Washington Post's Scores

For 6,910 reviews, this publication has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Saraband
Lowest review score: 0 Stardom
Score distribution:
6,910 movie reviews
  1. As a parable on karma, capitalism and Darwinian corporate politics, Two Days, One Night can often feel brutal. As a testament to connection, service, sacrifice and self-worth, it’s a soaring, heart-rending hymn.
  2. An extraordinary and brilliant (and almost wordless) film that takes us above ground and below it, up in the air and deep below water, to follow its conundrum of a story.
  3. Although the cast is uniformly fine, Hoffman shines in a role that demands not showmanship, but a kind of complexity and contradiction that can be rendered only through the kind of dull character details that he excelled in, accumulating them from the inside out.
  4. The Look of Silence is as beautiful as it is bleak.
  5. A guaranteed pleasure for anyone who ever loved pop music, owned a record collection or suffered in love
  6. It doesn't matter how many times you see these images. They're always exciting.
  7. Nothing comes easily in Atonement, especially its ending, which, both happy and tragic, is as wrenching as it is genuinely satisfying. How fitting, somehow, that a novel so devoted to the precision and passionate love of language be captured in a film that is simply too exquisite for words.
  8. As in the best horror movies, Drag Me to Hell keeps the audience on the edge of hysteria throughout, so that every thump sets the heart racing and every joke earns a slightly out-of-control laugh.
  9. A great big beautiful valentine of a movie, an intoxicating romantic comedy set beneath the biggest, brightest Christmas moon you ever saw. It's a monster moon, a Moby Dick of a moon, whose radiance fills the winter sky and every cranny of this joyous love story.
  10. A film of rare intelligence, beauty and compassion.
    • 92 Metascore
    • 100 Critic Score
    The aerial dogfight Dykstra and Stears have helped Lucas perfect as his climactic piece de resistance looks more exciting than its antecedents in live-action war movies. It’s the most gorgeous stylized combat sequence since the underwater battle at the end of "Thunderball," a project that won an Oscar for Stears.
  11. The idea that a company in the business of mainstream entertainment would make something as creative, substantial and cautionary as WALL-E has to raise your hopes for humanity.
  12. This is an absolutely brilliant film but in a quiet way.
  13. It is sheer brilliance and testament to the vitality of an old master.
  14. A sophisticatedly sappy masterpiece that bucked the prevailing Hollywood vision of aliens as nasty invaders and recast them as friendly collectibles for children.
  15. That rare romantic comedy that dares to choose messiness over closure, prickly independence over fetishized coupledom, and honesty over typical Hollywood endings.
  16. The movie fixes you in its gravitational pull. It's an enveloping, walk-in vision... As rich and satisfying a movie as you're likely to see all year.
  17. With this film, del Toro seems to have created his manifesto, a tour de force of cautionary zeal, humanism and magic. At this writing, Pan's Labyrinth is the best-reviewed film of 2006 listed on the movie review Web site Metacritic.com, and for a reason: It's just that great.
  18. Even if it weren't in pristine shape for its current re-release, it would still qualify as one of only a handful of films made in the past 30 years that truly deserve to be called great. (Review of 1994 Release)
  19. Hours, even days later, they may find themselves thinking of Adèle and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie.
  20. Jarecki has created a tour de force of narrative ambiguity, and in doing so has made one of the most honest reality shows ever.
  21. The result is a perfect combination of slapstick and satire, a Platonic ideal of high-and lowbrow that manages to appeal to our basest common denominators while brilliantly skewering racism, anti-Semitism, sexism and that peculiarly American affliction: we're-number-one-ism.
  22. The fabulous Elizabeth reinvents English Tudor history as gangster movie.
  23. A wonderful thing to snuggle into, as full of heart and pep and innocence as the title character himself.
  24. There's a lot in this movie, simple, big, small and exciting. It's the year's first serious contender for big prizes. What's not to like about this picture?
  25. Boomerang is the funniest, most sophisticated movie of Eddie Murphy's career; it's a sleek, dexterous satire, with a slew of rich comic performances that remind us of everything we loved about Murphy in the first place.
  26. But the movie has a great deal of zest and charm, and Yakusho gets so exactly that crest of melancholy that is a man’s early 40s, until he decides to go for another kind of life, that the movie is infinitely touching.
  27. Actually, the film's more serious side is beautifully balanced by the joy we experience as both Jesse and Willy come into their own.

Top Trailers