For 491 reviews, this critic has graded:
  • 47% higher than the average critic
  • 21% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 8.7 points lower than other critics. (0-100 point scale)

Kimber Myers' Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Apollo 11
Lowest review score: 0 Dance Baby Dance
Score distribution:
  1. Negative: 97 out of 491
491 movie reviews
    • tbd Metascore
    • 30 Kimber Myers
    Last Curtain Call may lament the emptiness of its protagonist’s hedonistic and selfish lifestyle, but the film itself offers few pleasures with its poor pacing and cliched script.
    • 41 Metascore
    • 60 Kimber Myers
    Songwriter is intimate while oddly lacking insight into the artist himself, beyond the heart he pours into his lyrics.
    • tbd Metascore
    • 40 Kimber Myers
    Actor-turned-director Peter Facinelli makes his behind-the-camera debut, and beyond the film’s many script issues, it’s not entirely without its charms. Peter and Daisy might not make sense, but Gibson and Hinson almost sell it with strong chemistry.
    • 56 Metascore
    • 60 Kimber Myers
    Based on Lois Duncan’s gothic young adult novel, Down a Dark Hall is entry-level horror for teens. The scares might not satisfy those old enough to vote, but it should provide mild chills for its target audience.
    • 64 Metascore
    • 83 Kimber Myers
    There’s emotional complexity, making it work for more than just its key demo.
    • tbd Metascore
    • 30 Kimber Myers
    Action star and martial artist White is full of his usual charm and wit, but he and his sparks of humor feel out of place in this otherwise dour film.
    • 62 Metascore
    • 75 Kimber Myers
    Anarchic and daring, Never Goin’ Back is a tale of adolescent female friendship that is somehow ballsier than your standard dude-driven buddy comedy. Frizzell’s film is as fearless as her heroines, and it refuses to judge them for their bad behavior.
    • tbd Metascore
    • 50 Kimber Myers
    Well-shot and well-intentioned, this drama will likely please its core faith-based audience who won’t roll their eyes at the protagonist’s name or the earnest, hackneyed dialogue. However, most others will find the movie’s script from Gianna Montelaro bland and lacking both nuance and specificity.
    • tbd Metascore
    • 20 Kimber Myers
    Unfortunately, Hell Mountain lacks basic cohesiveness in its storytelling, taking strange, unnecessary detours and not fully developing its details.
    • tbd Metascore
    • 10 Kimber Myers
    This latest entry in horror’s tradition of sorority-set slashers appears to have been made on a college student’s budget, shot by a horny frat dude and edited by a drunken pledge.
    • tbd Metascore
    • 50 Kimber Myers
    Like a wrestler struggling to balance his real-life and in-the-ring personas, the grappling comedy Heels feels torn between its dual personalities, one warm, one coarse. Though individual parts work, this indie film from actor-writer-director Ryan Bottiglieri never fully unites its various elements and disparate tones into a well-crafted whole.
    • 81 Metascore
    • 83 Kimber Myers
    Director Tim Wardle’s film is full of surprises, the least of which is its own dramatic shift in tone from wildly entertaining to absolutely disturbing.
    • 60 Metascore
    • 50 Kimber Myers
    This is not a good movie – but that doesn’t mean that it’s not a good time.
    • 53 Metascore
    • 67 Kimber Myers
    This horror film lacks the freshness of its predecessor, but its bleak view on humanity and technology, as well as some truly unsettling ideas and visuals, still set it apart from most of its fellow studio genre fare.
    • 86 Metascore
    • 75 Kimber Myers
    There’s a delirious joy in watching this much action, this well executed at every level.
    • tbd Metascore
    • 30 Kimber Myers
    Trying to straddle the space between “Primer,” “Dark City” and “Memento,” 7 Splinters in Time ends up a frustrating trip to no man’s land. Despite an ambitious premise and style, the neo-noir sci-fi indie is a fractured narrative that can’t achieve what its lofty ideas intend.
    • 54 Metascore
    • 60 Kimber Myers
    Hotel Transylvania 3 may lack the indelibility of the medium’s best offerings for kids, but hopefully its clear theme of acceptance lingers long after the inoffensive odor of its fart jokes dissipates.
    • tbd Metascore
    • 70 Kimber Myers
    The movie isn’t just an excuse for the filmmaker to declare his love for “Lethal Weapon”; it dives into family dynamics, focusing on the son’s relationship with his unconventional father with some sweet and more serious moments.
    • 70 Metascore
    • 60 Kimber Myers
    The end result is sprawling and often unfocused, with a reach that exceeds its grasp.
    • tbd Metascore
    • 20 Kimber Myers
    This is writer-director Matt Sivertson’s first film, and he and his cast and crew are able to offer only a maudlin drama that inspires eye rolls rather than tears.
    • 62 Metascore
    • 80 Kimber Myers
    Equal parts sweet and tart, director Andrew Fleming’s “Ideal Home” is the cinematic equivalent of Sour Patch Kids.
    • tbd Metascore
    • 40 Kimber Myers
    Christian Audigier the Vif lacks the strong narrative structure that would make it a better documentary, and it often skips details about Audigier’s life and experience that might have offered deeper insight into the designer.
    • 44 Metascore
    • 40 Kimber Myers
    There’s real ugliness here, with the creative torture visited on the victims being enough to unsettle all but the most hardened of horror fans. Unfortunately, the ugliness isn’t solely in the on-screen violence. Transphobia and misogyny flow through the film as much as blood, staining what might have been a solid genre effort.
    • 43 Metascore
    • 30 Kimber Myers
    Peppered with dream sequences and flashes of its protagonist’s thoughts, Beach House is a murky mess. It feels more like a draft for a college creative writing class rather than a finished work.
    • 65 Metascore
    • 80 Kimber Myers
    Côté’s film patiently paints a picture of men who are more than their bodies, revealing the emotions beneath the skin and muscles and challenging perceptions about them.
    • tbd Metascore
    • 30 Kimber Myers
    Written by and starring a bleached-blond Blake Jenner, Billy Boy is ambitious in its structure, style and editing, but the final product is disjointed and irritating.
    • 33 Metascore
    • 30 Kimber Myers
    The well-intentioned script from first-time writer-director Saila Kariat tries for emotional honesty but feels like a soap opera, and the cast doesn’t help it advance past dour melodrama.
    • 85 Metascore
    • 91 Kimber Myers
    If there’s anyone deserving of hagiography, it’s Rogers. This documentary truly captures the depth of his goodness and earnestness, peeling back layers to reveal an even better person than you remembered. “Won’t You Be My Neighbor?” doesn’t cast Rogers as perfect, but it’s hard to imagine a more admirable man.
    • 61 Metascore
    • 83 Kimber Myers
    Ocean’s 8 is the self-aware frosé of movies; a summer delight, perfectly airy and refreshing, it’s not here to be your cinematic think piece. Ocean’s 8 knows exactly what it’s doing and what it’s trying to achive– showing the audience hell of a good time – and it succeeds marvelously at it, without leaving the audience feeling duped.

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