For 491 reviews, this critic has graded:
  • 47% higher than the average critic
  • 21% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 8.7 points lower than other critics. (0-100 point scale)

Kimber Myers' Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Apollo 11
Lowest review score: 0 Dance Baby Dance
Score distribution:
  1. Negative: 97 out of 491
491 movie reviews
    • 22 Metascore
    • 0 Kimber Myers
    The movie can only be classified as something truly terrible, escaping any other categorization that would make it resemble an actual film.
    • 38 Metascore
    • 30 Kimber Myers
    The film’s heart appears to be in the right place, but its missteps and melodrama make this a fromage unworthy of savoring.
    • tbd Metascore
    • 20 Kimber Myers
    This ambitiously titled documentary never really makes the reasons for its existence clear.
    • tbd Metascore
    • 30 Kimber Myers
    Travis Hodgkins’ script strives to inspire, but it’s trite even for a drama about the magic of Christmas. Unfortunately, A New Christmas receives little help from either the amateur acting or first-time director Daniel Tenenbaum’s hand.
    • 25 Metascore
    • 30 Kimber Myers
    This is a film that’s better off unseen despite its lovely visuals.
    • tbd Metascore
    • 30 Kimber Myers
    Wallflower is a grueling viewing experience at times, and it never truly justifies its existence and the audience going through that pain.
    • 39 Metascore
    • 20 Kimber Myers
    Jexi is such a dumb, lazy film that it might have even the most ardent cinephile reaching for their device, ready to defend their defection to the dark side when faced with this clunker of a comedy.
    • 35 Metascore
    • 30 Kimber Myers
    Director Elise Duran brings a background in reality TV to this sub-par rom-com, but there’s little of the real world here.
    • tbd Metascore
    • 20 Kimber Myers
    This teen musical comedy is set at a girls performing arts camp, but it never convinces the audience of anyone’s talent.
    • 42 Metascore
    • 10 Kimber Myers
    Despite the presence of theoretically interesting elements such as dirty cops, amnesia and money-laundering, Killerman is two hours of pure boredom.
    • tbd Metascore
    • 30 Kimber Myers
    Repetitive lyrics, nonsensical camera angles and incomprehensible edits will leave viewers feeling anything but positive.
    • 30 Metascore
    • 30 Kimber Myers
    It approaches everything from suicide to Socrates with a facile touch, dealing with serious issues with an almost startling lack of depth and intelligence.
    • tbd Metascore
    • 30 Kimber Myers
    Though Skin in the Game is earnest in its attempts to shed light on human trafficking, the good intentions are buried under a thick layer of grime from its trashy script.
    • tbd Metascore
    • 30 Kimber Myers
    There’s something special here, but it’s surrounded by drudgery.
    • tbd Metascore
    • 10 Kimber Myers
    Everyone is terrible in Extracurricular Activities, a dark comedy without any laughs and a mystery that doesn’t need to be solved.
    • 35 Metascore
    • 16 Kimber Myers
    The Hustle is profoundly stupid and it treats its audience as though they’re even less intelligent than it is.
    • tbd Metascore
    • 20 Kimber Myers
    Rattlesnakes imagines itself as a neo-noir, but that genre is more evident in its themes of revenge and ambiguous characters rather than in its nondescript style. This is a bland, unpleasant watch, all set to an equally grinding score.
    • tbd Metascore
    • 10 Kimber Myers
    Sex Trip tries to tell its audience that what’s inside is what matters, but this comedy is rotten at its core and sure to offend most people unlucky enough to watch it.
    • tbd Metascore
    • 30 Kimber Myers
    As bland as its title, Something is a horror film with few scares and a mystery without answers.
    • 43 Metascore
    • 30 Kimber Myers
    Garrison’s McNeely damns the overlong film; he’s neither a good man nor a good character, someone that we can’t care about or care to watch.
    • 39 Metascore
    • 30 Kimber Myers
    This feels like two movies for the price of one, but the audience isn’t getting a deal.
    • 35 Metascore
    • 30 Kimber Myers
    Beyond its theme of the power of God’s love, Run the Race centers on the importance of forgiveness. Viewers who can overlook its flaws will find value in its message, but those outside its target demo will be unable to see beyond its cinematic sins.
    • tbd Metascore
    • 10 Kimber Myers
    The Lears is a witlessly profane attempt at dark comedy that is beneath the talents of everyone on screen.
    • 34 Metascore
    • 25 Kimber Myers
    Berlin gives a good enough picture of its host city, delving into its complicated history and giving glimpses of its beauty. But few of the segments connect us to its inhabitants and visitors in any meaningful way.
    • tbd Metascore
    • 20 Kimber Myers
    John David Ware’s directorial debut is sloppy in its editing and camera angles, though the script from Bonné Bartron gave him little to work with. Unbridled stumbles further with clumsy product placement, making the film seem less sincere in its efforts despite its good intentions.
    • tbd Metascore
    • 30 Kimber Myers
    There’s clear affection for the ocean and its inhabitants in “Bernie the Dolphin,” but the movie’s script from Terri Emerson and Marty Poole is on the level of educational placards at a second-rate aquarium. It’s informative, but there’s little entertainment in director Kirk Harris’ film.
    • tbd Metascore
    • 20 Kimber Myers
    Its incoherent script is packed with more “Star Wars” references than Kevin Smith’s entire oeuvre, but none of the laughs.
    • tbd Metascore
    • 20 Kimber Myers
    There’s more sex than dialogue here; it’s a small win because the clunky dialogue and its flat delivery from amateur actors is nigh unwatchable, not that the sex scenes are much better.
    • 49 Metascore
    • 33 Kimber Myers
    Despite its intentions to get close to Mercury, Bohemian Rhapsody is as intimate as a sold-out stadium show, with none of the accompanying power.
    • tbd Metascore
    • 30 Kimber Myers
    It’s better than a number of indie films in its craft — particularly the thoughtfully composed cinematography from Kieran Murphy — but a flawed script ultimately keeps it from eking out a win.

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