's style, naturally lit and roughly realistic, matches the writing. Lantana sometimes has the air of a routine police procedural, sometimes the quality of a dour film noir. But this movie, so alert to mischance and dreams that don't quite work out as they should, has a good soul, a heart yearning for decency.
    • Time
    • 89 Metascore
    • 90 Critic Score
    Terse is the word for Eastwood's directorial style. It rarely editorializes; it doesn't emote or orate. It just tells the damn story of a soldier's honor, which means doing the job no matter the odds--indeed, no matter the mission.
  10. If The Hobbit doesn't equal the achievement of Jackson's earlier Middle-earth movies -- and, honestly, what could? -- it is still, in sum, a thrilling effort.
  11. In this arid landscape, the edifice of Ghost World, with all its acute insolence, stands out like the Taj Mahal.
    • Time
  12. Plenty of tech-noir savvy to keep infidels and action fans satisfied.[26 Nov 1984, p. 105]
    • Time
  13. We are free to adore a sad, funny, always good-natured film that eccentrically, tolerantly explores that moment when revolutionary ardor commingled with bourgeois stolidity to form our present weirdly ambiguous culture.
  14. Most of the movie is Actors Acting: gifted guys (Harvey Keitel, Tim Roth, Steve Buscemi, Chris Penn) running nattering riffs on familiar lout themes. [16 Nov 1992]
    • Time
  15. What is startling is how well While You Were Sleeping recaptures the true spirit of the best kind of modern fairy tale -- classic romantic comedy.
  16. They bring their characters to good, slightly surprising, quite satisfying places. And leave us beaming happily.
    • Time
  17. A gross-your-eyes-out horror movie that is also the year's most poignant romance.
  18. But the carnage, like the sex scenes, is shot so pristinely that it becomes a nouvelle-cuisine feast; this is a splatter film Martha Stewart could love.
    • Time
  19. Intellectually austere but technologically and aesthetically riveting documentary.
  20. A movie that demands our surrender -- to its energy, to its bold-stroke moviemaking, to its acting (particularly by Cruise and Watanabe, who blend musing and graceful muscularity) and, above all, to its romantic vision of a lost world.
  21. Bravely and with penetrating intelligence, Before Midnight elevates instead the practical, a partnership: frayed by disappointment, worn by time, but for the very luckiest—which we sincerely and selfishly hope includes Jesse and Celine—durable for the long day’s journey into night.
  22. A careful, finally powerful film.
  23. The next time you hear a director complain about the studio or his stars or the weather or whatever, think of what Jorgen Leth achieved with Lars von Trier as his boss -- when five obstructions became five splendid opportunities.
  24. No film with an ambition this large, and achievement this impressive, can be anything but exhilarating, a vital affirmation of the creative process.
  25. It is indeed impressive; and we mean not just this solid, satisfying final film - in which the Potter saga reaches its climax, if not quite its emotional apex - but the entirety of producer David Heyman's blockbuster franchise.
  26. Its business is to turn sure-thing expectations into a game of chance, and provide us with that rarity--a genuinely eccentric yet deeply insinuating film.
  27. His performance is a canny portrait of leadership - part genius, part crazy guts, part dumb luck - and worthy of moving Pitt up to the playoff round of Oscar finalists for Best Actor. We'd put money on it.
  28. Rich in humor, pained or frolicking.
  29. An easy charm, a cleverly unforced sense of humor and a benignity toward all its genially oddball characters. If moviegoers skip this one, they'll be missing a real treat.
    • Time

Top Trailers