Wall Street Journal's Scores

  • Movies
  • TV
For 2,180 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Sideways
Lowest review score: 0 Life or Something Like It
Score distribution:
2,180 movie reviews
  1. Truly transporting film.
    • Wall Street Journal
  2. Apart from a singer named You who plays Keiko, the members of the cast are non-professionals. You may find that hard to believe when you see this astonishing film, as I hope you will.
    • Wall Street Journal
  3. As a piece of filmmaking, it's stunningly effective.
    • Wall Street Journal
  4. Rousing, provocative film.
    • Wall Street Journal
  5. The near-miracle worked by Mr. Boyle, whose exuberant style brings several saints to scruffy life, is a movie that's joyously funny and hugely inventive -- occasionally to the point of preciousness -- yet true to the spirit of the saintly little kid at its center.
    • Wall Street Journal
  6. Movies as strong and provocative as this one are a special pleasure.
    • Wall Street Journal
  7. Despite its cargo of meaning, 3-Iron feels marvelously weightless, like the lovers as they stand on a scale that the hero has fixed.
    • Wall Street Journal
  8. A drama of uncommon moral complexity, unexpected humor, convincing transformations (for good and bad) and, best of all, vibrant, unpredictable energy. In a movie landscape littered with dead souls, here's a live one.
    • Wall Street Journal
  9. A remarkable though sometimes frustrating film.
    • Wall Street Journal
  10. A moveable feast of delights.
    • Wall Street Journal
  11. Bursting with joy and throbbing with music, Rize has a tragic dimension too. When you see the clown cry, you'll be with him all the way.
    • Wall Street Journal
  12. With this genuinely big entertainment, powered by a beating heart, Steven Spielberg has put the summer back in summer movies.
    • Wall Street Journal
  13. There are remakes and there are remakes. I don't want to belabor the flaws and sexual excesses of the original; its great strength was its explosive energy. Still, this one investigates the unfulfilled potential of the first one so thoroughly, and develops it so audaciously, that it qualifies as a brilliant reinvention.
    • Wall Street Journal
    • 87 Metascore
    • 90 Critic Score
    Mr. Herzog's perspective is an invaluable balance to Mr. Treadwell's as the animal advocate approaches what seems like madness.
    • Wall Street Journal
  14. This isn't entertainment in any conventional sense, but it's a mesmerizing film all the same.
    • Wall Street Journal
  15. This stop-action animated feature is downright sweet and tender, as well as all the other things we've come to expect from him -- funny, bizarre, graphically stunning and blithely necrophilic.
    • Wall Street Journal
  16. A feature-length documentary, by Dayna Goldfine and Dan Geller, of absolutely breathtaking sweep and joyous energy.
    • Wall Street Journal
  17. The studio, like plucky Harry, passes with flying colors. The new one, directed by Mike Newell from another astute script by Mr. Kloves, is even richer and fuller, as well as dramatically darker. It's downright scary how good this movie is.
    • Wall Street Journal
  18. Breaks through the conventions of its biopic form with a pair of brilliant performances and a whole lot more.
    • Wall Street Journal
  19. In one sense, Neil Young: Heart of Gold is just a simple concert film -- no cutaways during the music for interviews, no cameras swooping and soaring on giant booms. But simplicity in this case also means no barrier between us and the people on stage, as they sing some of the most soul-stirring pop songs I've seen performed in a very long time.
    • Wall Street Journal
  20. The comedian has had his ups and downs recently, but the film is pure up, a wonderfully genial and inclusive record -- not that the music is devoid of anger or social protest -- of a day-long, freestyle show.
    • Wall Street Journal
  21. It's a stirring portrait of a singular artist, a gorgeously photographed album of his buildings, and, perhaps most importantly, a film that manages to demystify the way he works without diminishing it.
    • Wall Street Journal
  22. Both magical and consistently joyous. The director, Robert Altman, and the writer, Garrison Keillor, have, against all odds, transmuted the fatigued public radio institution into a lovely fable about mortality, fleeting fame, fondness for the past and the ineffable beauty of life in the present.
    • Wall Street Journal
  23. While the film itself isn't perfect, who cares about perfection in the face of abundant life, authentic screwiness and lovely surprises by the busload?
  24. Marvelously smart, funny and entertaining film.
    • Wall Street Journal
  25. Not since the halcyon days of Archie Bunker and "All in the Family" has so sharp a wit punctured so many balloons.
    • Wall Street Journal
  26. A documentary of stunning immediacy and marvelous images.
    • Wall Street Journal
  27. Blissfully silly, triumphantly tasteless and improbably hilarious.
    • Wall Street Journal
  28. A thrilling -- and harrowing, and beautiful -- celebration of the unpredictability of life.
    • Wall Street Journal
  29. A delicately poetic, essentially plotless vision, unblinking but not unhopeful, of life in Watts, where little but the ghetto's name recognition had changed a decade after the riots.
    • Wall Street Journal

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