Much of the shtick used by Clark and screenwriter Roy Moore was later stolen both by countless hacks and at least one real artist (Halloween director John Carpenter), but few repeated Clark's most devious tactic, accompanying the violence with the sound of the killer's nerve-janglingly maniacal shouting.
Not only does Black Christmas provide real chills, it introduces devices - like the opening, which is shot from the slasher's point of view - that inspired John Carpenter's Halloween and countless genre flicks to follow. [20 Dec 2009, p.61]
"Agnes, it's me Billy... Agnes, Agnes don't, don't tell what we did Agnes."
Chills down my spine.
There’s something about horror movies set around Christmas that makes the magical season feel so unholy, yet still calming. In ‘Black Christmas’, whenever it’s night-time in the movie, there’s nothing but complete blackness that makes everything from inside the house or outside feel so closed off in a claustrophobic nightmare.
One of the most effective and chilling slasher movies of the 70’s that actually scared me. Before John Carpenter's 1978 ‘Halloween’, there was ‘Black Christmas’, and before there was Jamie Lee Curtis, there was Olivia Hussey, the originally scream queen. Both movies are remarkably similar: set at a particular time of year and feature a killer with serious breathing problems and has a slow build-up that gives the audience enough time for us to care for the characters. Am glad this is getting some recognition in recent years.
The camera work and POV shots combined with the shadows made much of the movie so disturbing but also memorable. Major praise must go director Bob Clark for pulling all of this off. However, I still can’t believe he made this, since Bob Clark has the strangest career of any director out there.
The soundtrack is both eerie and atmospheric. Listening to it was honestly so uncomfortable. Guys, I can’t emphasis this enough, this movie is so freaking creepy, and funny enough, I didn’t expect it to be.
I think what makes this movie so effective is that the victims aren't being pursued by some kind of masked killer; in reality, it's just some guy lurking in the shadows that could be anyone. Also, it's not as if the killer is following the characters everywhere, they go; he's in the house the entire time and we the audience know that right from the beginning. A very **** move.
Overall rating: I can’t recommend it enough. A solid Christmas movie wrapped up in terror.
Merry Christmas & Happy Holidays everyone! Stay safe and healthy.
What Black Christmas retains is the competent pacing and pure chaos that’s dealt in whispers and brutality, and what it lacks is a younger audience who just can’t quite understand that some horror films require imagination, suspense, and no explanation to hold our hand with.
Although strictly standard fare, the material is elevated somewhat through Clark's skillful handling of such plot devices as obscene phone calls from the killer to the girls via the upstairs phone and a nicely handled twist ending, which provides a genuine shock.
Black Christmas, a bloody, senseless kill-for-kicks feature, exploits unnecessary violence in a university sorority house operated by an implausibly alcoholic ex-hoofer.
The holidays are often the busiest time of the year, and Black Christmas plays off of this well. The sorority girl protagonists are so distracted with the hustle and bustle of the season, as well as the everyday life problems that are typical for so many young adults during their college years, that they naturally overlook key details about the events happening around them. Allowing a killer to move amongst them undetected and pick them off one by one as they separate.
With his cryptic, lewd phone calls and other forms of unhinged behavior, the antagonist of the movie really made my skin crawl. The way he's always obscured in shadow, never allowing us to have a good look at him makes him far more enigmatic and terrifying than any of the unkillable masked slasher icons everybody is familiar with. I love that we learn virtually nothing about him. He really is just some random guy who could be just about anyone. Something the movie tries to play off of with a fake out identity reveal. Which I'm sure was great back when this was first released, but ultimately doesn't prove very effective today do to how many times it has been used in other films since then.
Black Christmas actually has a pretty slow build-up. Something that allows the mystery to be fleshed out, tension to rise, and the sense of humor to shine. While I wouldn't call it a flat out horror-comedy, there are definitely moments placed throughout that are meant to make you laugh. The movie never goes out of its to set these moments up though. Instead they seem to come entirely from just how believable the characters and events are. I'm amazed by the movie's ability to capture life's real, naturally occurring humor through things like the incompetence of the police force or the uncaring irresponsibility of the college students.
The personalities and little histories of the characters themselves are also revealed to the audience in a very naturalistic way. There's not exactly any time taken to flesh out any of these girls to us. Instead we're thrown in with them in the middle of a small Christmas house party. From there it's their actions that define them and tell us who they are. The writing is so strong and the vision for each one so clear that you can easily see how true-to-life they are. This allows each one's subplot, no matter how small, to standout in our minds even if it only exists as a means of separating said character from the group so that they can be picked off.
Much like The Strangers, this film was inspired by true events and it's that sense of believability that makes it so forceful. The way it makes thoughtful rather than sporadic use of its blood and violence makes each death more impactful, to say nothing of the strength of its character work. This is simply an all around excellent slasher that will have you (carefully) checking the attic before you go to bed.
9.2/10
It is an impressive and remarkable subject for its time. The scenes are very successful in drawing you in and making you tense. Shooting angles and transitions met my expectations. An interesting and suspenseful ending completes it all. This movie should be given a chance.
Aside from a few logic holes like the totally inept police and the slightly slow pacing this is a fantastic scary horror. There are no laughs here as this is as serious as horror gets. This is what is so good about it. The creepy phone calls really set the mood leading towards the intense and petrifying scary ending. This is a very good and well-polished but still gritty stalker horror. The killer is always hidden. There aren't many jumps in the film, there doesn't need to be as there is this impending sense of doom that lingers throughout even after the intense ending. Very good horror film.
Black Christmas is first of it's kind. This movie started the trend of slasher horror in hollywood. This movie inspired John Carpenter to make classic Halloween.
Movie was good and enjoyable at some points but most of the time you will feel bored. Movie had some problems with pace and setting of story. Till the end of the movie, you don't know killer's intentions and most, importantly his identity. Hiding the identity is good for suspense but by the end nothing was cleared. Everything should have been shown step by step just like Halloween which helped audience to feel what's happening with the main lead but that was not the case with this one. Overall, by reading what I wrote above don't think that the movie is bad. For 1974, it is ahead of it's time and gave birth to slasher genre. It was just that after watching so many slasher movies, this one felt short.