SummaryKimmy Schmidt (Ellie Kemper) moves to New York to start over after escaping from a doomsday cult in this comedy originally created by Tina Fey and Robert Carlock for NBC.
SummaryKimmy Schmidt (Ellie Kemper) moves to New York to start over after escaping from a doomsday cult in this comedy originally created by Tina Fey and Robert Carlock for NBC.
Season two of the show is more enjoyable than season one because, for long stretches, it barely remembers what it's about, plot-wise, and enters that trancelike comedy zone where some of the best sketch comedy resides--a place of one-damn-thing-after-another inventiveness.
so good and funny! Tina Fey is the comedy queen. i would love see Amy Poehler in some episode. Titus is the best **** chacter since...Always. Netflix has to do a 3 season.
Kimmy's returned even better. The show, I don't how, it's better and... I just love Jane Krakowski, she is amazing, along with the rest of the casting, of course.
What sets the show apart is its tireless, formless, free-flowing pursuit of laughs--and a cast that can ride that wave while also giving some human dimension to what are essentially vaudevillian characters.
The show’s maniacal co-creators have crafted a series that’s rising head-and-shoulders above its peers, and there are a lot of great parts of Unbreakable Kimmy Schmidt season 2. But, at the same time, there is an ever-so-slightly lesser amount of giddily inventive ones.
Kimmy Gets a Second Season! Ellie Kemper is so blissfully perfect as Kimmy, and Titus is funnier than ever. Although I thought Jane Krakowski's character was too close to 30 Rock's Jenna in season one, her character actually grows this season and is not so one note. And Tina Fey's (and her staff of writers) rat-a-tat dialogue is brilliant. One complaint. All the Robert Durst references. The Jinx must have aired just before shooting (it was Feb - Mar 2015). Sorry. I could care less about Durst, so as much as I love Fred Armisen, those scenes fell flat. Other than that comedy gold. Those with negative reviews have a serious humor deficiency.
Delightful improvement that gets even better the longer it stays. Ellie Kemper is so blissfully perfect as Kimmy, and Titus is funnier than ever. Although I thought Jane Krakowski's character was too close to 30 Rock's Jenna in season one, her character actually grows this season and is not so one note. And Tina Fey's (and her staff of writers) rat-a-tat dialogue is brilliant.
Lamentablemente la fresca comedia de Tina Fey y Robert Carlock pierde brillo en su segunda temporada ya que toman la extraña decisión de mantener el universo de gente estúpida y darle protagonismo a los personajes secundarios causando desvíos que apenas contribuyen a la historia o a las risas.
En esta temporada Kimmy deja de ser la chica descubriendo un nuevo mundo para tratar de adaptarse a la sociedad como adulta, primero enfocándose en el trabajo y el amor y luego tratando de conocerse mejor de manera en terapia. Mientras que Titus tiene dramas amorosos, Jacqueline busca un nuevo rol al de esposa trofeo y Lillian intenta mantener el status quo del barrio.
La primer mitad de la continuación de la serie es bastante irregular, tiene sus momentos, pero en general no tiene ni gracia ni sentido debido a que todos se comportan de forma tan tonta. Tina Fey levanta un poco la calidad de los episodios gracias a su nuevo personaje, Andrea/Marcia, quien devuelve el interés en el desarrollo del personaje de Kimmy Schmidt.
En general esta temporada es promedio en cuanto a estándares de calidad, tiene sus cosas buenas en la segunda mitad y algunos números musicales de Titus, pero en general se pierde mucho potencial explorando a personajes que apenas tienen carisma en pantalla.
I watched about seven episodes of season 1 and then quit. When I saw that season 2 was released, I wanted to give it another try.
I thought that maybe, my review here of season 1 wasn't justified and that I did this show wrong.
Last season, I thought that the show's premise, being locked up from 2000-2015 in a bunker, isn't really used in the show and is dropped for a simple "girl from the midwest is coming to New York City".
I thought it was ok, amusing, sometimes funny, but not really good.
Well, I gave it another try and my conclusion is: OMG it's gotten much worse.
I watched 3 episodes and during episode three I simply gave up. The show gave my an actual headache.
There is so much overacting, yelling and making weird faces.
There are so many arbitrary subplots crammed together and put in sequence, you think: wth is this?
Is this show pandering to a "15 and younger" demographic with hyperactivity disorders and no attention span?
Sure, there's also funny bits to be found, that's why I gave more than one point, but those don't make up for the rest.
This show is a hectic mess that's all over the place. I can't believe it's got Tina Fey's name on it.
All the good reviews this show got is a mystery to me.
I really wanted to like this show, again. I really was prepared to revise my opinion on it.
But his show is simply unbearable.
I can't believe people are giving a thumbs up for this big pile of annoying crap.
Sorry, Tina. And I mean it. But it had to be said.
First season got an idiotic wit to itself it was almost genius (the Olsen's joke for instance). I don't know what happened here but that brilliance is just gone, the idiotic is still here but the genius is completely killed off. I stopped watching when the an Airbnb ad shaped like a joke showed up in the beginning of episode 5, enough is enough. Tina Fey must be high on crazy **** and she is really not a fine drunkard comedian