| 20th Century Fox | Release Date: March 23, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
9
Negative:
3
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Critic Reviews
TheWrapMar 20, 2018
Whether shot on an iPhone or just screened on one, Unsane effortlessly flexes Soderbergh’s skill as a storyteller and a technician, injecting the atmosphere and mechanics of a creepy scenario with a substance that deepens and elevates it to the stuff of a harrowing, intimate reality.
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Los Angeles TimesMar 22, 2018
Paste MagazineMar 20, 2018
IGNMar 28, 2018
Unsane is a creepy little thriller, with a concept that could terrify just about anybody, and a plot that wobbles but ultimately stays on the rails. Claire Foy gives a standout performance and Steven Soderbergh’s intimate visual style sells the idea that we are watching something horribly sinister get revealed.
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New York PostMar 23, 2018
If there’s a flaw in Unsane, it’s that the screenplay by Jonathan Bernstein and James Greer doesn’t play its hand closer to the vest. The pleasure here is in watching and wondering what’s real and what isn’t, but all too soon it’s spelled out for us. Nevertheless, it’s great fun to watch it all come together — or, more accurately, fall apart.
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Rolling StoneMar 21, 2018
Foy's performance is something you don't want to miss. Whether spewing f-bombs, kneeing a suspected assailant in the balls, or promising a blowjob to Nate for a few minutes on his secret cell phone, Foy comes on like gangbusters. Fans of her prim, proper regent on "The Crown" are in for a shock.
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RogerEbert.comMar 21, 2018
On the surface, Unsane is a potboiler, a routine stalker thriller. But it works because of how much there is going on within that familiar structure, courtesy of Jonathan Bernstein & James Greer’s smart script, Soderbergh’s claustrophobic direction, and Claire Foy’s committed lead performance.
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The Associated PressMar 21, 2018
Boston GlobeMar 21, 2018
A deft, disturbing piece of work, as cold around the heart as the Kubrick film, if infinitely more dismissible. It gets in, it messes with your mind, and it vanishes, leaving only an unsettling aftertaste of unresolved narrative. It’s an exercise, but some exercise leaves you gasping.
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The PlaylistFeb 21, 2018
Screen InternationalFeb 21, 2018
Admirers of Soderbergh’s experimental tendency will applaud the film’s execution – it was shot on the iPhone 7 Plus – while this story of a tenacious woman fighting all odds should have added appeal in this #MeToo moment. For a mainstream genre piece, however, the narrative execution is a little too cavalier to guarantee audience satisfaction.
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We Got This CoveredMar 29, 2018
Never does Soderbergh’s projection strike me as B-movieness or popcorn entertainment. His mix of arthouse iPhone Hollywood and downplayed character accentuation (by way of misrepresented screen shrinkage) makes for a thriller that fails to spike excitement via a villain who’s always right where he has to be.
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TimeMar 23, 2018
Unsane isn’t easily dismissible, especially if you think of it as just one fragment of the wild terrazzo of Soderbergh’s career, which includes jaggedly brilliant genre classics like "The Limey" and offbeat crowd-pleasers like "Magic Mike." The movie is worth seeing for its craftsmanship alone.
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Wall Street JournalMar 22, 2018
Meant to evoke such distinctive examples of the genre as “Shock Corridor,” “The Snake Pit” and, on a much grander scale, “One Flew Over the Cuckoo’s Nest.” And it’s also safe to say that whether or not you enjoy Unsane — I didn’t, for the most part — there’s a terrific scene in a padded cell.
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Washington PostMar 21, 2018
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