Kyle Anderson

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For 29 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 11.3 points lower than other critics. (0-100 point scale)

Kyle Anderson's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 83 I Am Chris Farley
Lowest review score: 0 Annabelle
Score distribution:
  1. Positive: 8 out of 29
  2. Negative: 3 out of 29
29 movie reviews
    • 36 Metascore
    • 67 Kyle Anderson
    For all its third act nuttiness, The Perfect Guy really should have gone way crazier.
    • 32 Metascore
    • 67 Kyle Anderson
    It’s hard to deny the hedonistic joy in the way Delamarre plays with his various toys, and the goofball stunts—including the yacht-based finale, with a special appearance by a jet ski—are generally worth wandering through the dialogue desert.
    • 81 Metascore
    • 75 Kyle Anderson
    Writer-director Alex R. Johnson’s feature debut uses Southern Gothic simmer to heat up what is otherwise a typical gun-and-bag-of-money crime tale, though Hébert’s terrifyingly electric performance keeps the heat turned up enough to make the bloody climax feel like relief.
    • 58 Metascore
    • 83 Kyle Anderson
    The film—skillfully helmed by Brent Hodge and Derik Murray and featuring talking-head testimonials from family members, friends, and costars such as Mike Myers and Bob Odenkirk—heralds "Tommy Boy" as definitive and notes how winning a romantic lead Farley is in "Coneheads".
    • 59 Metascore
    • 67 Kyle Anderson
    Unfortunately, Run All Night gets a little slack with its third act and runs out of steam by the time the final showdown arrives.
    • 26 Metascore
    • 67 Kyle Anderson
    It's a testament to Neeson's startling charisma as an action star that for all its storytelling flaws, large swaths of Taken 3 remain wildly entertaining.
    • 41 Metascore
    • 75 Kyle Anderson
    Sleep is 91 minutes of delightfully twisted tension and three minutes of eye-rolling treacle. Kidman and Firth are both excellent in their sadness and savagery, and Joffe builds tension far better than most of the horror movies available at your local Cineplex this Halloween weekend. If only he had quit while he was ahead.
    • 45 Metascore
    • 67 Kyle Anderson
    The space between the spectacles are just too laborious, creating the odd sensation that there's not quite enough dance in this dance movie.

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