Wall Street Journal's Scores

For 522 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Bleak House: Season 1
Lowest review score: 10 Category 7: The End of the World: Season 1
Score distribution:
  1. Mixed: 0 out of 371
  2. Negative: 0 out of 371
371 tv reviews
  1. As the series proceeds, the fiction of the bigger events--e.g. global immortality--is made believable or at least compelling by tiny touches that perfectly anticipate how society would respond.
  2. What Back to You lacks in bite, it compensates for with chemistry and pure talent. The center of it all is the relationship between Chuck and Kelly, and Mr. Grammer and Ms. Heaton work together like they have been doing it all their lives.
  3. No contestant wants to hear that his or her artistic creation looks "like a litter box" or something at "an assisted-living facility." But we do. And we lap the insults up.
    • 73 Metascore
    • 70 Critic Score
    The writing is almost always smart, sharp and funny.
  4. There's more than enough absurd charm in the show, meanwhile, to make the wait worthwhile.
  5. This is a different series, one whose good start has to do with its capacity to be affecting, which it is in its picture of loss and longing--a sense this young Carrie projects persuasively.
  6. Dead Set is less remarkable, because this import from the U.K. is more typical of the genre and gets campy, although it will scare the bejeebers out of you.
  7. Forget the preposterousness of the plot -- it's easy enough to do -- and enjoy the suspense, of which there's plenty.
  8. Like the book on which it is based, Killing Kennedy sticks pretty much to knowable facts. While this means some suspicions are not ruled out, Oswald is depicted as acting on his own--and seems able to get off several shots quickly--so there is no grassy knoll, etc. Think of it as a Cliffs Notes version of the Warren Commission.
  9. By the end of a few episodes everything meshes nicely, and the prospect of watching more has become enticing.
  10. While the show is full of comic highs and witty insight, it isn't funny all the time because some of the jokes are disappointingly crude.
  11. The latest version of Treasure Island on Syfy, stands out as a gem--although some plot changes for the sake of agitprop make it a flawed one.
  12. Ultimately, what makes "Friday Night Lights" compelling is not the football or the cast. It's the accumulation of little details, like the eager faces of the pee-wee players as they meet and respectfully worship the big high-school boys whom they dream of becoming.
  13. Some fans apparently don't think the sloe-eyed blond actor Jamie Campbell Bower is studly and thrusting enough for Arthur. But boyishness gives him room to grow, and there is plenty that's masterly about Joseph Fiennes as Merlin, who is occasionally seen in a studded hoodie and always shrouded in mystery, but other otherwise all man.
  14. Some fans of the series--created by Frank Darabont and based on the comic-books by Robert Kirkman, who is a writer and producer for the television show--would prefer more combat and less talking.
  15. Amid occasional incongruities--wait and see--there are entertaining glimpses of period party food, hints of primitive forensics, and a village trial with inebriated jurors and a cheering, jeering peanut gallery that seems eerily authentic.
  16. It's not likely the audience for The Kennedys will be spending much time pondering what it was about this potent, lavishly produced eight-hour miniseries airing on ReelzChannel beginning Sunday night that caused former JFK speechwriter Ted Sorensen, self-described political activists like the filmmaker Robert Greenwald, and concerned others to go to so much trouble to get the project quashed.
  17. The film draws effectively on the power of two seductive performances--those of Nico Evers-Swindell as William and of Camilla Luddington as Kate Middleton....It's a familiar story and an entertaining one.
  18. Even when it drags a tad early on, there is always something good coming down the pike.
  19. It's still a fun, fast ride, with lots of twists and turns, murder and menace, and after only a few episodes we know enough back story about most of the main characters to care what happens to them.
  20. It promises to be a journey that should draw plenty of viewers.
  21. This is a show that has to be watched with full attention since it unfolds so quickly through endless twists and turns.
  22. Some occasional tastelessness aside--ranging from tired pregnancy-test urination jokes to a few gags that are unprintable--One Big Happy evolves into something a cut above the usual fare. It is brightly written, and tender at heart. Most of all, it is endowed with a great ensemble cast.
  23. Their new effort--about a band of young careerists--shows considerable signs of promise along these lines, its depressing heroine notwithstanding.
  24. Smarter and snappier than one might have expected from a familiar sitcom premise.
  25. With the second and third episodes ever more predictable, and, not least, with Martha's character gone flat under the weight of a preening righteousness. If bad scriptwriting were a prosecutable offense, Ms. Peake might have a case here. Still, episode one of Silk is smartly written and highly entertaining--a treat, in short, and at two hours a sumptuous one.
  26. Jerry Lewis is not only a "genius," a word that crops up so often that only in show business would such an outpouring not be mistaken for parody.
  27. The fine cast, both regulars and guest stars, elevates the proceedings considerably.
  28. Think "Legally Blonde" meets "Working Girl." Kyle MacLachlan plays Martina's perceptive boss in this series, promising for its deft plotting and, perhaps above all, its high spirits.
  29. Ms. Heche's Beth is just madly menacing enough to keep things interesting.

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