Mary Sollosi

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Entertainment Weekly
For 15 reviews, this critic has graded:
  • 53% higher than the average critic
  • 0% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 6.2 points lower than other critics. (0-100 point scale)

Mary Sollosi's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 91 Spencer
Lowest review score: 25 The Prom
Score distribution:
  1. Positive: 7 out of 15
  2. Mixed: 4 out of 15
  3. Negative: 4 out of 15
15 movie reviews
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    • 42 Metascore
    • 50 Mary Sollosi
    A Journal for Jordan
    Uninspired though it is, A Journal for Jordan delivers on the heartbreak of its premise. You will weep. So if that's what you're after, you couldn't ask for anything more.
    • 76 Metascore
    • 91 Mary Sollosi
    Spencer
    For all of Larraín's artistry, Spencer would crumble in the hands of the wrong actress, and Stewart gives one of the best performances of her career so far as this highly subjective version of Diana.
    • 36 Metascore
    • 25 Mary Sollosi
    He's All That
    It might be just as well that Padgett is not given a real emotional arc, nor anything resembling an internal life. Even when little is asked of her, Rae's acting is not up to the challenge.
    • 48 Metascore
    • 58 Mary Sollosi
    The Protégé
    Martin Campbell's cat-and-mouse assassin thriller is self-aware enough as a kinetic genre entry. As it spills more blood and more convoluted backstory, however, it reveals an empty center.
    • 61 Metascore
    • 58 Mary Sollosi
    Respect
    It isn't nearly as compelling a movie as Franklin was a singer, but while the film never fully captures her brilliance, it does at least effectively allude to it.
    • 36 Metascore
    • 33 Mary Sollosi
    Space Jam: A New Legacy
    Algorithmically speaking, it's no slam dunk.
    • 65 Metascore
    • 58 Mary Sollosi
    To All the Boys: Always and Forever
    Cloying though it is, Always and Forever does understand how all-consuming first love can be, how bittersweet graduation, how scary choosing one's own path.
    • 71 Metascore
    • 75 Mary Sollosi
    Little Fish
    Obsessed though it is with the past, throughout its whole runtime, the best part always lies ahead.
    • 63 Metascore
    • 83 Mary Sollosi
    Misha and the Wolves
    The insights of the doc don't reverberate far beyond the story it's telling. But oh, what a story.
    • 61 Metascore
    • 67 Mary Sollosi
    Land
    What does come through are the good intentions of everyone involved. There's a great sincerity here, even in the schmaltzier bits, demonstrating a real belief in the humanity on display — however contrived the vehicle for it.
    • 53 Metascore
    • 33 Mary Sollosi
    Malcolm & Marie
    The whole movie comes across as deeply self-conscious, more concerned with how it sounds than what it's saying, consumed with impressing people rather than expressing something.
    • 60 Metascore
    • 75 Mary Sollosi
    Wonder Woman 1984
    It takes some time to get to the major action set pieces (other than the prologue, which is gorgeous), but it’s too much of a pleasure to live in this well-realized place, populated by a quartet of capable and charismatic stars, to really care.
    • 75 Metascore
    • 83 Mary Sollosi
    Farewell Amor
    Its gentle, understated tone belies Msangi’s careful attention to rhythm and detail, though the simplicity of the plot, particularly in a few mild contrivances, slightly undermines the story’s authenticity.
    • 66 Metascore
    • 67 Mary Sollosi
    Wander Darkly
    The film’s greatest strength is the pairing of Miller and Luna, an immensely charismatic duo who give Adrienne and Matteo’s relationship (not to mention her metaphysical crisis) credibility even where Miele’s script does not.
    • 55 Metascore
    • 25 Mary Sollosi
    The Prom
    Some of the songs have charm. The cast is undeniably talented. But ultimately, the film has way too much in common with the egomaniacs at its center: It poses for an undeniably good cause, but its greater purpose is to collect the credit for having done it.

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