Variety's Scores

For 10,822 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 I Called Him Morgan
Lowest review score: 0 Divorce: The Musical
Score distribution:
10822 movie reviews
    • 45 Metascore
    • 30 Critic Score
    While plot elements don't add up, film's energy level remains high, and oddball ensemble brings to mind a classic of this type, Jonathan Demme's "Citizens Band."
  1. Be prepared to laugh less at a lot more of the same thing in this overbearing but underwhelming sequel.
  2. Nonsense, hysterics and many cuppas spill in Caffeine, an ensembler that serves up a menu's worth of forced and trite situations.
  3. The Pact 2 simply stretches out rather than elaborating on its predecessor’s already thin premise, creating holes that are poorly patched over with false scares and unconvincing character behavior.
  4. In its shape and sheen, Fathers and Daughters seems dated even before Michael Bolton surfaces to cough up a gelatinous closing-credits ballad.
  5. Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier.
  6. If outrageous concepts were all, this latest fillip in the oft-eccentric history of Japanese "pink" (softcore sexploitation) cinema would be genius. But the crazy ideas in Takao Nakano's script just fitfully amuse under Mitsuru Meike's draggy direction.
  7. As is, the emotional elements explored by Cost of a Soul, and the devices it employs, seem trite and occasionally shoplifted from better-told tales.
  8. Strictly for the birds.
  9. Chemistry you can fake, but charm is far harder to pull off, and Baggage Claim never quite succeeds on that front.
  10. A dreary, weary psychosexual thriller that's neither sexy nor thrilling.
  11. Begins as a serious, straightforward account of the origins of the cocaine trade and "gangsta" culture in 1980s Harlem, but then downward spirals due to a weak plot and gratuitous violence.
    • 22 Metascore
    • 30 Critic Score
    Spies is not very amusing. Though Chase and Aykroyd provide moments, the overall script thinly takes on eccentric espionage and nuclear madness, with nothing new to add.
  12. An anemic sitcom pilot dragged out to an excruciating 108-minute running time.
  13. This Is Your Death deeply misunderstands depression, treating suicide as a convenient device for its pea-brained premise.
  14. An exceptionally lame genre parody that plumbs depths of ineptitude heretofore charted only by the marginally less abysmal "Date Movie."
    • Variety
  15. The type of sporadically silly and patently predictable horror pic that would look like filler on Syfy’s weekend lineup, The Other Side of the Door brings virtually nothing new to the supernatural genre.
  16. Snapping necks and shooting limbs have rarely been carried out in service of such a principled cause — or been executed with such formulaic tedium.
  17. Pic has a stagy, boxed-in feel. Both visually and energetically, it suggests something that has been done onstage to the point of mechanized repetition. And even though Whaley is supposed to be playing a disillusioned character, it's the actor himself who seems fatigued and over-rehearsed.
  18. The Whoopee Cushion hijinks here are punctuated with incongruous outbursts of bloody violence.
  19. An indigestible gumbo of Southern Gothic ingredients seasoned with snake oil, biblical hash and thoroughly unpalatable spice.
  20. Unfortunately, Alter's often inventive work is kneecapped by a deliriously nonsensical script, which misses the mark as both over-the-top parody and straight-faced homage, and could have been intended as either.
  21. Overall, though, the slapdash pic appears to be the work of folks who made things up as they went along; you might say they were, well, vamping.
  22. A stillborn would-be comedy.
  23. Sure to turn off general viewers due to its emotional inaccessibility, multitude of narrative problems and preoccupation with a torture Web site.
  24. The effects are snazzy, even if they pass by quite quickly, and there's enough going on to keep audiences watching, if not entirely happy. Smith, Theron and Bateman capably handle the main roles, but such is the skimpiness of the scenario that no further characters make any impact.
  25. This shameless knockoff marches lock-stepped through moves that were already looking as tired as the Macarena.
  26. 8MM
    A movie that keeps jumping the gate and finally unravels all over the floor.
  27. A comic routine that quickly grows stale as the film devolves into a soppy romance sustained solely by the actors' chemistry.
  28. A promising concept is gradually run into the ground in Sex and Death 101, a would-be black comedy that lacks both laughs and gravity.

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