SummaryBillie Connelly (Sarah Shahi), a married mother of two fantasies about her more wild past are discovered by her husband in this dramedy based on B.B. Easton’s book named 44 Chapters About 4 Men.
SummaryBillie Connelly (Sarah Shahi), a married mother of two fantasies about her more wild past are discovered by her husband in this dramedy based on B.B. Easton’s book named 44 Chapters About 4 Men.
At its core, “Sex/Life” is a good-looking soap opera about good-looking people who have fantastic lives but seem hell-bent on screwing things up in the name of personal gratification. ... Even as I was rolling my eyes at some of the insanely stupid actions of the lead characters and chuckling at the at-times overwrought score, I can’t deny “Sex/Life” had a certain binge-worthy quality. It’s a soft-core guilty pleasure of a series.
Shahi’s performance is one of the few things to recommend the show. As the scripts send Billie through an emotional maelstrom, she radiates lust, confusion, motherly affection, and determination. She’s game and vulnerable, even as the show’s repetitiveness strains patience. But Sex/Life isn’t all that invested in her character, either.
Shahi is far better than the material she has been given, though the rest of the cast seem to have accepted their cardboard-cutout fate, and I suspect it isn’t meant to be half as funny as it often is.
"Sex/Life" is testing our tolerance to quite a degree with eight hour-long episodes centered on the tried-and-true "bored suburban housewife embarks on a sexual journey" yarn. ... Women deserve better – and Netflix has better in its library, frankly – but it'll do in a pinch.
Sex/Life drowns itself in the shallow end, so to speak, by failing to even generate much heat. There are plenty of R-rated scenes—so many, actually, that they get repetitive.