USA Today's Scores

  • Movies
  • TV
For 3,605 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Pulp Fiction
Lowest review score: 0 Idle Hands
Score distribution:
3605 movie reviews
  1. Can't stars attract better scripts than this?
    • USA Today
  2. Even the special effects alone aren't worth the price of admission.
  3. Bless me, Father, for I actually laughed once during this gosh-awful spinoff...about as funny as an oozing fever blister.
  4. Anemic. [30 October 1998, p.8E]
    • USA Today
  5. The Great Wall crumbles mainly because of its wholly predictable plot, wretched dialogue and dud of a filmgoing experience from noted director Zhang Yimou (House of Flying Daggers).
  6. The entire undertaking feels like a waste of time and talent.
  7. So leaden and obnoxious that it actually makes you long for the John Travolta of "Old Dogs."
  8. Neither side is worth rooting for in this ridiculous blood feud, which features some of the year's most laughable dialogue.
  9. Not only is it plodding and completely predictable, the carnage is rendered slowly and quasi-reverentially, making the whole brutal experience come off like torture porn.
  10. This implausible action thriller also stars Julianne Moore as an FBI agent who sees Cage's two-bit Vegas act and decides he can single-handedly save the world.
  11. If you're of a mind to believe a dreary and far-fetched thriller about numerology-crazed alien life forms, then you may find the movie mildly diverting.
  12. But most of the humor is about as fresh as the air left behind whenever Witherspoon uses a toilet.
  13. What audiences should expect is a tone-deaf, superficial, charmless ensemble rom-com, focused on five attractive, but uninteresting, couples.
  14. It takes more than an awkward title attempting to sound cool to overcome its mundane plot and silly dialogue.
  15. It's been a long time since a movie wasted as much talent as Stand Up Guys, a film that aims to be a geezer "Goodfellas" but whose execution is a misfire.
  16. This may be the most laugh-free comedy of the year.
  17. A misguided attempt at comedy that needs to go last on anyone's list of movie options.
  18. Kick-Ass is a prime example of a movie that never should have bothered with a sequel. Not only is its successor played-out, but it revels in carnage while lacking the visual style and gleeful humor of the original.
  19. Hell Baby is what happens when you try to parody a parody. The result is a film that's less than half as funny as its predecessor, and a sliver as clever as the original.
  20. Glaringly lacking in the film are any original Stones songs. The group, who fired Jones just before his death, must not have thought much of the movie if they didn't allow their music to be used. Smart fellows.
  21. It might be that Jarmusch (Broken Flowers) is experimenting with creating a pastiche of dreamlike sequences that audiences can interpret as they wish. Or it may be merely pretension and hubris that fuels such a stylized and insubstantial story.
  22. A potential howler done in by a tendency to wear too much body tissue on its sleeve.
  23. Indisputably the most violent film of the year and disputably the worst.
  24. When the cast starts wondering where the roadkill is, someone says, "Follow the smell." Good tip: That's how you'll know where Wax is playing.
  25. You keep waiting for there to be more, but there never is -- other than the fact that it all gets gorier and uglier as the dyspeptic look on Jones' face progresses from a four- to a six-a-day scotch-and-peppermint schnapps hangover.
  26. This ill-conceived sequel to 2011's entertaining Horrible Bosses is base, moronic, insulting and vulgar. It's also cringingly unfunny.
  27. Clumsy, miscast thriller.
  28. It's dreadful, despite a solid cast that includes art-house heartthrob Ewan McGregor, Nick Nolte, Patricia Arquette and Josh Brolin. [17 Apr 1998]
    • USA Today
  29. The comedian's braggadocio here is more wearying than that of the most self-absorbed rapper. And worse, it comes at the expense of humor.
  30. The real shocker is how many grown men it took to conceive and write this lamebrained tale.

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