Rodrigo Perez

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For 261 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Rodrigo Perez's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Annihilation
Lowest review score: 0 Fifty Shades of Grey
Score distribution:
  1. Negative: 38 out of 261
261 movie reviews
    • 35 Metascore
    • 25 Rodrigo Perez
    Venom isn’t sure what film it wants to be, and it makes for an unintelligible, queasy roller coaster ride.
    • 71 Metascore
    • 83 Rodrigo Perez
    Holofcener knows human pathos, the melancholic, absurdist tragedy of it all, the laughter, the tears, the dark biting irony. She understands human behavior and her sharp, well-observed ‘Land Of Steady Habits’ is as lovely and near amazing as anything she’s made thus far.
    • 67 Metascore
    • 100 Rodrigo Perez
    A stunning, often flooring masterwork about desperation, writer/director Tim Sutton’s, “Donnybrook” is a brutal elegy for those living on the forgotten fringes of America.
    • 53 Metascore
    • 42 Rodrigo Perez
    Meant to appear as some kind of tribute to the victims and families of the Kursk, Vinterberg’s poorly strategized film barely justifies its existence.
    • 84 Metascore
    • 83 Rodrigo Perez
    As usual, Strickland’s latest is delirious, deeply delicious in sumptuous form and sly humor. It’s an oddball film, even for the unusual filmmaker.
    • 71 Metascore
    • 75 Rodrigo Perez
    While its story is thin, its emotional undercurrent has a strong pull with poignantly topical notions of empathy, grief, and mercy.
    • 78 Metascore
    • 83 Rodrigo Perez
    A movie about manhood, brotherhood and the unexpected bonds of fraternity, explored in all their brutality and twisted humor, The Sisters Brothers presents the cruel hostilities of the world, the innocence lost in the madness and the possibilities of a humanity still to be found scattered through the debris of American carnage.
    • 50 Metascore
    • 42 Rodrigo Perez
    Fuqua’s movie, unqualified to create anything other than superficial poignancy, is empty, tiresome and uninteresting, satisfied with repeatedly communicating that if you exploit the innocent, harm the oppressed or abandon your code of conscience, Robert McCall will be there to set things right and severely punish you several times over.
    • 61 Metascore
    • 58 Rodrigo Perez
    It’s an inferior, often frustrating film, it’s hard to root for, and its consideration of its people of color is dubious, even as it features them as protagonists. But nonetheless, there’s some value, especially in is visceral qualities and the chilling nihilism of its violence.
    • 70 Metascore
    • 83 Rodrigo Perez
    Ant-Man & The Wasp somehow manages to organize laughs, action, theme, small MCU connections and even fairly touching ideas about family, responsibility and what it means to be a hero all housed inside of an undersized blockbuster.
    • 62 Metascore
    • 75 Rodrigo Perez
    Ron Howard arguably captures it in his enjoyable, escapist ‘Solo’ movie, but the burden of keeping fans happy means if you’re looking for surprises, you may have come to the wrong place.
    • 68 Metascore
    • 83 Rodrigo Perez
    Ultimately, the latest Marvel event is ‘Civil War’ on steroids and as enormous a spectacle as you’ll ever see on the screen that’ll leave you shook. For a movie plot this thin and basic, ‘Infinity War,’ is remarkably gripping, supersized entertainment that should exhilarate audiences, electrify the box office and continue the Marvel hegemony for years to come.
    • 48 Metascore
    • 25 Rodrigo Perez
    Unexceptionally directed by Roar Uthaug (Norwegian hit “The Wave“), Tomb Raider is superficial even for a mainstream tentpole, clumsily and unpersuasively put together and tests and breaks suspension of disbelief at every turn.
    • 46 Metascore
    • 25 Rodrigo Perez
    Featuring a fittingly shallow funk-lite score by Christophe Beck, Gringo, is ultimately like a Taco Bell version of the ‘90s crime genre; tasteless, cheaply made and just as inauthentic.
    • 79 Metascore
    • 100 Rodrigo Perez
    Annihilation is mesmerizing and its awe-inspiring conclusion will leave your mind blown and splattered against the wall. In its final, surreal biopsychological moments the movie goes to an astonishing interstellar gear.
    • 53 Metascore
    • 42 Rodrigo Perez
    While it’s Lawrence’s most mature and relatively subtle effort to date, it’s also, unfortunately, a slog. The director’s well-intentioned patience ultimately means nothing when its interminable pacing makes the movie feel twice as protracted as its longwinded, two-hour-plus running time.
    • 88 Metascore
    • 83 Rodrigo Perez
    The murky moral dimension of the Black Panther world is wonderfully rich and complex and it gives great pause for its new king to reconcile. And yet, all this intricacy is resolved in rather simplistic fashion in the end. It’s just a superhero movie, one might say, but if you’re going to set up this fertile ground, you might want to really follow through.
    • 29 Metascore
    • 0 Rodrigo Perez
    Bright tries to create a unique and dynamic world with the juxtaposition of harsh police life, crime and modern life contrasted with this imaginary magical realm, but it’s contrived, unconvincing and most of all calamitously preposterous.
    • 72 Metascore
    • 75 Rodrigo Perez
    You may hate All The Money In The World, and you would be well within your rights to feel that way, but there’s no denying that the film is bold and ballsy.
    • 83 Metascore
    • 75 Rodrigo Perez
    Spielberg ever-so-gently presses on the gas of nostalgic idealism enough times that he blemishes what might have been a pitch-perfect movie.
    • 68 Metascore
    • 58 Rodrigo Perez
    Ultimately, Thank You For Your Service is commendable and, well, serviceable. But it’s more of an honorable discharge rather than something you fete with medals of esteem.
    • 81 Metascore
    • 83 Rodrigo Perez
    Through sheer force of filmmaking will and mediation on what it means to be self-aware, Villeneuve’s towering picture still manages to inspires awe and contains profoundly beautiful moments.
    • 65 Metascore
    • 75 Rodrigo Perez
    In its deeply affecting final moments, where Linklater beautifully folds the movie’s threads and themes, Last Flag Flying coalesces into a poignant portrait of honor, the bonds of brotherhood and coming to terms with mortality.
    • 55 Metascore
    • 58 Rodrigo Perez
    Ninjago is mildly entertaining, and kids should find it pleasurable enough, but it’s missing that special spark, the kind of joyful flicker that compels children to ask for the movie on DVD at Christmas
    • 58 Metascore
    • 67 Rodrigo Perez
    Victoria & Abdul is a movie that flirts with exploring prejudice, cultural tension, power, and religion, but never really consummates the ideas. At best, it tries to humorously dismantle the absurdity of empires and royalty, but that’s about as subversive as it gets.
    • 74 Metascore
    • 91 Rodrigo Perez
    Trier crafts a drama that is sublimely ambiguous, austere and also deeply sad and heartbreaking.
    • 76 Metascore
    • 58 Rodrigo Perez
    Stronger feels genuine and certainly has the right intentions, but never converts to something truly enlivening.
    • 71 Metascore
    • 91 Rodrigo Perez
    Delightfully twisted, Thirst Street takes the ideas of desire, romantic longing and desperation — desperation as the world’s worst cologne — and bathes it in a sheen of frosty colors, genuine vulnerability and sardonic unkindness.
    • 56 Metascore
    • 42 Rodrigo Perez
    Intimate, but never actually involving, The Glass Castle at least has admirable performances to watch.
    • 34 Metascore
    • 25 Rodrigo Perez
    The Dark Tower is a tepid non-starter from minute one.

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