USA Today's Scores

  • Movies
  • TV
For 3,067 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
3,067 movie reviews
  1. Has plenty of fast cars and revving engines. But unless you're a fan of that sort of thing, its stultifying plot and wooden acting is likely to make you drift - off to sleep.
  2. One has to wonder about the mind-set of a middle-aged filmmaker who repeatedly seeks out material about amoral and promiscuous teenagers with little to say.
  3. The name is a tipoff: Club Dread is dreadful.
  4. Why would a distributor suddenly yank an animated family film from its intended wide December opening until mid-January? Could it be that the advance word of mouth wasn't very good-winked?
  5. Moore and Ford rise above the hackneyed story, infusing the proceedings with their own chemistry and appeal. If only the adults responsible for this film could learn how to deal.
  6. Far-fetched, flimsy and uninvolving.
  7. It's déjà vu all over again. There isn't much more to say about "We Own the Night 2." Oops, make that Pride and Glory.
  8. It's almost impressive when a movie can manage to be both repellently vulgar and sickeningly sweet in the span of a mere two hours. Almost.
  9. Feels about as fresh and lively as a piece of burnt rubber.
  10. A good script is the most essential ingredient for a good movie. Hiring a comedian isn't enough.
  11. Speaking of that middle-finger finale, there is one redeeming trait: At least it signals the end credits.
  12. The film tries to be stylish and slick, but is mostly just nasty and blood-drenched. Piven, so funny in other film roles and on TV's "Entourage," overdoes it here, and extended scenes of his debauchery grow excessive and thuddingly dull.
  13. Sadistic mess of a movie.
  14. This movie is a howler as well -- possibly even intentionally -- but if it is a black comedy, the joke is overextended by far too many arms and legs. [19 March 1999, Life, p. 13E]
  15. Long, lumbering, pretentious and for some a possible laff riot. [23 Dec 1994]
  16. School for Scoundrels will only leave you scratching your head in bewilderment and might possibly shave off IQ points.
  17. A sluggish, tedious film about lost souls living dead-end lives in a dead-end town. Their actions often defy rationality.
  18. Given its predictable story, the only reason to see Stomp is for the rhythmic step dancing.
  19. The movie tries to juggle motherly love sentiment with wanna-be snappy ripostes with a violent streak that extends to threatening a grade-schooler with blinding and busted kneecaps. [11 Oct 1996, Pg.03.D]
  20. So sadistic and disturbing, Games is easily the toughest movie to sit through since 1994's "Natural Born Killers."
  21. Dead-carcass spinoff of Jay Ward's animated TV favorite.
  22. Calling a cave of rocks home while spouting invective worthy of the Juilliard attendee he once was, homeless-by-choice Samuel L. Jackson worms his way into one of the least compelling mysteries in years.
  23. Wow, dudes. Pu-trid. (1989 February 20, p.4D)
  24. Vardalos' comedic style is old-fashioned in the worst way; her humor is stodgier than the most retro Catskills laughmeister.
  25. If your idea of a good time is watching a disjointed period piece featuring a scrawny dog defecating, dozens of dissipated people fornicating and a syphilitic Johnny Depp with oozing pustules on his face, The Libertine may be just the movie for you.
  26. Almost everyone in this has done better, and those who haven't, like young Ms. Panettiere, have plenty of time to do so.
  27. Revolution tries a few plot moves, but, narratively, it has two left feet.
  28. Catch and Release is not worth catching. Release yourself from boredom by giving it a miss.
  29. Murky, pretentious and torturously inert.
  30. Steer clear of Freedomland, the movie. Your time would be better spent reading Richard Price's much more compelling 1998 novel.