Lionsgate | Release Date: March 23, 2012 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
39
Mixed:
8
Negative:
2
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Critic Reviews
Boxoffice MagazineMar 16, 2012
As action, as allegory, as cinema, The Hunger Games is the best American science-fiction film since "The Matrix," and if Ross and his crew stay with the series for the next two books, we may get that rarest of things: a blockbuster franchise that earns our money through craft, emotion and execution, not merely marketing and effects.
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The PlaylistNov 20, 2015
Ultimately, Ross hasn’t just successfully mounted an adaptation of a hot literary property, or even launched a film series that earns the right to be a franchise. He’s produced an engaging, thoughtful, populist piece of entertainment that transcends gender, genre or source material.
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The Hunger Games looks poised to usher in a brand new hit franchise and deserves all the credit it gets for its confrontational subject matter, delicately-orchestrated fight sequences and sci-fi sensibilities. For teen audiences, films don't get much darker - or smarter - than this.
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If the movie had a lead actress more delicate or malleable than the strong-cheeked Lawrence-a Natalie Portman, say-it would tip over into sexy-girl-killer celebration; the same goes for Harrelson's salty mentor, who is never too supportive or paternal. Both performers lean into the economies of survival, certain of the savagery that lies ahead, and come up with sharp work.
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The Hunger Games is first and foremost an adventure/survival story, and director Ross keeps things moving with nary a moment of downtime. There's precious little fat on the script; it's a lean, mean antifascist machine, and Lawrence is at once winsome and spectacularly engaging as Katniss (so much so that all her male costars pale into near-blandness in comparison).
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When the goal is simply to be as faithful as possible to the material - as if a movie were a marriage, and a rights contract the vow - the best result is a skillful abridgment, one that hits all the important marks without losing anything egregious. And as abridgments go, they don't get much more skillful than this one.
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As she did in her breakthrough film Winter's Bone, Jennifer Lawrence anchors this futuristic and politicized elaboration of The Most Dangerous Game with impressive gravity and presence, while director Gary Ross gets enough of what matters in the book up on the screen to satisfy its legions of fans worldwide.
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The Hunger Games may be derivative, but it is engrossing and at times exciting. Implicitly, it argues that "The Truman Show" might have been improved by Ed Harris lobbing fireballs at Jim Carrey, and it's now clear what "American Idol" was missing all those years: a crossbow for Simon Cowell.
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A watchable enough picture that feels content to realize someone else's vision rather than claim it as its own. Any real sense of risk has been carefully ironed out: The PG-13 rating that ensures the film's suitability for its target audience also blunts the impact of the teen-on-teen bloodshed.
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