Washington Post's Scores

For 7,457 reviews, this publication has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Daughters of the Dust
Lowest review score: 0 Let's Be Cops
Score distribution:
7457 movie reviews
  1. Jack Lemmon and Walter Matthau reprise the roles of a pair of Minnesota mossbacks in the heartwarming, albeit warmed-over, sequel Grumpier Old Men—though given its scatological bent, it might have been called Grump and Grumpier.
  2. While not exactly a cop-out, Virgin may leave some viewers who crave traditional closure with the same hollow ache described by the narrator as follows: "What lingered after them was not life but the most trivial list of mundane facts."
  3. As vivid as many scenes are, there are just as many that seem taken directly out of the Cute Irish Movie notebook.
  4. It's clear this sequel (directed by Darren Lynn Bousman) doesn't have the same smartness (I speak relatively) of the original. Nonetheless, "Saw" fans can still look forward to involuntary incineration, wrist and throat slashing, bullets through brains and the bashing of someone's head with a nail-festooned club.
    • 49 Metascore
    • 60 Critic Score
    Miller is key to the film's success, with his earnest, sweet-faced looks and evident dark side. He plays Obree with just the right understated intensity, a believable competitor who fights back fiercely with his wits and a few tight-lipped words.
  5. It yields surprisingly unspectacular results.
  6. One doesn't come away from it with any sense of what the victory cost in human terms.
  7. Might provide a much-needed fix for Mac's most ardent fans, but they'll have to wait for a star vehicle that fully exploits the range of his comic gifts.
  8. In Burton's hands, Washington Irving's spooky classic is reincarnated as an overripe, grisly Goth cartoon.
  9. Intriguing, oddly banal and ultimately deflating.
  10. Isn't much more than another conveyer-belt romantic comedy.
  11. One half of a very funny movie, and half a funny movie is better than none.
  12. Amazingly stilted before accelerating into its exciting finish.
  13. In the end, what started off as playful becomes tedious.
    • 46 Metascore
    • 60 Critic Score
    All of the supporting characters -- notably tubby Richard Griffiths as Tess's nurse and mousy Austin Pendleton as her chauffeur -- are thinly drawn, but neither MacLaine nor Cage leaves much room for anyone to overact.
  14. Writer-director Stephan Elliott is obviously fond of his characters, and this may account for the upbeat story line, but it blinds him to how very annoying two hours of dishing can be.
  15. Even within what often looks like a self-indulgent exercise in humiliation, pain and gratuitous gore, there is no denying the moments of genuine and powerful feeling in The Passion of the Christ -- some of which, by the way, evoke Jesus's most profound teachings of Jewish principles.
  16. Caine is magnificent, and the film is worth a look for his contribution alone. But Milner is a promising actor, too, and the pairing of young and old is believable and occasionally very moving.
  17. Most egregiously, the filmmakers set up a classic struggle between right and wrong and then, in a coy coda, refuse to take a stand.
  18. The only active ingredient is the dynamic between Smith and Jones. There's just enough of that to get us through.
  19. Miracle works best when the players are on the ice, shot in a faux-documentary style that uses the now-customary handheld cameras, fast pans and machine-gun edits.
  20. The movie, which is based on the Lowell Cunningham comic book series, throws out some wonderful implications, but they’re frustratingly few and far between.
  21. Endearing if slight, Superstar at least knows what it's doing the whole way.
  22. Essentially, Chuck & Larry is an oafish chance for audiences to laugh at gay-bashing jokes and then feel morally redeemed for doing so -- courtesy of an obligatory wrap-up scene that reminds us that homosexuals are humans, too.
  23. At the movie's thoroughly expected conclusion, a visual joke has a bedraggled cat licking at the icing on a wedding cake, but it's really Melanie who gets to have it and eat it, too.
    • Washington Post
  24. Director John McTiernan, who redefined the action genre in the original "Die Hard," does devise some smashing explosions, crashes and so on, but nothing really new.
  25. A mediocre production that nevertheless will strike a deep and resonant chord with viewers.
  26. It's not great; it's also not idiotic.
  27. As sprightly and determined as its fuzzy, yappy lead, the new Disney animated film Bolt works hard to be all things to all people, with mixed results.
  28. There are a number of surprises in the idiosyncratic film, and one of its pleasures is the oblique and unchronological way in which Ward peels away the layers of the story, flashing backward and forward in time and jumping between Earth and the Beyond, separating his scenes with blindingly blank, white-out screens.

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