Variety's Scores

For 9,655 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 The Leopard (re-release)
Lowest review score: 0 Outta Time
Score distribution:
9655 movie reviews
  1. [Stillman] takes the inherent sophistication of Austen’s worldview and introduces just the right note of sly, self-deflating mockery.
    • 87 Metascore
    • 80 Critic Score
    James Cameron's vault into the big time after scoring with the exploitation actioner The Terminator makes up for lack of surprise with sheer volume of thrills and chills - emphasis is decidedly on the plural aspect of the title.
  2. Visually stunning even in its most banal moments and emotionally perceptive almost to a fault.
  3. Surprises always come at the end of Pablo Larraín’s films, when everything suddenly comes together and the audience sits in the cinema feeling both illuminated and floored. Neruda is no different, representing the director at his stunning best with a work of such cleverness and beauty, alongside such power, that it’s hard to know how to parcel out praise.
  4. Seems destined to go down in film history as a technical tour de force.
  5. The result looks as much like a Natural History Museum diorama as it sounds: a respectful but waxy re-creation that feels somehow awe-inspiring yet chillingly lifeless to behold, the great exception being Jones' alternately blistering and sage turn as Stevens.
  6. Takes the refined work of Iranian helmer Abbas Kiarostami up another notch to ever more metaphoric ground.
    • 86 Metascore
    • 100 Critic Score
    A sexy, nuanced, beautifully controlled examination of how a quartet of people are defined by their erotic impulses and inhibitions.
    • tbd Metascore
    • 90 Critic Score
    Performances by the entire cast, and particularly William Holden and Gloria Swanson, are exceptionally fine.
    • 86 Metascore
    • 100 Critic Score
    Robert Shaw [is] absolutely magnificent as a coarse fisherman finally hired to locate the Great White Shark; and Richard Dreyfuss, in another excellent characterization as a likeable young scientist.
    • 86 Metascore
    • 90 Critic Score
    A major artistic asset to the film - besides script, direction and the top performances - is supervising editor Walter Murch's sound collage and re-recording.
  7. A riveting account of how a soldier's death in Afghanistan was spun into a web of public lies.
  8. It’s a testament to the story’s underlying integrity that, even when deprived of some of the elements that made Emma Donoghue’s 2010 book so gripping, director Lenny Abrahamson’s inevitably telescoped but beautifully handled adaptation retains considerable emotional impact.
  9. Throughout, Payne gently infuses the film’s comic tone with strains of longing and regret, always careful to avoid the maudlin or cheaply sentimental.
  10. Driven by fantastic energy and a torrent of vivid images of India old and new, Slumdog Millionaire is a blast.
  11. Consistently fascinating and suspenseful.
  12. Conventionally constructed but remarkable for the honest, intimate rapport it achieves with highly vulnerable human subjects.
  13. As expected from a master like Mungiu, everything is beautifully structured and utterly credible, yet Graduation feels like a retread.
  14. Delivers continuous pinpricks of irreverent humor and subversive cultural commentary.
    • Variety
    • 86 Metascore
    • 80 Critic Score
    Lynch has directed his most satisfyingly disciplined movie.
  15. Wickedly funny.
  16. Staying at the top of his game when most of his contemporaries have long since hung up their gloves, Clint Eastwood delivers another knockout punch with Million Dollar Baby.
  17. This meticulously designed and directed debut feature from writer-director Jennifer Kent (expanded from her award-winning short, “Monster”) manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.
  18. The docu’s accomplished summary of tension-filled events as they transpired from minute to minute comes at the expense of wide-angle historical context.
  19. Sparked by wonderfully lived-in performances from Julianne Moore and Mark Ruffalo, The Kids Are All Right is alright, if not up to the level of writer-director Lisa Cholodenko's earlier pair of new bohemian dramas, "High Art" and "Laurel Canyon."
  20. The poignant and candid Boys Don't Cry can be seen as a "Rebel Without a Cause" for these culturally diverse and complex times, with the two misfit girls enacting a version of the James Dean/Natalie Wood romance with utmost conviction.
    • 86 Metascore
    • 80 Critic Score
    Cronenberg handles his usual fondness for gore in muted style.
  21. For all its manipulations and self-imposed restrictions, Manakamana is expansive, intricate and surprisingly playful.
  22. Filtering the world's oldest paintings through the latest in cinematic technology, Werner Herzog delivers a one-of-a-kind art-history lesson in Cave of Forgotten Dreams.
  23. King of the Hill has all the rich satisfactions of a fine novel.

Top Trailers