Gunpowder & Sky | Release Date: June 7, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
13
Mixed:
4
Negative:
0
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Critic Reviews
Weaving a glancing love triangle into a poignant observation on the waxing and waning of creativity, Serebrennikov revels in radiant black-and-white scenes of urban grit. The vibe veers from grungy to blissful, the characters’ earnest charisma serving as the movie’s force field against criticism.
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If not as overtly political as “The Student,” Leto nonetheless represents about as flamboyant a statement of free artistic expression as Serebrennikov could make at this moment: There’s certainly nothing contained or inhibited about its celebration of artists who themselves were given little support or leeway by the Soviet government.
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What Leto understands is that the lives of these Russian rock pioneers never approached the excess and flashbulb excitement their American and British counterparts enjoyed. Steadicamming through modest concert venues and studio spaces, the film replaces the melodrama of the typical rock biopic with lots of downtime, spent recording and talking about music.
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Little of this comes through in the film, which is about the mayfly moment and three people at its center. For those who don’t have enough information to connect the dots, that may not be enough. Maybe you had to be there, but it’s a movie’s job to take us, and this one gets only partway.
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RogerEbert.comJun 7, 2019
Even the slow-motion crumbling of the love triangle between the mentor, his wife and his mentee isn’t that thrilling. Leto had the potential to be so much more lively—this is rock ‘n’ roll in the Soviet Union we’re talking about—that its stylish malaise feels much more disappointing.
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