Wall Street Journal's Scores

  • Movies
  • TV
For 2,294 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 The Piano
Lowest review score: 0 Eight Crazy Nights
Score distribution:
2,294 movie reviews
  1. Pulls you in with smooth assurance, then holds you hostage to extremely creepy developments in the most awesome haunted house since "The Shining."
    • Wall Street Journal
  2. Rarely has so scary a thriller been so well made, and never has digital video -- by the English cinematographer Anthony Dod Mantle -- been put to grittier use.
    • Wall Street Journal
  3. The new film, shot in vivid hi-def video, is part documentary and part fiction based on interviews; it uses on-camera interviews with workers, some played by themselves and some played by actors, to evoke a past of unimaginable toil, and suffering, in the service of the Communist state.
  4. This stop-action animated feature is downright sweet and tender, as well as all the other things we've come to expect from him -- funny, bizarre, graphically stunning and blithely necrophilic.
    • Wall Street Journal
  5. Like his (David Gordon Green's) debut feature of three years ago, the exquisite "George Washington," this new one has my heart, and I think it will have yours.
  6. There's no better fun for movie lovers than a small, unheralded film that turns out to be terrific -- unless it's a small, unheralded sequel that trumps the original.
  7. Ray
    At the center of it all is an incomparable singer brought to life by a sensational actor. With a huge soul to fill, Jamie Foxx has filled it to overflowing.
    • Wall Street Journal
  8. Much of the time, though, you're transfixed by the beauty of a spectacle that seems all of a piece. Special effects have been abolished, in effect, since the whole thing is so special.
  9. The actress gets immeasurable help from the writing: Lisbeth's anger is matched by her intelligence and her physical prowess, which enables her to administer as well as absorb pain in megadoses. But none of it would register without Ms. Rapace's singular combination of eerie beauty and feral intensity. She's a movie star unlike any other.
  10. There's an old-Hollywood feel to the movie's solid showmanship and unabashed sophistication. These days it's feature-length 'toons, sporting the newest-fangled technology, that take kids and adults alike back to the movies' good old days.
    • Wall Street Journal
  11. The silliness of Jump Tomorrow takes your breath away, and I mean that as high praise.
  12. The director Penny Marshall has gone straight to the heart of this complex story and made a powerfully poignant and illuminating film. She doesn't hesitate to push for the grand sentimental moment, but balances the teary stuff with restraint and humor. To be sure, Awakenings seems calculated to induce weeping -- and it does, without making the weeper feel cheap. [20 Dec 1990, p.A14]
    • Wall Street Journal
  13. Joseph Levy's sneakily stirring documentary opens up feelings you would never have expected from the premise — a portrait of three American restaurants.
  14. With this genuinely big entertainment, powered by a beating heart, Steven Spielberg has put the summer back in summer movies.
    • Wall Street Journal
  15. It is, simply and stirringly, a kind of beau ideal of education, a vision of how the process can work at its best.
    • Wall Street Journal
  16. A remarkable -- and harrowing -- debut feature that makes you think there's hope after all for the future of independent films.
    • Wall Street Journal
  17. Crumb pulls us in with rich detail, and with what it says, or suggests, about art, drugs, psychology and the subconscious.... Like last year's "Hoop Dreams," this documentary does justice to a great subject. [08 Jun 1995]
    • Wall Street Journal
  18. Now the movie can be seen for what it was all along, remarkable by any standards.
    • Wall Street Journal
  19. The new film may not qualify for masterpiece status, but it's an enthralling portrait of a man — an exceptionally brilliant and articulate man — who personified the courage, complexity and moral ambiguity of his tortured time.
  20. Directed with such a confident, delicate touch. Nothing is insisted on, yet whole lives are discovered and revealed in vignettes that seem as spontaneous as a laugh or a gasp.
    • Wall Street Journal
  21. The film feels freshly minted because the man who made it has such a lively mind and fearless style. At a time when all too many movies are selling bleakness and dysfunction, it also feels like a revenant from Hollywood’s golden age, when an entertainment’s highest function was to entertain.
  22. As odd as it may sound, it's a remarkably beautiful movie.
  23. This beautiful -- and beautifully controlled -- film is also an object lesson in how to hypnotize an audience.
    • Wall Street Journal
  24. A thriller with a quietly sensational performance by Tilda Swinton.
    • Wall Street Journal
  25. Density of detail and intensity of experience are the twin distinctions of A Christmas Tale, a long, improbably funny and very beautiful film.
  26. Thanks to this new film, though, any questions about her potential have been dispelled. Alicia Vikander has fully and memorably arrived, a luminous presence with a gift for tenderness, an instinct for understatement and formidable reserves of passion—she not only rises to the challenge of Vera’s climactic speech, but elevates the pacifist rhetoric into furious poetry.
  27. The team's (Merchant-Ivory) best adaptation yet of a Henry James novel.
    • Wall Street Journal
  28. '71
    Yann Demange’s ’71, with an astonishing performance by Jack O’Connell, is big-screen storytelling stripped to its dramatic and visual essentials, and the result is nothing less than shattering.
  29. The Tribe is one of the most disturbing films I’ve ever seen. It may also be among the most memorable — not only for its pitch-black view of human nature, but for the devilishly instructive way in which it turns the tables on us. As we watch in anxious confusion, it’s as if we are profoundly deaf, trying to understand what’s going on and striving to break out of isolation.
  30. Through exquisite details, evocative music and bold dramatic strokes -- including a tragedy that transcends the melodrama it might have been -- Rain renders this family's life in its full dimensions.
    • Wall Street Journal

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