There is no denying the emotional force that this film develops, and for that, we can credit talented filmmakers and two stars working at the height of their powers.
I made my boyfriend watch this movie with me as I am an old movies fan and he is not. He became very intrigued with Gloria Grahame and hadn’t realized that this was pretty much a true story. That a famous Oscar winning actress asks a close-knit family if she can stay with them while she’s in denial about her terminal illness, and they treat her like a member of their family as they try to figure out what to do. Who could have thought up such a plot? Gloria and Peter are hard roles to make credible. I’m surprised Annette and Jamie didn’t get Oscar nominations. It was so good to watch such a unique story with such wonderful characters!
A vastly underrated gem that definitely deserves wider attention -- and more recognition -- than it has received thus far. With what is arguably Annette Bening's best screen performance, coupled with a fine counterpart lead portrayal by Jamie Bell, this heartfelt romantic tearjerker justifiably earns every bit of emotion it evokes from audiences. Don't listen to the cynics; if you enjoy good old-fashioned love stories, go see this one, but keep the tissues handy.
The film is frustrating because so many of its best possibilities are missed. But Bening keeps you watching, and, to a lesser extent, so does Jamie Bell as Peter Turner.
Bening forgoes vanity and digs into the humiliation Grahame felt as she aged out of the vampy roles Hollywood typecast her in. Bell brings a sturdy humanity to Peter, a low-key stage actor and nice guy who’s completely unfazed by their age difference.
Eventually so generic that it might as well be about anyone, Film Stars Don’t Die in Liverpool creates a foul tension between the paint-by-numbers quality of its approach and the uniqueness of its affair.
Although I'm not someone who focuses on awards and I must admit this film doesn't have a sublime performance, one way or another I'm still annoyed that Annette Benning still doesn't have an Oscar, it's just criminal. She carries the full weight of this film and although I said it's not a sublime performance, it's still a great performance that shows the enormous consistency this great actress has had in her career, consistency she continues to maintain.
The film is pretty good but her work is the best reason to watch it.
Bening and Walters are superb in an otherwide depressing account of the last two years in the life of Academy Award-winning actress Gloria Grahame. The film glosses over the more unsavory aspects of Grahame's life, particularly her marriage to her stepson whom she first went to bed with when he was 13 and she was still married to his father as well as one of my favorite bits of Grahame trivia -- she held the record for the briefest amount of screen time for any Oscar-winning role until Beatrice Straight broke it almost a quarter of a century later. There's not a lot here to compel someone to seek out this film.
(Mauro Lanari)
Biopic about a love story between two who compete in immaturity. I was not enticed to document myself on them despite the performance of the pair of protagonists and the attempt at ennoblement through the Bard. Cute soundtrack.
One of my favorite behind the scenes in Hollywood is the film "The Bad and the Beautiful" for which Gloria Graham won the Oscar for Best Supporting Actress. In "Film Stars Don't Die in Liverpool"we see the last 3 years of her life when she was having an affair with a man 28 years younger than her. The film takes place mainly in California and England with scenes melding into each other and going back and forth between the years and places superbly edited by Nick Emerson. Gloria, married 4 times, is way past her movie career prime and is acting on the stage in England and while playing Sadie Thompson in "Rain" she meets Peter Turner who wrote a book about them and which this movie is based on, the screenplay written by Matt Greenhalgh.
Both Annette Bening as Gloria and Jamie Bell as Peter Turner make their relationship believable and create a chemistry that makes you forget the age difference except when she brings it up but even they can't make this just another picture that can't be saved by top performances though they do give the film whatever power they can find in it!
With Kenneth Cranham and Julie Walters as Peter's parents and Vanessa Redgrave, in a too short scene, as Gloria's mother with Frances Barber as Gloria's very jealous sister the director Paul McGuigon does what he can to elevate the love story but doesn't quite succeed and it could be a story about any two lovers with a large age difference.
As huge a fan as I am of Annette Bening, and admirer of Jamie Bell for his role in "Billy Elliot, along with always glad to see Redgrave and Walters in a movie I just can't recommend this film. Instead, if you aren't familiar with Gloria Graham see her in "The Bad and the Beautiful", "The Greatest Show on Earth", "It's A Wonderful Life" or/and "Crossfire".
By the way, the whole audience was over 50 and they were shocked at two exchanges that I thought everyone knew!