HBO | Release Date (Streaming): March 27, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
25
Mixed:
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Negative:
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Critic Reviews
The film has an uncommon assuredness and eloquence, a keen sense of what makes its subject fascinating, and a grasp of shape and tone that, by Tina’s end, feels almost poetic. The sum result is a quietly revelatory work that achieves remarkable insight and intimacy while never feeling sensationalistic.
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The otherworldliness of “Tina,” which exists for many minutes in a kind of vacuum created between the various silent images and the distanced voiceover, is transporting; the ambient score by Danny Bensi and Saunder Jurriaans helps transform what might have been a series of mere tawdry recollections into a kind of prison memoir.
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"Tina" is that rare documentary that leaves you craving an encore, as if two hours weren't quite enough to do Tina Turner's life and career justice. Weaving in a new interview with the 81-year-old icon, the footage then and now underlines the impression of Turner as a force of nature, rocking and rolling with and without Ike.
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Through a treasure trove of archival footage, interviews with former backup singers and songwriters and other associates of Tina’s, as well as a series of interviews filmed with Turner (who is now 81) at her Shangri-La-esque chateau in Zurich, Tina is must-see for longtime fans and, perhaps more important, millennials who might not grasp just how much of an influence Tina Turner has been on generations of performers — regardless of gender.
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You may believe you know Turner’s tale. And you may be right. It is retold well here, but the most moving portions — and they could bring tears to your eyes — come as Turner, almost 80 at the time of this interview (and as beautiful as she has ever been), wearing a tailored black suit, sits and discusses where she’s at now.
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It’s a heartbreaking journey with moments of real triumph, including Turner playing to a crowd of 186,000 in Rio and the audience clearly adoring her during a curtain call at the musical based on her life. But every triumph here is offset by the sense that there are scars that never fully healed.
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The TelegraphMar 5, 2021
If this is, indeed, the last act, the documentary packs quite a punch. Slickly produced, at times quite flashy and schmaltzy (as was, to be fair, Tina’s musical oeuvre), it nonetheless digs into one of the most shocking, painful yet ultimately triumphant stories in rock history with real zest and flourish, and a determination to face the brutal truth.
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